Zitat des Tages von Jennifer Konner:
That's like - my thing is I'm always like, 'Oh, white men are ruining everything,' and Max's dad is like... don't say that in front of your son.
The key is that when we disagree, we really hear the other one out and agree that there is a more elegant solution than one of us 'winning.'
I think a great negotiator is an aggressive negotiator, and we're aggressive negotiators, We're not worried about someone coming at us.
The first time I saw Lena Dunham was in 'Tiny Furniture.'
I've worked with Judd since 'Undeclared,' and once you work with Judd you never stop working with Judd.
We just want to be sure that what we're creating is pushing the ball forward for women and diversity in media.
I'm always shocked by what people react to.
Our interests are pretty boundless, as is our appetite for new creative experiences.
Lena Dunham texts me every morning the minute she wakes up to make sure I'm alive.
I think it's weird that they're trying to make us be negative about 'Sex and the City'... Not HBO, but the press. Really, they're dying for us to say something negative about 'Sex and the City.'
The truth is that, to me, a likeable character is a character that is really flawed, so I don't know what people mean when they say 'likable.'
I just went insane. I just, like, couldn't get off of Twitter. It was like, 'I guess this is where I live now - talking about Emily Gould on Twitter'.
We work the full year round to make 10 or 12 episodes, and 'The Good Wife' makes, like, 26 in that time or something, which I can't believe. I don't know how they do it.
When we worked on 'Girls,' we've had some really meaningful dialogue with our fans and with critics and really learned a lot of things. Like, on the question of diversity, we heard people, and we responded, which is very different from, like, 'Hey fatty, what are you doing on TV?' And that's what we're trying to avoid.
It is very hard work, but I am a big believer in not micromanaging; I hire really, really talented people and trust them to do their jobs.
People will fight hard for something they want or something they don't want, that they don't believe a character would do.
The thing that's different about 'Girls' and 'Sex and the City' isn't just that we live in Brooklyn; it's that these girls aren't trying to find their major career paths or life partners. They're just literally trying to get through the week and pay the rent. It's a really different time of life.
I've worked on sets that were unhappy.
I'm in charge of a lot of young women. They occasionally come to me for advice, and I have to wrangle them.
I'd quit my job at a production company and was like, 'I'm going to be a writer...' I became a temp, and it was the mid-nineties, when there was the Internet boom, and the normal group of graduates ready to fill in didn't exist.
One of the reasons 'Boogie Nights' is one of my favorite movies is because it's about people in this gross industry, but they actually treat each other kind of like family. And at the end of the day, they're really kind to each other, and I feel like that is what we have.
You know what my job is? I'm Mrs. Garrett from 'Facts of Life.'