Zitat des Tages von Malcolm-Jamal Warner:
My band, Miles Long, is a jazz-funk spoken word band. There's jazz sensibilities, but I'm a bass player, so I'm very much into the head-bobbing vibe with sophisticated lyrics.
I would love to play just an all out bad guy who has fun being malicious. It would be totally unexpected, and that's what would make it exciting. Plus, bad guys don't see themselves as bad guys, so you could have fun with that.
I don't belong to a motorcycle club, but I know a lot of guys who do. I ride with some guys who do.
I planned so well for my post-'Cosby Show' life that I don't have to make desperate acting choices that conflict with what my values.
Theater is my favorite platform. Television is my favorite paycheck. The more television I can do, the more theater I can do.
I never wanted to be one of those 'Where are they now?' kids.
Theater is such its own living, breathing animal. You do a show every night, but it's different every night. Being on stage, you're experiencing a journey.
My perspective was always being on a number one show doesn't mean anything if I'm not still working consistently at 40 to 50 and 60 years old.
I think one of the greatest advantages we had on the show growing up was being exposed to Mr. Cosby - being exposed to his work ethic, being exposed to how he handles the job of celebrity and living in the public eye... I think that all had a real significant impact.
I've met men who have been married 19, 20 years, and all of a sudden the wife decides one day she needs to find herself.
A lot of times what happens is, not even just with child actors, but people in general, is they get so caught up in the now. The hot song, the hot TV show, the hot movie. You're not saying 'OK, this is cool, but where am I trying to be 20 years from now?' That's always been in the forefront of my mind.
People who feel under-appreciated sometimes make desperate moves.
I've been writing all my life, and playing bass came later on, when I was about 26. What I recognized with poetry and music that I had a different voice - there were things I wanted to express that I could not as an actor or even as a director. It was another avenue of expression that my soul needs.
Our differences - in race, sexual preference, economic - have always been used as distractions to keep us divided. We get so wrapped up in our own stories that we can't hear each other.
Mr. Cosby wanted to do a show not about an upper-middle-class black family, but an upper-middle-class family that happened to be black. Though it sounds like semantics, they're very different approaches.
I have two main bass guitars, and my main bass is a four-string 1964 Fender Jazz, and I've named it Justine.
When I was hanging out with Joey Clements in Chicago, I made it a point not to try to emulate him. I wanted basically to create my own character. I didn't want him to think I was hanging out with him solely to use him as research.
What's interesting is, say, the O.J. trial and when the verdict came out, and there were people who celebrated, and there were people who thought that he's guilty, and it's a crime. Those reactions tend to be filtered through our own experiences.
The beautiful thing about theater is every night is an opportunity to incorporate what you discovered the night before.
When we've had images that perpetuate the negative stereotype of people of color, we've always had 'The Cosby Show' to hold up against that. And the fact that we no longer have that kinda leaves us not in a great place in terms of having the wide scope of the images of people of color.