Your wrinkles either show that you're nasty, cranky, and senile, or that you're always smiling.
'Friends' was a true ensemble. There really was no star of the show.
I signed a baby's head one time, which I thought was an odd situation. I had a guy show me a tattoo one time, and he wanted me to sign the tattoo. So I signed the tattoo, and he went across the street and had the signature tattooed.
Whether it's a show or an interview, the way I look at it is that one day people might not want to interview me. So I want to enjoy this ride while I can.
A catwalk show is just how it's done; it's just what you do - it's central to the presentation of a collection. It will be a very brave designer who gives up the catwalk entirely in favour of a digital show.
I'm not very knowledgeable when it comes to designers, but I love going to fashion shows just to see the other personalities that show up. It's such an eclectic group, and everybody is sort of like an artist.
The subject matter of the show, 'Cabaret,' was more than risky. And the emcee I would be playing didn't have a single line of dialogue. Still, it was full of possibilities, and it was mine.
For me, doing a show, the excitement of singing live, and the possibility that you're not gonna be perfect - that's the thrill of it.
For the record, I am not an admitted homosexual, nor am I a homosexual, though I do know the lyrics to every show tune ever written, which might perhaps account for the confusion.
Dolce & Gabbana is like our child. The editing of a collection before a show is a tough call, as we would like to show everything!
The birth of any show is always a rough one.
Well, it was very interesting to play a character and stretch it over such a long time - 12 episodes. I had never done a TV show before, so week to week it was unclear what we would be asked to do.
I don't watch much television. My old TV agent used to always get mad at me because he'd send me out on auditions and I'd be like, 'What's this show?' and he'd be like, 'It's literally the top show on television.' I wasn't allowed to watch TV as a kid.
Every few years, I go back into all the songs and I update them so that it never sounds like an oldies show. If you come to the shows, they're full of muscle. 'Copacabana' sounds like it could have been released yesterday.
You never know what show is going to change your life.
I love the challenge of show business. It keeps me on my toes.
Traditionally the show must go on which is a stupid thing to say, but that in a nutshell is what's going on. We have a new record out; if we won't tour, the new record dies. It's reality - it's what business is nowadays. You just need to tour to sell your albums.
The great thing about show business is that there's no mandatory retirement age.
Whenever I do your show, sometimes I get a little check in the mail and then I take that check and buy a new pair of shoes, and then I wear those shoes the next time I do your show.
To live well is to work well, to show a good activity.
You've got to find a way to relate to people. I just did an improvised episode for Joe Swanberg's new Netflix show, 'Easy,' and it was a huge learning curve for me and taught me so much about fear and courage. But when you're present in the moment, the audience, it's incomparable.
I find that putting my make-up on and playing with different looks is really relaxing for me before the show. It kind of helps me make that transition from 'mommy' to 'performer,' or star or whatever you want to call it!
People buy box sets, and they sit for a whole weekend with a computer on their lap in bed, and they watch two seasons back-to-back of a show. They are invested in the person within that arc or the dynamics of those people - the relationships - and it doesn't matter to them if they're watching it on an iPhone or a cinema screen.
An eye for beauty locks onto faces that show signs of health and fertility - just as one would predict if it had evolved to help the beholder find the fittest mate.
I always watch Dean Martin's show... just to see if he falls down.
If you want good sketches, go pick up Sid Caesar. The best of Your Show of Shows. That's the greatest sketch comedy you'll ever see on television.
Sometimes I dread the truth of the lines I say. But the dread must never show.
I want to do an intelligent talk show where you have room to breathe.
Yves Saint Laurent was my first fashion show. I wore his tuxedo. And Helmut Newton was my first photographer, in 1973. I was really very lucky. I had an amazing career.
I don't mind a crowd's not laughing; it's the groans that slow down the show.
I'm very focused on 'Dexter' right now. I want to make it as good of a show as we can.
My main worry is that after a certain point you become so identified with a character and a series that you might not be able to get work when your show goes off the air.
When you talk about war on poverty it doesn't mean very much; but if you can show to some degree this sort of thing then you can show a great deal more of how people are living and a very great percentage of our people today.
I never show anything to anybody until I've finished it.
In the G.O.O.D. Music camp, we all come around, and we show ourselves and present ourselves as artists only.
We couldn't pitch the show without having created one, at least one 20 to 25 minute version of 'Broad City.' We wouldn't know how to describe it.
