I can remember standing in the middle of the field after the race and seeing the American flag raised and hearing 'The Star Spangled Banner' and all the people singing it. Then I walked off the field and just kind of enjoyed the feeling.
The reason why I have lost weight is that I looked at the international schedule and thought that I wanted to play for another two years. It is a very hectic schedule and if I want to get through that then I have to be in the best shape that I can.
Then after that came word processors and it's hard to make those laugh.
If you want someone who's big-boned and you like that, ain't nothing wrong with having a little extra meat on there. If you like them thin-boned, then that's okay, too.
But you know, if you live an affluent lifestyle, there are all types of trappings that are there that you have to be cognizant of, and you've got to try and communicate freely and gain understanding about and then keep moving on, because you know, sometimes lifestyles are chosen for us as opposed to us choosing them.
Sometimes I see it and then paint it. Other times I paint it and then see it. Both are impure situations, and I prefer neither.
I believe people who go into politics want to do the right thing. And then they hit a big wall of re-election and the pettiness of politics. In the end, politics gets in the way of the business of people.
Within our culture, every school has a swimming pool. We lived on the coast. People swam in the surf. It's a very sporty nation and at that particular time anyone who had an artistic bent was very much an outsider. So if you liked reading or ideas or playing the piano then your dad viewed you as a sissy, basically.
I have a journal of everything I've ever climbed since 2005. For the entry about free soloing Half Dome, I put a frowny face and added some little notes about what I should have done better, and then underlined it. Turns out that is one of my biggest climbing achievements.
When I came to New York and I opened the window of the thirty-fifth-floor apartment, there's light pollution and fog, and I couldn't see my star. So I drew it on my wrist with a pen, but it kept washing away. Then I went to a tattoo parlor on Second Avenue and had it done.
All of my education at Harvard, then Oxford, then Paris was in literature - even my thesis was on Shakespeare.
Sometimes you go into a film and you have no time to prepare and have to compress the details into a few days and then rely on the instinct and what happens when you're in a scene with other actors and that chemistry or not.
I work a lot with sounds based on stream of consciousness. I like the way it sounds, then I turn it into something that makes more sense.
Romeo is the most misunderstood character in literature, I think. He's hardcore to play because he's displaying the characteristics of Hamlet at the beginning, and, well, then everything else happens.
Life is like an onion: you peel off layer after layer and then you find there is nothing in it.
My wife is so analytical with raising kids, and I am not. My feeling is if they turn out good, then that means I was a good daddy and put a lot of effort into it. If they turn out bad, it means they took after her side of the family.
Everything that Traffic ever did, I'd give Steve a complete lyric, titled, written out with the verse, the bridge, the shape and rhyme and then Steve had to figure out how the meter of the words would fit musically.
The corncob was the central object of my life. My father was a horse handler, first trotting and pacing horses, then coach horses, then work horses, finally saddle horses. I grew up around, on, and under horses, fed them, shoveled their manure, emptied the mangers of corncobs.
When I was younger, I wanted to be a cop. Then I watched 'The Wild Wild West,' and so I wanted to be in the Secret Service like James West. At some point I realized, 'That guy is not in the Secret Service. He's an actor.' That sounds like a good idea too.
I was 18 and making 150 quid a week, which was a lot of money to me. Then there was a bad winter and I got paid off. Then my firm, JW Henderson of Bowling Green Street, Leith, went bust. If they hadn't folded, I'd probably still be scaffolding and loving it.
It took me a long time to film the plastic bag, and then I had to get the cut of the scene right. But if you find it as beautiful as the character does, then suddenly it becomes a different movie, and so did he as a character.
One of the things that happens that's challenging within the democratic process is that people say, 'Look at this failure, so we should totally change this whole thing.' And then you add in tons of bureaucratic process and checks and balances, and all of a sudden, it doesn't work that well.
I don't have my novel outlined, and I have to write to discover what I am doing. Like the old lady, I don't know so well what I think until I see what I say; then I have to say it over again.
I was always like, 'No, I don't like sci-fi,' and then I started watching it and thought, I didn't know that's what it was. I think I'd somehow got it confused with action and space-travel action - that sci-fi could only be like 'Star Wars.'
I'm actually a very shy person, which is why I always chose to be in the kitchen. You can make people happy and entertain them, without really being there. You can make a very short appearance and then say, 'I've got something on the stove, gotta go!'
There's the craft of acting, and then there's a quality. There's a quality that someone has.
When you look at C-3PO and Darth Vader and then look at the actors behind them, you can't really make the connection. It kills the magic.
I live now on borrowed time, waiting in the anteroom for the summons that will inevitably come. And then - I go on to the next thing, whatever it is. One doesn't, luckily, have to bother about that.
If your emotional abilities aren't in hand, if you don't have self-awareness, if you are not able to manage your distressing emotions, if you can't have empathy and have effective relationships, then no matter how smart you are, you are not going to get very far.
If people don't like me for whatever I do, for being me, then that's too bad. I don't want to change to be something that I'm not for other people to like me.
I chose my pen name when I was ten, because I knew even then that my legal name would be more trouble than it was worth.
I started doing sculpture in 1959. I had no commissions then. They were painted, similar in style to the paintings... At a certain point, I decided I didn't want an edge between two colors, I wanted color differences in literal space.
I was kind of known as a ballad singer. People would send ballads. Some of them would go over my shoulder and float off the top of my head, and I just didn't feel anything. Then I would hear a song that would absolutely shake me.
Magazines airbrush everything. If you think it's an illusion, then it probably is.
The thing is, I want to play real characters and not all girls can be pretty. The thing is, you get these girls who say 'I'm a character actor' then you see them in a role and nothing has really changed but the outfit.
Every now and then, I strike something that just goes click, you know, in my head. As Gertrude Stein used to say, it rings the bell, and I feel, this is great.
