Zitat des Tages über Dialog / Dialogue:
The dialogue between client and architect is about as intimate as any conversation you can have, because when you're talking about building a house, you're talking about dreams.
What is missing from today's dialogue is the effect autism is having on families, our society and what the unknown factors are. The 300lb. gorilla in the room is that our children with autism today will soon become adults with autism.
A song must move the story ahead. A song must take the place of dialogue. If a song halts the show, pushes it back, stalls it, the audience won't buy it; they'll be unhappy.
Write dialogue that supports the situation and the characters, as you find them.
Instead of fostering the kind of dialogue in the boardroom that has in part contributed to our success, the board has inappropriately chosen to silence my concerns through termination as an executive officer.
It's funny, because even though on a drama like 'Picket Fences' those long monologues would stress me out, doing special effects where there's a green screen and there's nobody there to to react to and you have to recite all this dialogue, it's so much more difficult.
Television is a prisoner of dialogue and steady-cam. People walk down a hall, and the camera follows them around a corner.
In my own life, when I was most inspired by a teacher, it always involved a real dialogue, a looseness and a real caring and compassion. It was not without rigor, not without discipline, not without standards, but all that was done out of love.
Real answers need to be found in dialogue and interaction and, yes, our shared human condition. This means being open to one another instead of simply fighting to maintain a prescribed position.
So I think it's important to communicate with the people in terms of what the real facts are on these proposals and try to have a discussion and a dialogue that gives people information. I think they're hungry for that rather than just political rhetoric.
I think the biggest problem working with me would be that I'm an only child, and so I have an internal dialogue that goes on that I just assume you can hear.
A good film script should be able to do completely without dialogue.
I love involving actors at all levels - and they have to know that I want to hear their contributions, with dialogue, with story suggestions, with script changes, whatever.
I'm always looking, as an actor, for activities. I think it's far more interesting to watch what people do than what they say. You always want to watch behavior, because the dialogue as written by our illustrious leaders is great. Eminently playable.
Everybody can make a choice to be more positive. It's about who you hang around and what you choose to watch on TV. What environment you put yourself in. It's easy to get a negative internal dialogue. You have to be aware of what's playing in your mind.
People feel uncomfortable talking about racial issues out of fear that if they express things, they will be characterized in a way that's not fair. I think that there is still a need for a dialogue about things racial that we've not engaged in.
I see people in terms of dialogue and I believe that people are their talk.
I hate it when I'm reading a comic, and the dialogue looks like stickers stuck on top to explain what's going on. For me the best is when your eye goes in a certain point and moves through the composition and then springs out on the dialogue, or gets confused in the image and then goes to the dialogue for an explanation.
I think what has happened, actually, is that September 11 has given a spur, a renewed urgency, to dialogue between the great faiths.
I didn't necessarily have a total idea when I was writing the movie of where everything was going. I just wanted to have really realistic dialogue and write like people I knew talked. I tried to keep it very real.
For some reason, I have always had a really good ability to write children in a way that's realistic but not annoying. The key to that is underwriting them: peel back the dialogue and keep it simple.
It is extremely important that mass media, having freed from the relics of the Cold War, served for peace and dialogue between nations and religions, the rich and the poor, countries and continents.
When I sit down with filmmakers, I feel like we speak the same language in a lot of ways. We watch the same movies and have the same influences. If anything, it creates a dialogue that makes my work more effective.
The movies are all about visual, and television is all about character and dialogue.
I made several short films with very little dialogue. I'm still not a fan of talking heads. My stories are told with images as much as possible.
As for dialogue, I think it keeps things moving to cut to the chase.
The instinct to impersonate produces the actor; the desire to provide pleasure by impersonations produces the playwright; the desire to provide this pleasure with adequate characterization and dialogue memorable in itself produces dramatic literature.
The book is a dialogue between The Dalai Lama and a group of scientists about how we can better handle our destructive emotions and how to overcome them.
I do everything in my power to promote positivity however and whenever I can; and, constructively and softly, try to encourage tweens and teens that if they want to be part of a dialogue on my social platforms, there is an expectation that they do so with poise and respect.
Once serious political dialogue has begun, the international community can assume that we have achieved genuine progress along the road to real democratisation.
There is a need for more effective dialogue... between the government and the international community.
I found it more challenging to act in a small scene, especially if it has no dialogue and if it is a close-up with only expressions.
I think there's a lot of things that occur within the African-American community, that we would prefer to stay within the African-American community - that we get a little nervous when you start having scenes or dialogue that we know is going to be viewed and heard on a national or global scale.
When you're an actor working in the theater, you would never say anything to the writer, never alter the dialogue, never dream to ask for changes.
To this day, I get rewrite offers where they say: 'We feel this script needs work with character, dialogue, plot and tone,' and when you ask what's left, they say: 'Well, the typing is very good.'
What I find interesting about folklore is the dialogue it gives us with storytellers from centuries past.
