I didn't record any additional dialogue for this CD, they are excerpts pulled from existing episodes.
That part, that internal dialogue that has a lot of ups and downs and darks and lights and stuff - that, I think, is where music comes from. I think the face that you put on when you're talking to people and making small talk, I don't think that's where music comes from.
Describe character using dialogue. Describe character using what the characters see or do or think, but not what they had done or where they had been.
I have a spiritual advisor I call up, when I just feel lost. Lately, I've been talking to God. I developed this dialogue in rehab, this dialogue with God, and every day I talk to God.
I have allergic reactions: it triggers my gag reflex when I read unrealistic dialogue from a teenager.
When you are working on a script, the story itself is not difficult. You say this would happen and then this, resulting perhaps in this. And the dialogue you make as true as you can.
I write from real life. I am an unrepentant eavesdropper and a collector of stories. I record bits of overheard dialogue.
A conversation is a dialogue, not a monologue. That's why there are so few good conversations: due to scarcity, two intelligent talkers seldom meet.
As an artist, I've always wanted to participate in the dialogue of art with other artists.
As a writer, Chris Columbus was a big influence. 'The Goonies' was the first movie I ever saw that kids speak normally and not imagined how kids would talk. Always a big fan of Chris Columbus' dialogue and storytelling.
It is my plan to lead the RSC as a member-driven organization which puts forth positions developed through member participation and dialogue consistent with the RSC's mission and the U.S. Constitution.
The English playwrights of the '50s and '60s didn't really keep writing or getting produced, while the Irish did. There's encouragement for the younger ones also in the fact that Ireland is exceptional in its ability to make theater part of the national dialogue, and it reaches to all four corners of the country.
Can't you see, we are in a dialogue with the universe?
I wanted to open the dialogue about race in ballet and bring more people in. It's just beautiful to see the interest that has exploded for such an incredible art form that I will forever be grateful to!
I don't go back and read my own stuff too much, but there are times where I second-guess myself and said I could have done something different, like a line of dialogue.
Actually, I met a lot of directors and most of them have that fantasy to make a silent movie because for directors it's the purest way to tell a story. It's about creating images that tell a story and you don't need dialogue for that.
The best thing we can do when we want to elevate civil dialogue in our American political discourse is to do whatever we can to make sure we treat others kindly with dignity and respect, and that's what I intend to do.
I believe very much in a dialogue between buildings - I believe it's always been there. I think buildings have different identities and live very well next to each other. We always have the shock of the new, and that's fine. The renaissance style is totally different from the medieval, and they have a dialogue across time.
When we worked on 'Girls,' we've had some really meaningful dialogue with our fans and with critics and really learned a lot of things. Like, on the question of diversity, we heard people, and we responded, which is very different from, like, 'Hey fatty, what are you doing on TV?' And that's what we're trying to avoid.
Right before I decided to come out, I went on a spiritual retreat called 'Changing the Inner Dialogue of Your Subconscious Mind.' I'd never been to anything like it before, and all my friends were taking bets on how long I'd last with no TV, no radio, no phone. But for me that was the beginning of paying attention to all the little things.
For 'City of Ghosts,' I really didn't speak any Arabic. It obviously made it more difficult, but I also found it to be an advantage while shooting. It allowed me to focus on the emotion of the scene as opposed to just chasing dialogue.
Because TV is mostly close up, it has to be fast. And because it has to be fast, you don't have time to explain completely, by a sequence shot, what's happening between people. So instead of experiencing what's happening, say, when a couple is dancing, dialogue is used to explain.
Being published in Arabic is a strong and consistent wish I have. I live in the Middle East and want to be in some sort of an unpragmatic dialogue with my neighbors.
When I switched to screenplays - 'cause I had done musicals and plays - the first assignment in film school was, you have to write a silent film. And it's tremendously helpful to learn how to do that because dialogue can be a crutch. If you can master a silent film, you're golden.
I like dialogue in novels. I wanted to avoid laying history on with a trowel - appearing to be lecturing, as opposed to the characters lecturing their children or students. Dialogue can humanise the story and make it go down somewhat more smoothly.
For me, the dialogue is the easiest part of writing. It just always seems so obvious what a character will say. Maybe it's because I talk too much!
I think that the more comfortable and the more you rehearse - granted, I don't like to take the air out of a tire; there is a fine line - but I think the freer you are with your dialogue, for example, the more open you are to a good idea walking up to you.
Improv relies just as much on listening as it does you delivering dialogue. That's the hard for some people. Some people just concentrate on what they're going to say, and they're not listening. You have to listen in order to see where the other person is going to.
I think that the dialogue between police officers and the black community has to get better, but not better in a way where, 'Oh, let's talk about it when something horrible happens.' The dialogue has to be going on consistently, every day.
Interreligious dialogue in the strict sense of the term is not possible without putting one's own faith into parentheses.
I've always had it inside - this ability to read people, how to get into someone else's head and help them with their problems. And I love when people trust me with their feelings and I can get into any kind of dialogue with them about their inner stuff. I think it's the thing I enjoy most besides modeling.
I love scenes with minimal dialogue.
'Twin Peaks' was incredibly slow, methodic, taking shots that were uncomfortably long, with a lot of scenes where there was barely any dialogue. 'Riverdale' has a much faster pace.
I don't think all comedy should be mindless. Have something that's thoughtful. Maybe some things are tongue-in-cheek; maybe some things are very direct. I like that people have to think about things. That excites me. Because if you say certain things, it starts a dialogue. Even if you disagree, it's still a dialogue.
For me, the making of exhibitions has always had to do with dialogue: a concentrated, in-depth, focused dialogue with artists, who keep teaching me that exhibitions should always invent new rules for the game.
We have to replace our focus on personalities with a focus on ideas so that the opinionated and self-serving pronouncements and forms of cyber-bullying are replaced by thoughtful dialogue and open-minded conversation.
