Writing is like driving at night in the fog. You can only see as far as your headlights, but you can make the whole trip that way.
And on election night I'd go down to city hall in El Paso, Texas and cover the election. In those days, of course, we didn't have exit polls. You didn't know who had won the election until they actually counted the votes. I thought that was exciting too.
There should be - we should have a society that, whether you're catching the train to anywhere, Frankston or Cranbourne or Craigieburn late at night, you should be able to do it with safety, and, increasingly, you are.
Stars that shine bling in the moon night, might I find true love sqirreled away tonight?
Yesterday ended last night. Today is a brand-new day.
By the time I would have graduated, at 22, I was a writer and featured performer on Saturday Night Live.
I don't have any weird night rituals. I definitely am a ritualistic person... I like to go downstairs and remind my roommate-drummer not to practice early the next morning, so I can sleep in.
There was a train that would come by our house every night, and I'd hear the whistle blow. That is the sweetest memory I have.
My philosophy from day one is that I can sleep better at night if I can improve an individual's knowledge about food and wine, and do it on a daily basis.
There is no planning. On the night it is really great, it's euphoria and if it is not so great there is always tomorrow night. That was his attitude.
I can't miss a night's work and let my public down.
I worked at Mark Foy's during the day and studied drama at night.
I pray every night before I go to sleep and every morning when I wake up.
Moisturizing every night is important. When you're 50 or 60, it's going to show if you don't take care of it. You have to prepare when you're young, so you still have that healthy, glowing skin when you're 60 or 70.
'Hell is for Children' is amazing to do every night and 'Promises in the Dark' and 'Love Is a Battlefied,' of course, but my absolute favorite would be 'Heartbreaker.' It's the one that started everything, so it has a very special place in my heart. And it still rocks every night! It's so fun to do.
I always thought Johnny Carson was just brilliant, and I used to watch him and all the comics that would be on the show every night - and I'd dream about it being me.
At eight, I made a commitment to poetry. Until then, I thought I'd be a policeman. But I went a whole night without sleeping, and the next day the world had changed. It needed a different language.
Last night, two men tried to force my shutters. I recognized them: they are two of Rodin's Italian models. He told them to kill me. I am in his way; he wants to get rid of me.
There's nothing like spending an evening with an audience every night.
I grew up in a haunting postindustrial landscape where prehistoric ferns grew among tens of railway tracks surmounted by brilliant arc lights where birds nested and sang in the dead of night, because for them, it was day.
If you think a child is going to be your accessory... it's not like a micro pig. It's not about putting them in front of the television. You need to read to them at night.
My first dunk ever was in middle school. We were playing, me and my church friends, and I dunked it, and I swear I could not sleep that night.
In the language of poetry, where every word is weighed, nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone's existence in this world.
As an actor, you're always at the service of somebody else's vision. In a play, it's more of the director's vision, and he or she's got their hands on you all the way up to opening night, and if it's a film, there are even more people.
In heaven we shall appear, not in armour, but in robes of glory. But here these are to be worn night and day; we must walk, work, and sleep in them, or else we are not true soldiers of Christ.
When I was a junior, boys were allowed to come visit me at the house. We could sit on the porch until about 8 o'clock at night; that's when it started getting dark. That was it.
It was always chaos with Mom, Dad, uncles, you know; we all lived in the same building. Dinner parties with 25 people every night.
The bed is a bundle of paradoxes: we go to it with reluctance, yet we quit it with regret; we make up our minds every night to leave it early, but we make up our bodies every morning to keep it late.
Loneliness adds beauty to life. It puts a special burn on sunsets and makes night air smell better.
I have hair that I audition with, my sitcom hair which is a curly wig. I have my long chic hair that I wear to my son's school so they know I'm not playing around. I always tell people that my husband gets a different woman every night when I come home from 'The View.' Hair makes you feel a certain way, like putting a power suit on.
I was a very scared child. Not, you know, not so much of life but of the demons that lurked in the dark. And horror movies terrified me. You know, I'd love watching them but then at night, I would just be up in sweats all night.
25 years later, you know, I haven't really put too much emphasis on any kind of individual goal, other than trying to win any particular night, trying to find a way to do that.
Acting is probably the greatest therapy in the world. You can get a lot stuff out of you on the set so you don't have to take it home with you at night. It's the stuff between the lines, the empty space between those lines which is interesting.
The anxiety does crawl up. The other night I was having panic attacks: 'Oh, my God, what's going to happen to me? Am I ever going to have another job?'
I read a poem every night, as others read a prayer.
Love is a snowmobile racing across the tundra and then suddenly it flips over, pinning you underneath. At night, the ice weasels come.
