Zitat des Tages von Sharon Van Etten:
I started playing, and people responded to it and connected with it and now, I don't even know what I'm really connecting with anymore or if I'm helping people. Now it's more of a business.
I'm very democratic about stuff. I know what I want, but I also like getting opinions and people sharing ideas.
I moved to New York to pursue music.
Performing a song is intense. When I see people connecting, it makes it all worthwhile.
I didn't think I was helping other people. But I think that comes hand in hand with trying to be able to connect with people, and if you make things too personal, then it's harder for people to relate to you. Otherwise, it's just them listening to you read your diary.
Singing a song like 'Your Love Is Killing Me,' people are worried about me. My mother called me, like, 'What's going on with you? Are you alright? I thought you were doing fine.' And I'm like, 'I am doing fine. It's just, this is what I do.'
If I make assumptions about the audience and start overthinking things, I can drive myself crazy about how the audience perceives me. I try not to do that anymore.
I'm a total goofball.
Time is very weird.
I work a lot with sounds based on stream of consciousness. I like the way it sounds, then I turn it into something that makes more sense.
I hate the term 'emo.' It turned into this genre of music, when all music, if you connect with it, is emotional.
Writing songs helped me figure out how to communicate with other people. I finally figured out that if I could express something in a song, I could probably express it in my real life, too.
I go back to things all the time. It's really nice, too, like when I'm going through some kind of a writer's block, and I'm feeling uninspired, I go to some of my oldest songs from over the years and sift through them, and one thing that's very nice is to see how I've grown up a little bit. A little bit.
If I start panicking a little bit, I just talk through it with somebody.
'Imperfiction' will forever be one of my favorite records and moments in time.
I used to work at a label. I used to be a publicist. I used to be at a management company.
I only write when I'm in a dark place. I hit 'record' and get it out, writing and playing my guitar at the same time.
'The Boatman's Call' is amazing; it's an album of love songs, really beautiful.
In 2015, I told my band that I was taking a break so I could focus on my home life, go back to school, and try to remember what it was like to feel like a human being again.
I will entertain things that are entertaining and sound interesting and challenge me. But acting just doesn't come second-nature to me.
I'm really out of touch with myself emotionally. I've always had a hard time talking about how I feel.
My goal is to become a therapist by the time I'm 50.
Noveller make soundscapes that are creepy, ethereal, really beautiful and all over the place. They can be intense, dark, and groovy but also dreamlike and happy.
I don't want to bury anything in poetry.
I wanna grow and develop as an artist, and I feel like different kinds of collaborations can only help me in that way.
Everything will be okay. I have a sticker on my laptop that says that.
On first listen, it's nice to just soak up the sound without thinking about what it means. It's like a relationship. Records I've had for years mean more to me now than they did years ago.
When I can write a song in a way where I feel like other people can relate to it, and I can take it past being cathartic just for me, that's when I know I can share it. Otherwise, I'd just feel like it's selfish.
I feel like I'm getting better at being a writer.
People always ask me, 'Why do you only write about heartbreak?' I think I only write when I'm broken, so that's just what happens. It makes me feel better, but having some distance helps.
Every time I re-perform a song, I gain some perspective.
I get things out of my system through my songs, but, because they can be about so many different things, it takes me a while to get through them emotionally.
Both my brothers are drummers.
Relationships. Ugh. You have to laugh sometimes.
My career is based off of me talking about my emotions.
I overthink everything. I'm just like, 'Wait, why do they want to hear me?' I start doubting myself. Other times, I'll just get so emotional during a song. Sometimes I'll cry while I'm singing. It's so weird. I'm such a baby.