Zitat des Tages von Dimebag Darrell:
I was more influenced by players like Randy Rhoads and Eddie Van Halen than by the guys in southern rock bands.
Man, don't get me started on Pat Travers. That dude writes killer blues rock and roll riffs.
I was mostly influenced by bands like Black Sabbath and Judas Priest - Metallica's 'Kill 'Em All' was also a hell of an inspiration.
Who doesn't like to play Black Sabbath tunes!
You can write every song on an album in E and not hurt a thing.
Musicians tend to get bored playing the same thing over and over, so I think it's natural to experiment.
All syncopation means is accenting beats that you don't normally accent.
Learn licks and songs from records.
I'm not going for a soft sound. I ain't lookin' for a warm sound. My sound is warm, but I don't need tubes to do it. The Randall RG-100 is the best amp for what I do.
To get my sound in the studio, I double guitar tracks, and when it gets to the lead parts, the rhythm drops out, just like it's live. I'm very conscious of that.
I've come to find out everybody loves ol' David Allan Coe, even people like Kid Rock.
Initially, I just used the guitar as a prop. I'd pose with it in front of a mirror in my Kiss makeup when I was skipping school. Then I figured out how to play the main riff to Deep Purple's 'Smoke on the Water' on just the E string. Next, my old man showed me how to play barre chords, and that's when things started getting really heavy.
Towards the end with Pantera - although I was never unhappy with the music we were making - it became one-dimensional, and we wanted to open things back up.
Most bands don't make it past two albums and tours, if that. We pulled it off, and everybody's been happy and cool, but we got to the point where we knew it was time to take a break.
My old man was a musician - that's what he did for a living. And like most fathers, occasionally he'd let me visit where he worked. So I started going to his recording studio, and I really dug it.
I got food poisoning in Venezuela, and it sucked!
When I tried to play something and screwed up, I'd hear some other note that would come into play. Then I started trying different things to find the beauty in it.
I can never understand how a solo could ever be 'uncool.' Play something good, and it won't be uncool, you know?
Always have a collection of your favorite CDs with you.
My hair's a pain in live performance. I'm always inhaling it: I almost choked to death a couple of times.
With the right outlook, you can learn to entertain yourself and entertain each other so you can enjoy doing what you're doing. There's obviously gonna be highs and lows, and the trick to it is to be able to maintain composure and stay high even when you're in the lows. That way, when you hit the highs ,it'll be twice as killer.
I'm into the whole song-as-a-piece-of-music thing: if it literally doesn't call for it, if it already has enough stuff going on, then it's okay not to play a solo.
When you're a little kid, you have nerve. I'd walk right up to whoever was recording and say, 'Hey, dude, what's the lick of the week?'
The easiest place to get a natural harmonic on any string is at the 12th fret. All you do is lightly rest one of your left-hand fingers on a string directly above that fret and then pick it.
Washburn built me the guitar that changed my life.
To me, blues is more of a feel and a vibe, rather than sitting there and saying, 'Well, I'm gonna play bluesy now.'
You can tune your guitar funky, and something's gonna come out. There's no secret to it - either you got it, or you don't.
The worst advice I ever received from my dad was to play by the book.
To me, a sure-fire way to get in a rut is by sitting around playing by yourself for too long. You've gotta get out there and jam, man! You don't have to necessarily be in a band, all you've gotta have are a couple of buds who play too. They don't have to be guitarists either; jamming with a bassist or a drummer is cool.
Way before we got a record deal, we were playing clubs seven nights a week, three one-hour sets a night. Then we got the record deal, and we took off on the road and stayed out.
The harder stuff has always done it for me. Man, if it rips, I'll give it a thumbs up!
Music drives you. It wakes you up, it gets you pumping. And, at the end of the day, the correct tune will chill you down.
Man, that first Leppard album really jams, and their original guitarist, Pete Willis, was a great player.
Make your heart bleed! Put your soul into that damn thing. And try new things.
I'm still the same cat I always was.
I try to do things in one take, but doubling rhythm parts is always difficult, especially if you want things to cut the way I want them to cut.