Zitat des Tages von Robert Carlyle:
To pursue a career in Hollywood you have to have a personality bypass. Look at the top 20 stars in the world - there's probably only two actors among them. Hollywood's not about you as an actor. It's about your currency, what you 'bring to the table'. And I've never been one to jump through hoops for anyone.
I think I have a natural, if I can say that, got a kind of natural ability in comedy.
Most of the time, you find that the smaller the budget, the more the project is about something substantive.
Acting is probably the greatest therapy in the world. You can get a lot stuff out of you on the set so you don't have to take it home with you at night. It's the stuff between the lines, the empty space between those lines which is interesting.
I want to keep audiences off balance, so they don't know who I am or how to take me. If I duck and weave, as Frank Bruno might say, I'll have a longer shelf life.
People go to the movies to watch a film and all they're thinking about is the actress's cellulite they saw in a magazine.
A lot of the characters I play have problems, they are marginalised, they have serious psychological problems, problems with relationships, with childhood. These are big subjects, big subjects. You can't balk at work like that. As an actor, that's as good as it gets.
The darker the character, the more interesting.
It depends who the director is you know, I mean Ken Loach for instance. I've done up to 32 takes with him.
I don't take a great deal of interest in party politics. Social politics interests me a great deal more.
We met in Cracker. I played a maniac fan who murders a policeman and she did my makeup. I thought anyone interested in me looking like that must have genuinely liked me.
The U.K. and the U.S. are very different countries, and it really shows in the television.
Every actor I think has got their own number of takes that they like, you know. Some actors like to go all day, you know on the one scene and some actors want to take two takes. I personally like four.
I used to be a rabid reader, but now it's scripts or nothing - network television is quite relentless, and you can't drop the ball.
Biologically, I'm lucky - an angular face and dark colouring which shows up well on camera.
If there's anything you want to ask your parents, ask them before they go, because once they go, they're gone.
The more people know about an actor the less convincing they become. A bit of mystery's a good thing.
It took a long time for me to accept I was an actor, a professional actor, and that, actually, I make a living out of this.
I'm in four different films this year, and I have four different accents. I sound different in every film. You have to love a character to play it well, and change in my work is what I want.
I never rehearse. Never! I think it's a waste of time.
Vancouver's a very child friendly city, there's... no doubt about that.
Bullying is a terrible, terrible thing.
I'd work with Danny Boyle every day of the week. No matter what he was doing I would do that.
When I look back at it now, my past and the way I grew up, I grew up on communes.
I have a reputation for being an improvisational actor, which is true, but I also know what I'm doing so that if the improvisational strand doesn't work I can go back to what I know's already there.
The first thing you should know about me is when I was three years old my mother left me and my father. And that was traumatic obviously for my father - he suffered a nervous breakdown at that time in his life.
I'm not someone who believes in wasting my vote.
I've really enjoyed my work in television, but the problem for me is the turnover of directors every week.
I feel like I'm the luckiest man on the planet.
My first love is art, and I see a lot of things in an artistic way.
Each performance and each film is what it is. It's right and belongs within that moment. You look at it and try to make it fit your particular part of your character and your particular film.
I hate the word 'hippy.'
Acting, the arts in general, is a magnet for the wounded of society.