Zitat des Tages von Matthew Heineman:
I fell in love with Mexico. I fell in love with the people.
So much of the access that I was able to gain with the Autodefensas was over months, not days.
Just like with America, there are many Americas, and there are many different Mexicos.
I don't like to talk about myself.
I'm so grateful to be part of the Sundance family.
We have a disease care system, not a health care system.
The contrast of ISIL's videos - which proclaim a fully-functioning and prosperous state - with those of RBSS, which captured the dysfunction and violence of everyday life, is shocking. In a sense, it's a war of ideas, a war of propaganda, a war being waged with cameras and computers, not just guns.
I think in 'Escape Fire,' we really look at the military as a microcosm for the rest of America.
The amount of money that's being put into long-form investigative journalism has become less and less.
It's hard making people sitting in hotel rooms interesting.
Too often, we rely on other people - whether it be politicians or institutions - to effect change.
I was fascinated by what motivates men and women to fight for what they believe in.
I don't drink coffee.
The story of everyday people rising up to fight against evil to protect their families - it's a story that we've seen play out throughout history and across the world today.
With newspapers cutting foreign bureaus and budgets shrinking for long-form, investigative journalism, documentary filmmakers are often filling a void nowadays in the media landscape with their ability to spend time with their stories and subjects.
I barely speak Spanish.
I went on a cross-country trip with three buddies to find out what our generation is about. I bought a video camera, started shooting, learned as I went, and ended up with 'Our Time,' a feature-length documentary about what it's like to be young in America. I was hooked.
For 'City of Ghosts,' I really didn't speak any Arabic. It obviously made it more difficult, but I also found it to be an advantage while shooting. It allowed me to focus on the emotion of the scene as opposed to just chasing dialogue.
I think health care is incredibly, incredibly important.
We mainly shot 'Cartel Land' with the Canon C300. The camera was dropped, smashed, hit by guns, in dust storms, torrential rain, and it never, ever failed.
There's a wide range of motivations that led folks to patrol the border, to be part of Arizona Border Recon.
It's going to take each of us coming together to muster the strength to look in the mirror and ask, 'How can I help create a sustainable health care system for the 21st century?'
I want to move people to think and ponder the question of their own healthcare. And it doesn't need to be political thinking.
My favorite way of making films - and what has allowed me to get key scenes in 'Cartel Land' and 'City of Ghosts' - has been when I've been able to operate alone.
You can't win a battle against an idea with bombs, with guns, or militarily.
Health is the one thing we all have in common regardless of race, creed, or income. Everyone should participate in creating the solutions.