1960er Jahre / 1960s Arbeiten / Working Braun / Brown Bühne / Stage Charlie Charlie Brown Ein guter Mann / A Good Man Gut / Good Guter Mann / Good Man Mann / Man Neu / New New York Platzanweiser / Usher Produktion / Production Sie / You Spät / Late York
You're a good man, Charlie Brown.
After that, I started going downtown and doing a lot of theater shows in Chicago. When you go downtown there, it's like you're in New York, it's like going to Broadway.
If you started in New York you were dealing with the biggest guys in the world. You're dealing with Charlie Parker and all the big bands and everything. We got more experience working in Seattle.
I did 'How to Succeed in Business... ,' 'Kiss Me Kate,' 'Godspell,' and 'You're a Good Man, Charlie Brown' in high school, all of which were fun.
When you work for Bruckheimer, you don't get it any better. He's the ultimate producer. I've had the good fortune of working with some great producers over the years.
When I got divorced, it was another culture shock. It was going from this world I had been into since the age of 16 to literally standing on the streets of New York in kind of shock.
The book that first made me want to be a writer is Flannery O'Connor's short story collection 'A Good Man Is Hard To Find.'
In my fantasy I was always the savior. I would come to Peanuts land and save everybody. Charlie Brown would fall madly in love with me. Peppermint Patty was so jealous.
If I would have had the same opportunities when I was 22, there's a good chance I would have squandered them. I know my work wouldn't have been any good.
