Zitat des Tages über Bühne / Stage:
I've always been somewhat uncomfortable on the stage, and I've always felt like physically having to negotiate my own presence as a part of presenting work has always been a source of angst for me.
There's no hope of me becoming completely relaxed on stage. If I did, I'd sit down and doze off.
If pushed, though, I'd say that the next stage will be reached when it it's no longer true that about 75% of the best games were written in 1980's on the way to that.
On stage, I make love to 25,000 different people, then I go home alone.
My parents met because my father was an actor friend of one of my mom's brothers, but my mother has never set foot on the stage - she's quite shy. So it's a strange thing because people say, 'Oh, coming from acting parents,' when the idea of acting would literally make my mother just want to throw up.
This life, which had been the tomb of his virtue and of his honour, is but a walking shadow; a poor player, that struts and frets his hour upon the stage, and then is heard no more: it is a tale told by an idiot, full of sound and fury, signifying nothing.
Some people think of me as an actor and some as a movie star, so I sort of guess that makes me both. I love making movies, and I love playing on the stage.
Basically, I started on stage yelling and I kept yelling, and then I yelled some more, and then I yelled even louder. I'm modulated now.
A cricket ball broke my nose when I was a kid so I couldn't breath through it. Before I had it operated on I used to stand on stage with my mouth slightly open.
In the film world, and I know this from just talking to other people, that I'm known as a kind of dramatic, serious, almost humorless actor, and the fact is I'm a funny guy, and I spend most of my life trying to find a lighter side of things and on stage was given plenty of opportunity to do that.
So another challenge for our generation is to create global institutions that reflect our ideas of fairness and responsibility, not the ideas that were the basis of the last stage of financial development over these recent years.
I was in Europe and it was at this stage that I fell in love with Americans in uniform. And I continue to have that love affair.
The thing about Wagner is we're always wrong about him, because he always embraces opposites. There are things in his operas which viewed one way are naturalistic, and viewed another way are symbolic, but the problem is you can't represent both views on stage at once.
In sharp contrast to the idea that this stage of life is enviable, we hear high levels of anxiety about getting old, anxieties about health, mobility, access to facilities, simple routine care and attention.
I've always been a good mother, but I've always been in show business, and I've been on stage, and I don't bake cookies and I don't stay home.
The laws and the stage, both are a form of exhibitionism.
Playing a show is a monumental hassle. You've got to schlep all your heavy equipment into the van, then you've got to drive for five hours, then you have to schlep all the heavy equipment out of the van, onto the stage, set it up, do the sound check, hang around for three hours, then play the show, which is incredibly draining.
Your success story is a bigger story than whatever you're trying to say on stage. Success makes life easier. It doesn't make living easier.
Whether you're on TV or on the stage, you have to work hard to stay fresh, real, and full of energy. You can't settle back. You always have to stay on your toes.
Mutineer is the first album of mine without a demo stage.
My debut upon the world's stage occurred on February 26, 1845, in the State of Iowa.
At one time musical theater, particularly in the '40s and '50s, was a big source of pop songs. That's how musical theater started, really - it was just a way of linking several pop songs for the stage.
At the highest stage of capitalism, the most necessary revolution appears as the most unlikely one.
It's interesting - years ago, I had such bad stage fright during musical theater auditions that I just gave up. And now I'm on Broadway.
I feel like I own the stage.
I never bought the commercial thing, at any stage of the game.
I actually love pressure. I loved playing sport at school in front of a crowd; I love being on stage in front of a big audience. I buzz off that.
I wanna be able to stand on the stage and hold out the mic and people sing all the lyrics to my song.
I love the stage - the fact that you only have one take to get it right, the interaction with the audience, and how every show is different even though you're doing the same thing.
For the two hours I climb on stage, I become the schoolboy. But as soon as it is over, I get off stage and go home and get told to wipe my feet before I come in.
I definitely loved going on stage, I loved the nervous feeling and the performance and the doing-ness of it. It always felt kind of natural and inevitable and logical.
I certainly enjoy going on stage and lecturing and talking to Congress. That's a personality explanation. And given government proposals, I thought I had a clear view that they were antagonistic to human freedom.
I never felt I would get to the stage where I would to have to actively think about retiring from international football as I always thought it would pass me by.
The second stage set in ten or fifteen days after the bombing. Its first symptom was falling hair. Diarrhea and fever, which in some cases went as high as 106, came next.
Some of the overflow audience actually sat on the stage.
You can't enter the Olympics unless you do your routine to get in shape for it. The idea of going out on stage on a tour without having prepped for it would be suicide, literally.
