I had been a journalist in Europe and then went to divinity school in the early 1990s, and came out as somebody who had the perspective of a journalist and was now also theologically educated.
The actresses I've known support each other very much. If you have a level of confidence in what you're doing, then you don't feel threatened. We all have different things to offer.
Great actors are so easy to direct. It's like they're big 747s that you just have to move left and right, and I don't really need to direct. I need to put them in the right costume, with the right haircut, in the right location, and with the right actor to act with. And then my job is almost done, with a great script, obviously.
When I work, obviously the material is the first and most important thing. Then the director and who I'll be working with. And then the location comes into it. Where is it shooting? Because I have a family that has to uproot to do that with me.
The government's view is that the best time to announce bad news, news that it doesn't want the public to dwell on is late on a Friday, when it will wind up in the Saturday papers, which if you were readers, then the week day editions. A holiday weekend is even better.
I have been very fortunate to be able to work and get the opportunity to play different roles. It's nice to do big studio pictures and then work in Glasgow on films like 'Red Road' and then dress up as a vampire or an alien. I think that's why a lot of people are actors - the versatility.
Way before we got a record deal, we were playing clubs seven nights a week, three one-hour sets a night. Then we got the record deal, and we took off on the road and stayed out.
I think too often in films, people think endings are a summation of plot, and I don't like that. Because once you know where you're going as an audience member, then it's like a video game. You're just waiting for them to get through the levels and beat the bad guy. And I just think that's boring.
I save everything up until Sunday night because if I start sending emails on Saturday afternoon, then people have to start responding to me on Saturday afternoon and Sunday morning.
Motherhood definitely took the focus off of my work. And I didn't mind. I had a few panics when I thought that if I wanted to work I couldn't get a job anymore and then I would get one once in a while and it would make me feel better.
After 'The White Shadow' was over, I did some more work, but then I wound up taking a year off to teach at Harvard. It afforded me the chance to have a variegated career - a very interesting one.
I don't know if I've owned a piece of technology that I hated - I don't think I would have owned it then.
I want to see movies I can walk away from and say, 'Wait, what happened there? Hold up, what did I just see? What?' and then it connects to something that you personally, unequivocally know to be truth.
Action-adventure, that genre, only works for me if you can care about the characters. If the hero's not taking some kind of a journey, then there are no stakes - and no stakes, then you don't care if he lives or dies, wins or loses.
I'm not a machine. I get really motivated, then I fall off the wagon and want to eat Chinese food and sit on my couch and gain five or 10 pounds!
I was weirdly obsessed with music until I was 11, and then I turned into a nerd.
If you're good enough to play a role with emotion and universal human elements, then you'll get others coming to you.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
You know it's easy to say you shouldn't do something and then something happens and you say, 'Wow, I wish I would have done something.'
My grandmother would take me to the cinema quite a lot. She'd take me with her and sometimes she'd sneak my sister in, and then we'd sometimes just sit and watch the movie again.
My dad, we'll be talking about goals for the next year. He's like, 'I think you can be here,' and I look at him like he's cross-eyed, like, 'Are you serious? That's so far out of my reach.' Well, then I always end up achieving it.
There are the tears of rage when books get praised when they're so obviously garbage. But then there are so many more that continue to move me: the end of 'Paradise Lost,' 'The Ruined Cottage' by Wordsworth, Prospero's 'Our revels now are ended' speech near the end of 'The Tempest.'
When 'Nevermind' came out, my roommate had the CD. At first, I actually thought, 'This is too polished and commercial.' It was a little off-putting. But then I was like, 'This is the best music ever.' It felt so close to what I wanted to do.
As an undergraduate, I took a theology course titled Religion as Writing. If writing can be considered a form of faith, then inevitably doubt has to accompany it.
I pick up my guitar and play. Something might come, and then the pen comes out. Then an edit, until something comes out that you're actually satisfied with.
I read a blog about this young filmmaker in the Philippines who made a short film, and one of the characters in the film reads my novel and then starts discussing the novel with someone. The idea that my book can inspire another artist and be part of that other artist's work... that's the reason I write.
I'm astonished by how much journalists stay with the story, try to get to the truth of the story, maybe give years of their life to it, maybe go over to Syria, maybe lose their life. Then, the next day, it's a new story.
So many women keep their anger inside and let it build until they explode and then people blow them off again.
Golf courses are beautiful, it's good for the soul and it gets out the anger... well, if you don't care about the score then you won't have a heart attack.
The SNP became a minority government in 2007, then a majority one in 2011. But Labour viewed what was happening as some kind of aberration. They felt the problem wasn't theirs: they didn't have to change; the Scottish people had just gone down this wrong road, and if they waited long enough, they would find their way back.
I felt more comfortable playing other people than being myself, when I was a kid. And then, the tables turned. Through my performances, I've become more comfortable with who I am, and then I just bring more of myself into the people that I play.
My mother never watched me train in Romania. She wasn't allowed, it just wasn't done back then. My training was paid for by the government. My parents were not at the Olympics with me, either. I never expected them to be.
I wouldn't say I'm personally trying to transition from comedy into drama. I don't look at things like, 'Oh, I need to do a drama now.' I get a lot of material sent to me, and if I feel like something has the creative integrity and the right director and the right whoever involved, the right actors and is a great story, then I do it.
The art of phlebotomy originated with bloodletting in 1400 B.C., and the modern clinical lab emerged in the 1960s - and it has not fundamentally evolved since then. You go in, sit down, they put a tourniquet on your arm, stick you with a needle, take these tubes and tubes of blood.
What's great about the geek spirit is that life never seems to stop us, and they never seem to kill our enthusiasm, our optimism and our hunger to experience the world. We keep our sense of humor, we protect our dignity, we talk to our friends about the experience and then we start again fresh the very next day.
I was growing up in Hyesan, right by the closest North Korea-China border. China was just across the river: you could see across. So I was curious. On the river, on both sides, you have houses, then mountains. I wanted to know what was on the other side of the Chinese mountains.
