Zitat des Tages von John Cusack:
New York's like a boxing match. In Hollywood, it's like a Fellini movie or something.
I think that Poe is so resonant because he represents that part of us that is in misery or sorrowful or wants to explore the darkness. He wrote a great story called 'The Imp of the Perverse' about the instinct towards self-destruction. Poe is the godfather of Goth literature and that whole movement.
I've seen the people who talk about their love lives in print invariably have doomed relationships with the person they're talking about.
Any time you stop looking at evil as a black and white thing, it's helpful. So the fact that there won't be any obligatory Islamic terrorist stereotypes in movies any more, that'd be helpful.
Hitler was so modern, in that he was obsessed with being famous. He was caught up with this rush to be have achieved greatness before turning 30.
If you're a movie star, there's a cycle you go through: adoration, adulation, you're used, and then you're discarded. And it happens again and again, always in that sequence.
Art is spiritual.
Hopefully as you get older you get more selfless. That would be probably a good goal. I don't know if we do, though.
Every role you do is kind of a side of yourself. That's why they give you the part.
My job is to just express something that I want to express. And if I'm ahead or behind the curve, that's for others to decide.
I love these movies where it's just about the film. You don't have my face on the poster. It's all about the movie. I like that.
I try not to dwell on the past. I'm not a big go-back-and-try-to-relive-your-past kinda person.
I think when you get to the point where you don't need to be in love, then you could be in love. You have to just be OK with yourself-and that's a long process.
Usually I play people who just keep babbling on and on and on.
Getting trapped back in the '80s, it's almost like a comic nightmare, which for me is a very real nightmare. Every time I flip through the cable, I have flashbacks.
People try to keep their past, like kind of holding on to their past. Every Springsteen song talks about that.
I feel close to Lloyd in 'Say Anything'. He was like a super-interesting version of me. Only I'm not as good as him. Whatever part of me is romantic and optimistic, I reached into that to play Lloyd.
You just try to get the best jobs that you can get. Sometimes I produce my own movies, so that's your own sort of vision. That helps things. I don't know what it is. Probably just circumstance. I've definitely been aware of the fact that I want to do different things.
It's like those high-school yearbook photos that everyone would rather not see: Oh my God, look at that mullet hair. I have those photos too, but for me, they're, like, entire movies. And they show them on cable.
I read Noam Chomsky. I like some of Gore Vidal's stuff.
My point was that it's hard to make good films, but I'm not under any illusion that you do all the time.
A lot of people are not meant to be together.
It's something we, guys, have all done. Made tapes for girls, trying to impress them, to meet them on a shared plane of aesthetics. Read them someone else's poetry because they do poetry better than you could do it, because you're too awkward to do it.
It seems to me that one thing people do over and over again is try to figure out how to get married, stay married, fall in love, how to rekindle all this stuff. It seems to me to be a pretty eternal theme so I don't know if you can get typecast from making movies about men relating to women. It seems to be what is going on on the planet a lot.
The reason bin Laden staggered the planes going into the towers was so every camera would be focused on the second tower when the plane hit. It was not only the murder, but the perpetual image of the horror that permeated into people's consciousness.
It's a very frightening time when something as basic as due process is seen as somehow radical.
I don't tend to think in terms of a moral authority - be a good boy, do good things - more in terms of what feels right.
I was never interested in being an overly public person.
The British keep employing me, and that makes me like them. It also makes me think they're very intelligent.
Probably Lloyd in 'Say Anything' is the closest to me - or to who I was at the time. It was just a great love story about people in the '80s, and we all tried to make it feel as real as possible. It was such a wonderful time. We didn't leave anything in the gym; we put it all out there.
Sometimes you meet people and you feel like you've known them for a long time.
I think the more you expose yourself as a celebrity, the less interesting you are to watch in your work, because if you're putting yourself out there all the time, you're not holding anything back.
I was raised Irish Catholic, but I don't consider myself Irish Catholic: I consider myself me, an American.
Well, I think any actor can probably identify with being a professional liar. You don't always look at yourself that way, but I know a lot of days I do.
I was a teen star. That's disgusting enough.
I remember once acting really cool on a bus with this girl named Stephanie. When I got home, I realized that I had a really big zit on my forehead. If you have acne problems, you really shouldn't be acting like Don Juan. I should have been contrite - and apologized for exposing her to the angry pimple.