It's the emotion of it that hits me, more than anything technical.
We just have fun with our NFL Draft coverage because we understand that it's a long process, and there can be technical glitches that we don't profess to ignore. During our late coverage of the Draft, we sometimes get slap-happy and distort the heads of our analysts.
When you have a sense of calling, whether it's to be a musician, soloist, artist, in one of the technical fields, or a plumber, there is something deep and enriching when you realize it isn't just a casual choice, it's a divine calling. It's not limited to vocational Christian service by any means.
To have one's own story told by a third party who doesn't know that the character in question is himself the hero of the story being told, that's a technical refinement.
It will be hard work. It's always hard work, and hard work from everybody within the team - technical director, mechanics, drivers, engineers - everyone in the team.
I asked a ref if he could give me a technical foul for thinking bad things about him. He said, of course not. I said, well, I think you stink. And he gave me a technical. You can't trust em.
Questioning the nature and implications of liminal instances necessarily involves failure, if only in the specifically technical sense of entering spaces where prevailing criteria of success scarcely apply.
Free is really, you know, the gift of Silicon Valley to the world. It's an economic force, it's a technical force. It's a deflationary force, if not handled right. It is abundance, as opposed to scarcity.
Everyone has ideas. They may be too busy or lack the confidence or technical ability to carry them out. But I want to carry them out. It is a matter of getting up and doing it.
It had to happen to me sometime: sooner or later, I would have to lose sight of the cutting edge. That moment every technical person fears - the fall into knowledge exhaustion, obsolescence, techno-fuddy-duddyism - there was no reason to think I could escape it forever.
I had never thought of myself as a dramatist, and, for really good technical results, the thought came too late: a man of letters has become too wordy to write economically for the stage.
Music has nothing to do with your technical ability.
I will never have anything that is remotely technical near my bath time. I completely zone out and stare up at the ceiling. For me, it's like a form of meditation. It's a time where I can just actually turn off.
My wife says that stage acting is like being on a tightrope with no net, and being in the movies, there is a net - because you stop and go over it again. It's very technical and mechanical. On stage you're on your own.
Free soloing is almost as old as climbing itself, with roots in the 19th century. Climbers are continuing to push the boundaries. There are certainly better technical climbers than me. But if I have a particular gift, it's a mental one - the ability to keep it together where others might freak out.
I started my career in the U.S. military. Traditionally, in the military... you either start with a technical background or a more leadership-focused one. I took the leadership path.
The difference between the student and the born composer is he really hears the thing, and they have to stage it and manipulate it by technical equipment.
My research in this period centered around growth, technical change, and income distribution, both how growth affected the distribution of income and how the distribution of income affected growth.
Coaching courses are still much too theoretical, and this is what you see reflected in the basic technical skills of the average player. I even see things deteriorating.
On the technical side, I hope that my writing is evolving and maturing, ripening, deepening.
The growth of medical expenditures in the U.S. is not caused by administrative costs but by increases in the technical intensity of care over time - a.k.a. medical progress.
It is convenient to distinguish the two kinds of experience which have thus been described, the experienc-ing and the experienc-ed, by technical words.
In Evita I wasn't really hugely involved with it. I gave a little bit of help but they needed a bit of technical help on the movie and so some of my music people went in at the end of the movie and helped out with it.
Simplicity is the outcome of technical subtlety. It is the goal, not the starting point.
To appropriate an invention, be it artistic or technical, you have to have at least a part of your spirit embracing it so radically that you somehow change.
I don't want to do an action movie, because I've acted in them, and they're so boring to do, because they're so technical. The headache of that is daunting. But, if it were an action movie with really interesting characters, how great would that be?
There was a second problem that was still not a technical problem... the project became classified. I couldn't work on it after having gone to all that trouble. I was considered a security risk, so I could not get a clearance.
I was being an artist, being sensitive and technical as artists are. I'm sure Leonardo Da Vinci did that. Artists don't always feel the same as others feel about their work.
Cain Velasquez, he has some technical difficulties, but he has ambition, and he's fearless. He wants to win so badly, and he's in great condition. He's a thinking fighter.
And then you start getting into the technical side of it and the aesthetic side and with those areas you can come up with new ways to visualise things, new ways to render and use the computer to make things look different and new and stuff like that.
I was never the most technical wrestler. But my coaches definitely instilled in me the belief that if you can push yourself and practice smarter than the other guy, you can beat him.
At this period the enthusiasm of the amateur was fast giving way to a more steady commercial instinct, and I let no opportunity slip of improving my position, but I felt that I was still labouring under the disadvantage of not having acquired some technical profession.
In its most limited sense, modern, art would seem to concern itself only with the technical innovations of the period.
I think a lot of developments start with the desire of the developer to get what he really wants so that he can use it. It's not just the technical fascination or the business opportunity.
Every time economic and technical development takes a step forward, forces emerge which attempt to create political forms for what, on the economic-technical plane, has already more or less become reality.
In effect, to follow, not to force the public inclination; to give a direction, a form, a technical dress, and a specific sanction, to the general sense of the community, is the true end of legislature.
