Zitat des Tages von Richard Rogers:
The Athenians had an oath for someone who was about to become a citizen. They had to swear that 'I shall leave the city not less but more beautiful than I found it.'
Education in British schools isn't good enough. It's not remotely imaginative enough. It lets down too many children, excluding them from society, and, as I've often said, people who are excluded from society tend to express themselves in ways not acceptable to society.
It is quite interesting that whilst there are tremendous theories, in the 1960s when IT was born, everybody was supposedly going to their cottage in the countryside to work in a virtual way.
Cities are about juxtaposition. In Florence, classical buildings sit against medieval buildings. It's that contrast we like. In Bordeaux, we built law courts right next door to what is effectively a listed historic building, and that makes it exciting.
Society has to get a grip and put a tax on carbon. Of course, there is much that flows from that, and it is a complex situation. The small details of something such as climate change are political and social, and they are a lot about fairness and how we rebalance towards a fairer society.
I am much more passionate about cities than I am about nations. The competition between cities is more civilised than between nations. There is an understanding there.
When I started out, nearly every architect I knew was working in public practice; that's where the radical thinking was done. But, there's always a danger of looking back as our fathers did and saying, 'Things were better then.'
Family is everything, although I've been fortunate enough to have worked with some of the most amazing minds over the years, including Renzo Piano, John Young, Graham Stirk and Ivan Harbour.
In Florence, classical buildings sit against medieval buildings. It's that contrast we like.
The only way forward, if we are going to improve the quality of the environment, is to get everybody involved.
If I remember rightly Holland for instance has something like 45, and it's a much smaller country. In comparison we have very few and they are very badly financed.
Architects are not clients. We can't build without something to built.
I'm just saying that there are high quality materials, and when we change them then there should be a way of changing them so that you can celebrate that change - rather than just 'mix it up'.
I think you could make a completely Virtual Centre, though I have a general feeling, and maybe because I am getting very old, that you still need face to face.
The one advantage of being dyslexic is that you are never tempted to look back and idealise your childhood.
Architects design buildings; that's what we do, so we have to go with the flow; and, even though I'm still an old Leftie, global capitalism does have its good side. It's broken down barriers - the Berlin Wall, the Soviet Union - it's raised a lot of people up economically, and for architects, it has meant that we can work around the world.
Most buildings, whether they're Gothic cathedrals or Romanesque ones, were high tech for their time.
You know, the environment is fragmenting, and the environment is, in many places, absolutely hideous!
I think we did a pretty good role, linking, being a sounding board really and a driving force, especially from the bottom up. I think that part of this is bottom up as well as top down.
Everyone has the right to walk from one end of the city to the other in secure and beautiful spaces. Everybody has the right to go by public transport. Everybody has the right to an unhampered view down their street, not full of railings, signs and rubbish.
Form follows profit is the aesthetic principle of our times.
My parents always told me that nothing was impossible.
If you live in a squalid environment, then of course you are going to want to get out of it, you are probably going to want to get into the country, because that's what it does.
I like the idea of trying to influence society by taking a brief, then maybe subtly changing it or looking at it in a new way to see what interesting things can emerge.
My mother was very family-oriented. And I do love being with my children.
I think greed is a critical problem - the gap between the poor and the rich. The gap between the top 10 percent and the bottom 10 percent.
I believe very strongly, and have fought since many years ago - at least over 30 years ago - to get architecture not just within schools, but architecture talked about under history, geography, science, technology, art.
I have a very big family, and that is my number one thing, and we go away for a month to see my cousins in Italy every year, but I need to work.
I believe very much in a dialogue between buildings - I believe it's always been there. I think buildings have different identities and live very well next to each other. We always have the shock of the new, and that's fine. The renaissance style is totally different from the medieval, and they have a dialogue across time.
The Ranelagh Gardens in Chelsea provide plenty of opportunities to walk, think and relax.
There is a Jewish tradition of family, too, but then not all Italian or Jewish families are close.
Cities are about juxtaposition.
I had lots of trouble in school as a child, and I lost confidence. Teachers thought I was stupid. I learned to read very late, when I was 11. Dyslexia wasn't recognized then, and the assumption was you were incapable of thinking.
Suburban sprawl leads to social atomisation and fragmentation and is environmentally disastrous, as carbon-intensive car journeys displace local shops and replace public transport.
Of course I know very little about architecture, and the older I get the less I know.
A greater focus on design in all new homes would make the best use of land, create homes and public spaces, and reinforce the structures of urban life.