Zitat des Tages über Show:
I didn't get here for my acting... but I love show business.
During a fashion show, I want the clothes to speak. The effort I put into my work must be respected.
Now I can see I was at fault for not being more considerate, but when we were doing the show I didn't think it was my job to be considerate to other people.
We're very proud to be part of the eurozone. But this comes with obligations and it is crucial we show the world we can live up to those obligations.
People always ask us, 'When are you guys gonna do a movie? When are you gonna do a TV show?' And to me, that feels like such a step backwards from where are.
I played my first show when I was 17, and that was a big moment. I realized it was something I could keep doing.
Maybe it'll be like 'The Simpsons,' and everybody will remain unchanged. Maybe that's what 'Glee's about. Maybe this is kind of a stasis show. I don't know.
An ideal day starts with putting on a good, smart, fun show where I learn something and ends with me fending off atomic knee drops from my two kids in our no-holds-barred pillow fight/steel cage matches. They are a ruthless tag team.
We always thought that we'd go on from the show to have a career in movies.
Once I was checking to hotel and a couple saw my ring with Blues on it. They said, 'You play blues. That music is so sad.' I gave them tickets to the show, and they came up afterwards and said, 'You didn't play one sad song.'
I do take very good care of myself, and I'm always in love. And by that I mean I have an appetite for life. I'm in love with beauty and things and people and love and being in love, and those things I think, on the inside, show on the outside.
I think my real depressions started when I was about 16 and doing The Patty Duke Show. I would go to bed at about 10 o'clock on a Friday night and not get up again until 6:30 Monday morning.
There comes a point in your moviegoing life where you look at the screen and then you look at the world and you ask, 'What is going on?' You want the movies to show you the chaos and mess and risk and failure that are normal for a lot of us. Generally, the movies hide all of that.
You're absolutely right: Bob Grant is a racist, Bob Grant is a bigot, he's a despicable talk show host and I agree with that.
Jordan has to show the Arab world that there's another way of doing things. We're a monarchy, yes, but if we can show democracy that leads to a two-, three-, four-party system - left, right and center - in a couple of years' time, then the Muslim Brotherhood will no longer be something to contend with.
My business is not to show anybody anything; my job is just to do it.
I've always wanted to do a travel show for people who never thought they could.
Clint Eastwood is an extraordinary director because he knows the value of a buck. He knows where it will show on the screen.
You know when I was 20 and 30, they were insecurities. Now they're just a new normal. I'm 60 years old, so my expectations of who I am and how I look and how I show up in the world had to shift. Not because I couldn't help it, or not because I did anything wrong, but because I had to get into the natural flow of my being as a woman.
Even celebrities, most people have a sense of humor. Most of the people we meet who we've done on the show, like it.
The attack and our response show just how vital Arizona's military bases are to the defense of our country. We need to do everything we can to protect them.
No one could have ever dreamed about how well the show would do.
Retro looking stuff but a lot of these guys doing these shows are my age or younger. I was just disgusted. I hated being around that kind of thing. Not that it affected what I did because when it comes down to it I was doing my own show.
When they show the destruction of society on color TV, I want to be able to look out over Los Angeles and make sure they get it right.
Studies show when people yell, they get themselves even angrier. Interesting factoid: If you and/or your partner's heartbeat becomes higher than 100 beats per minute during an argument, you will not be able to fully understand/process what the other is saying.
I've been hearing this since I first joined the Reds organization, that I'm going to be the next this or that. It's tough on a young player coming up. You show some positive things and everybody jumps on that and says you should be the next Willie Mays.
When I was in top shape I'd go to the ring and show my conditioning.
You show up at the Olympics, and you're no longer you; you're an American Olympian. You're part of this greater whole, and the individual doesn't matter.
People are afraid to show women with demons. But I think it's important for women to see flawed female characters. We're held to a perfect standard, but every woman is flawed.
But basically what I like are the possibilities, and the fantasy element of the show. Not science fantasy so much, but fantasy, the humanistic elements and how people relate when they're in a dire situation or comedic situation.
Why me? Why did this happen? How could I be in Westlife and then have nothing to show for it financially at the end of it? But it's like, why not me? That's just life. It's tough. There's a lot more problems in the world. There are a lot of people who would wish to God they had my problem instead of having a sick child.
I don't need to have my convictions confirmed by a show of numbers. However, being among people in front of a band leads me to believe that all is not lost, that humans, now and then, can communicate on a higher level than the political and the practical.
I grew up with four T.V. channels. If you missed a show, you missed it. You gotta wait a week for the next one. I'd mail-order books: take a quarter, get an envelope, send off for it and wait until it arrived. I grew up waiting for things.
It's really important to me that my niece and nephews can come and see my show, as can my grandad and nan. I love spending time with my family, and music has always bonded us.
I was so enamored with the idea of being in show business so everything was bright to me. I mean, I didn't think of it as being tough and things like that.
I've been pitching a show of five female stand-up comedians through the generations, from Phyllis Diller to Amy Schumer, so when I got an e-mail asking me if I would participate in the Women in Comedy Festival, I was thrilled.
