I was in 'Seussical,' and I was in a cage onstage in a purple yarn suit singing backup, and I was like: 'I've had it. I can't do this anymore.' I will say for the record that I did love the show, but I was like: 'I want to do something else. I need a little more.'
Now, I admire The Sims as a game, but from a story viewpoint, there are two glaring problems. First, your relationship with those characters is like they're bugs in a jar. There's no empathy. And secondly, you've got this clunky, chemistry-set interface between you and them, with bars to show how tired or angry they are. It's all tell not show.
Thankfully, the meat of the Tony telecast is the performances from the shows, so the awards show kind of creates itself around the season, and then I fill in based on the vibe of the season in general. I'm happy that there'll be so many legitimately good performances on the show.
I always wanted to be on a great TV show and in a Broadway show and have a CD out, and the fact that they happened simultaneously is kind of an embarrassment of riches.
But I don't only get recognized for 'Friday the 13th.' I was on a TV show called' I've Got a Secret.' I was on that show for ten or eleven years. The older people always remember me from that.
I plan someday to do a one-man show based solely on the e-mails of Bellamy Young. And people will think I've written a brilliant comedy myself when, in fact, all the text will be directly from Bellamy.
You know, the funny thing about Lorne and that show is that, you can go over one million things, but in a business of bean counters, he still likes to laugh at small things and creates a show around it.
'X Factor' was the best experience of my life to be part of a show watched by so many people.
To drive a car in rural America is freedom. Before I had a car, I'd never seen a rock and roll show, I'd never seen a comic or a show.
The Senkaku islands are inherently Japanese territory. I want to show my strong determination to prevent this from changing.
You don't need tons of money to create art. You do need tons of money to be a part of show business. They are two different things.
I've been wanting for a long time to create a show which allowed me to show the British Asian community in a truly three-dimensional way, exploring the relationships between generations and what it means to be British and Asian as values become fluid.
Initially, women only had to portray married wife roles on TV, but now there are show that are offering other roles to portray for women. Earlier, all drama used to revolve only around married women, which is not the case now. Even the male actors have a good opportunity for better roles now.
I don't like the showy nationalism - a tattoo, wrapping yourself in a flag - that doesn't matter to me. The way to show your patriotism and commitment is to go and support or play for your team.
I feel that if I am uncomfortable, it will show on my face.
I'm not here to change the music world, but I'm definitely here to show what I can do and express myself through my music.
Everyone in show business has had the experience of the fan who is so excited at recognizing their favorite star, they say, 'Oh my gosh, you're my biggest fan!'
I literally can't get anywhere now without the map on my phone. I used to use an A-Z when I first came to London, and now I really struggle because there's no dot to show where I am. And I think that part of my brain doesn't work any more.
After I did 'Mr. Show,' I was basically just a writer for a while. I was really young, and I kinda was like, wow, I'm 27 and I was already on this iconic show, and now I can just coast. But no one likes coasting, because you have to fill your day with stuff.
'Wonder Showzen' is one of my favorite shows of all time. When I first saw it, I thought it was so funny and new and original and edgy and insane and subversive. I didn't know comedy could do that. It redefined what I thought you could do with a TV show.
Both the Winter and the Summer Solstices are expressions of love. They show us the opposition of light and dark, expansion and contraction, that characterize our experiences in the Earth school so that we can recognize our options as we move through our lives.
Television, when you're on the show, it becomes a big, happy family.
If ever anyone comes up to me, it's usually like, 'You look really like that guy on that show.' And you're like, 'Really?' And they're like, 'Yeah. Cool. See you later.' And you're like, 'Cool, man.'
As a comedian, I'm forced to have a tough skin. Until people laugh, they are detractors. You walk into a new audience where nobody knows you, they go: 'Make us laugh. Show us what you're made of. Prove why we should be listening to you.'
No one was asking me to be on TV. So I made my own late-night TV talk show.
I had good care going. I had Meredith and the family. And I didn't want to become the object of some kind of pity, most of all. I didn't want to show up on the Internet, 'Tom Brokaw has cancer.'
There was a time when I was offered two episodes of 'Alias,' that show with Jennifer Garner which J.J. Abrams did back before he became the mega producer and super successful director. I instead decided I wanted to play this family guy on a short-lived UPN 'Second Time Around.' It starred Boris Kodjoe and Nicole Ari Parker.
The big thing I learned from Chris Rock was not to be a victim of show business. Don't let show business push you around.
I would love to do a cookery show and cookery books. I'm not a professional cook, but I can definitely cook. I know the difference between good and bad cooking. I mean, when I was in 'Big Brother' I was the glorified cook of the house, so if I got offered my own show - then why not?
