If you want proof that 'Catfish' was real, just put me in an audition room and watch me fall apart. I can't pretend. I'm really bad at it. That's partly what makes me good at hosting a reality show.
I get on with actors, and when I'm doing a theatre show, it's great being with them all the time. But we're all alike, and it's much nicer being with people who are different.
Dad needs to show an incredible amount of respect and humor and friendship toward his mate so the kids understand their parents are sexy, they're fun, they do things together, they're best friends. Kids learn by example. If I respect Mom, they're going to respect Mom.
The people at home don't care what your problems are. They just know that you're doing that show and you're supposed to do the best you can do. It's not a 9-5 type of job. I've considered myself very lucky to do that kind of work.
If actors can show their abs, why can't women show their bikini bods?
Networks don't want a show with a continuing story. There's no backend potential.
You know, that kind of coldness, you know. And I think, yeah, I think that definitely helped. The female characters on the show, you can see some of them wanting to know what makes him tick. And I guess that translates into some of the fans outside. You know?
I do most of my own stunts because the stunt guys show me how.
I was a failed actor but I still wanted to show off, so I ended up doing live comedy.
Probably from, like, my freshman year of high school, I had this desire to perform and also be involved in the show business industry.
When I was a kid, I'd read about celebrities who didn't want to talk to their fans after a show. I told myself, 'That's terrible, and I would never do that.'
My problem with the wedding industry started when I studied in college and liked to have the television on in the background, and 'A Wedding Story' on TLC always came on, and I'd get irritated that the story of two people making a lifelong commitment to each other could be encapsulated in a half-hour show about the party they throw.
I don't want the money. I don't want the drama. I just want to do my show. I want to have fun again.
I don't like shows, I don't like to put on a show, I just really want to work intimately with my actors.
I was 17 when I auditioned for 'Miss Saigon.' I really grew up doing that show. I pretty much knew, almost a year into 'Miss Saigon,' that I was going to be a performer, that I was going to be singing and acting.
There are so many talented actresses in Korea right now, but they're not seen because there aren't roles in which they can show their talents.
It's nice to be able to work; I'd love to be able to do another TV show I could do in Chicago so I could live and work in the same place. It's hard being a parent and being in a good marriage, and it all takes a lot of work, but if you're not there you can't do any of it.
Every religious group, while perhaps a majority somewhere, is also inevitably a minority somewhere else. Thus, religious organizations should and do show tolerance toward members of other religious denominations.
I can understand why guys wouldn't be into 'Glee.' You know, that's a pretty heavy musical show. That show does, like, six songs in an episode.
When they first said I made it through it was just crazy, I mean all kinds of thoughts were going through my head, and you know to be watching the show for nine seasons and to be on it now is surreal, it's so surreal.
I've never really been star struck. I was a little bit taken aback when I was doing a chat show recently and I was sat in the make-up chair chatting to a guy say next to me but I couldn't look round and see who it was, it was only when I got up I realised it had been Bryan Adams I'd been talking to!
When I do a T.V. show, I hear all these artists in their dressing rooms doing scales - I've never done it because I've never had voice training. What I do to prepare is get in my car and sing along to the radio for about 20 minutes.
A journalist is supposed to present an unbiased portrait of an event, a view devoid of intimate emotions. This is impossible, of course. The framing of an image, by its very composition, represents a choice. The photographer chooses what to show and what to exclude.
I have the show because I'm insecure. It's my insecurity that makes me want to be a comic, that makes me need the audience.
I've never been jealous of any girl in my life, but while shooting for 'Remo,' I was 'really jealous' of Sivakarthikeyan. The day I saw him in his pretty nurse look, I knew that he's going to steal the show.
The two things that matter the most to me: emotional resonance and rocket launchers. Party of Five, a brilliant show, and often made me cry uncontrollably, suffered ultimately from a lack of rocket launchers.
The law isn't justice. It's a very imperfect mechanism. If you press exactly the right buttons and are also lucky, justice may show up in the answer. A mechanism is all the law was ever intended to be.
When I'm up there, I'm just thinking that I've got to make them laugh or they won't show up next time.
Our approach is more the jazz approach, where you learn to play your instrument as well as you can, develop your craft, and then communicate with each other. That's the focus, not trying to give some message or entertain or have a good light show or whatever.
It's really cool to know that you've put something together that isn't for a particular audience. It's so often that a TV show can really only speak to one sect of the population, and this really is something that appeals to a worldwide fan base. People who are into the pursuit of knowledge. Their reaction has meant the world to us.
I'm always most excited about the job I'm doing at the present, and that's especially true about 'Price' because of my respect for the show and it's production team.
It's like those high-school yearbook photos that everyone would rather not see: Oh my God, look at that mullet hair. I have those photos too, but for me, they're, like, entire movies. And they show them on cable.
You know, we all have our inner demons. I, for one - I can't speak for you, but I'm on the verge of moral collapse at any time. It can happen by the end of the show.
If you wanted to show a mirror to people that says, 'You've been drunk on money,' they're not going to want to see it. But if you reflected that mirror on another time they'd be willing to. People will need an explanation of where we are and where we've been, and 'The Great Gatsby' can provide that explanation.
In writing on the page, you can be a bit elliptical, but on TV, you can't dance around stuff. You either show it, or you don't.
There's very little advice in men's magazines, because men don't think there's a lot they don't know. Women do. Women want to learn. Men think, 'I know what I'm doing, just show me somebody naked.'
