I don't need a stage to perform. We just need something to stand on.
The general statement that the mental faculties are class concepts, belonging to descriptive psychology, relieves us of the necessity of discussing them and their significance at the present stage of our inquiry.
In the late 1960s, I was working as an usher for the New York stage production of 'You're a Good Man, Charlie Brown.'
I loved Billie Holiday more than any other person other than myself on the stage. Yeah, I do.
When you go on the stage before thousands of people, you can be excited and nervous, but it's not fear.
I started out in theatre, and there's no better feeling than the adrenaline of being on stage.
Americans are crazy. They have this fascination with throwing their shoes on stage. I've been to a lot of shows in me life, some good and some bad. But I was never moved to take off me shoes and throw it at the lead singer.
I never felt comfortable in real life very well. It's always been an awkward kind of thing for me and so when I hit the stage I just sensed freedom. I sensed, 'Here's a place that I can have all the experiences of life and not feel uncomfortable about it.'
This music is forever for me. It's the stage thing, that rush moment that you live for. It never lasts, but that's what you live for.
Theater is such its own living, breathing animal. You do a show every night, but it's different every night. Being on stage, you're experiencing a journey.
In the old days, variety turns like me learned how to cope with failure - we all had nights when we 'died' on stage - but today's youngsters simply don't have that experience. For them, it really is instant make or break time - hence, all the tears and, hence, all the potential emotional damage.
You know, the record business is much different than being artist on stage.
I don't really like to play live. I don't like to be on stage. I feel very self-conscious.
I was 17 when I first acted on stage. I was a part of an Urdu adaptation of 'Spartacus' in the titular role.
I've always loved acting, even from when I was a child. But when I got on stage, I realised I couldn't act my way out of a paper bag. I was wild and full of unharnessed energy, but I was around all these seasoned performers like Rita Cullis. It was as if they were all in slow motion.
There are not many people from top-tier venture capital firms who are focused on the seed stage.
Death's not one of those things that frighten the life out of me. Getting up on stage with the curtain going up frightens me more.
When I do my concerts, you have got to think about everything else; so you have got to think about your gown, your hair, your body, and how you present yourself on stage.
I think I was afraid of what I might say when I got onto someone's stage or in front of someone's camera.
Personally speaking there's only so long you can go from film to film to film. There's an inspiration an actor gets from the stage.
Prince is the ultimate performer. Prince is that dude that's going to get on stage by himself, if he need to, but hold you in the palm of his hand. Like, you can't take your eyes off the man when he's on stage, and he could just be sitting there playing his guitar.
When you act in a film, you're inevitably surrounded by people you didn't choose, right down to the set painter. I like being able to pick the family I'm waking up to in the morning that's going to make this group effort to tell a story that applies to what's interesting to me at that stage in my life.
It worries me a little bit the reach and power of TV. More people saw me in 'The Practice' than will ever see me in all the stage plays I ever do. Which is sort of humbling. Or troubling. Or both.
If you had to point to anything, it's when you've had as much success as we've had and are so close to winning a Super Bowl, at some stage you have an opportunity to think the next move, even if it's not consistent with all your previous moves, will be the one that gives you the chance to win the Lombardi Trophy.
Even before I did stand-up, I've always been the kind of guy - and I talk about it on stage - who says I like people and I always look for the good in people. I say, 'Every person has something good about them, if you can just find it.'
In London, before I set out, I had paid one shilling; another was now demanded, so that upon the whole, from London to Richmond, the passage in the stage costs just two shillings.
In opera, everyone's watching from a fixed viewpoint, and that really challenges you. Lighting, the sets, stage groupings, the music-but doesn't relate too much to film.
I'm not sure why I'm so often disgusting on stage. I don't always know where it comes from.
In my midteens I went through a brief stage of religious fanaticism, but it was very much about just saying prayers and stuff like that, reciting rosaries and spending a lot of time on that kind of Catholic ritual.
Particularly at around the age of 70 you reach a stage where you have to be very careful. If, at that point, you abandon the work you have been doing, there is a good chance that you will just collapse and drift.
Movies are a fad. Audiences really want to see live actors on a stage.
My stage name has always been 'Armin van Buuren.' When I really started DJ'ing professionally, I already had a few U.K. hits under my belt under the name 'Armin', so I couldn't really change that anymore.
The acts of the human race on the world's stage have doubtless a coherent unity, but the meaning of the vast tragedy enacted will be visible only to the eye of God, until the end, which will reveal it perhaps to the last man.
It was the worst moment of my life. The producer came up and talked me back into going on stage.
The more you perform and get out there, I guess the more practice you have at it and the better you are and the more comfortable you are on stage.
I think film writing, you're thinking in pictures, and stage writing, you're thinking in dialogue. In film writing, it's also, you only get so many words, so everything has to earn its place in a really economical way. I think for stage writing, you have more leeway.