Zitat des Tages von Irwin Shaw:
Writing is finally play, and there's no reason why you should get paid for playing.
My views naturally have mellowed. Most of the critics have been more or less nice to me.
Isaac Singer was born in Poland and doesn't write in English. Still, he's an American.
Ernest Hemingway did a great deal toward making the writer an acceptable public figure; obviously, he was no sissy.
I am forced to say that I have many fiercer critics than myself.
An absolutely necessary part of a writer's equipment, almost as necessary as talent, is the ability to stand up under punishment, both the punishment the world hands out and the punishment he inflicts upon himself.
Writing for the theater, you find yourself living a nocturnal life.
At the height of the McCarthy period, writers were being hounded.
A writer has to live with a sense of honor.
I cringe when critics say I'm a master of the popular novel. What's an unpopular novel?
It's those damn critics again.
My attitudes have changed, but somebody would have to read all my books to find out how they have.
In America, we have the feeling of the doomed young artist. Fitzgerald was the great example of that.
Writers of fiction, when they begin, are more likely to try the short form.
My favorite short-story writer is John Cheever.
In a novel, it's hard to keep track of everybody.
I never show anything to anybody until I've finished it.
The writer works in a lonely way.
Curiously, the United States is full of writers who have one big work in their life and that's all.
In the theater, characters have to cut the umbilical cord from the writer and talk in their own voices.
A good editor understands what you're talking and writing about and doesn't meddle too much.
Kennedy was a man who liked writers and even I got invited to the White House.
You must avoid giving hostages to fortune, like getting an expensive wife, an expensive house, and a style of living that never lets you aford the time to take the chance to write what you wish.
The last paragraph, in which you tell what the story is about, is almost always best left out.
You have to expect the raps when you have achieved popularity as a writer.
When I started out in the early 1930s, there were a great many magazines that published short stories. Unfortunately, the short-story market has dwindled to almost nothing.
I've gone on the wagon, but my body doesn't believe it.
There are too many books I haven't read, too many places I haven't seen, too many memories I haven't kept long enough.
I don't think that the writer is regarded as a freak by Americans.
I haven't stuck to any formula. Most great writers stick to the same style, but I wanted to be more various.
All writers are the same - they forget a thousand good reviews and remember one bad one.
People who light up like Roman candles come down in the dark very quickly.
Posterity makes the judgments. There are going to be a lot of surprises in store for everybody.
In Europe, a writer is supposed to improve up until he's about 75.
Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
I imagine that my characters have become much more complicated than when I first began, which would be normal.