If I've got any authority in Hays, Mrs. Lake isn't going to pay this town a cent of license for showing, and if any man attempts to stop this show, then just put it down that he's got me to fight.
I started out doing things like 'Flash Forward,' where I was the girl-next-door, and then, I did a show called 'Higher Ground,' where I played this really mean, sarcastic girl. Then 'Firefly' happened, and everybody thought of me as this bubbly, sweet girl-next-door again.
There are some nights where I don't get enough sleep, or we're traveling a lot. And then I'll go do a radio show, and the DJs are usually so energetic. And they're like, 'Why aren't you excited?' I say, 'I am excited. I'm just Swedish. This is my excited. I can't get to an American excitement level.'
I think life gives you lemons, and the thing that I'm working on doing is not watering it down, not putting sugar in it. Just drink it straight. The more you can take life head on... it's gonna make you a better person, and then you have nothing left to be afraid of. And what an awesome way to live.
What's interesting for me is that I generally consider myself to be more of a physical actor, and I'm somebody that doesn't really want to use the dialogue but prefers to act through my body, and then sometimes when I have a script, I look and kind of throw away the dialogue and I just look at how I can expressive it through my body.
I've got to tell you, I'm not really a tie man. I'll wear a tie if I have to: If I'm standing in the dock and it looks like I'm facing 20 years, then I'll definitely wear the tie!
My family is from Liverpool, so I have some of those vowel sounds, I've got the slack tone of someone from Birmingham, and then I was raised in Bedford, which is just north of London. So my accent, if it's possible, makes even less sense to a Brit than to an American.
Trevor Horn has worked with some of the biggest stars there is. And he was happy to do a record with me. He's worked with some amazing people, and then there's little old me walking in.
Simply, if you're working with good material, then it's right there, and you don't have to try so hard as an actor; you don't have to do so much. Just let the material sit inside you and let it come out. Just say the words. That was the main thing that I learned from doing Aaron Sorkin's work - say the words, and everything else will happen.
Good candidates can arrive at the binary search tree as the right path in a few minutes, and then take 10-15 minutes working through the rest of the problem and the other roadblocks I toss out. But occasionally I get a candidate who 'intuitively understands' trees and can visualize the problem I'm presenting.
When I was in New York, I put together a show; I put together this really great band and performed at this place called Littlefield in Brooklyn. It was really fun. I did, like, 10 standards, and then I just hopped around different bars like Mona's and different jazz clubs in New York just singing because I know all the standards so well.
In the early '90s, all the girl groups were dressing super feminine. And then we came on the scene wearing Cross Colours, Girbaud, and Nautica.
I loved gymnastics, and my gymnastics teacher said ballet was essential to help my dance routines in competitions. I only really went because my friends were going as well. It wasn't this kind of hidden love. Then, slowly, my friends stopped going and I thought, 'I like this. I am going to stay.'
I was married for four years, then success happened.
You get moments all the time that kind of make you pinch yourself, some of them make you quite emotional. Winning a BRIT was a big moment because we were just so excited to be at the awards in the first place. Selling out Madison Square Garden was pretty amazing too. Then we woke to the news that our UK tour was sold out. It was crazy.
When I was 8 or 9, I started using bulletin board systems, which was the precursor to the Internet, where you'd dial into... a shared system and shared computers. I've had an email address since the late '80s, when I was 8 or 9 years old, and then I got on the Internet in '93 when it was first starting out.
Stand up is really fun because if I think of a joke or a funny idea, then I can just go and tell some people and if they laugh, they laugh right away.
I think a father is important for everyone. If you don't have, then maybe not so much. In the world today, it's possible that you grow up with only one parent in the family.
For a long time, I thought it was all down to dedication, hard work, and visualising doing well - that worked for a bit, but then it stopped. I've realised you have to be more practical and mature to make things actually happen.
I love foods that start in my cheeks and then vibrate up.
I have said it often and I will say it again: I believe you learn to read when you are young, then read to learn for the rest of your life.
Sheets of sound. Well, that was when I got tired of certain modulations. Like when you want to get back to C, and you've got to go to D and then G and then C. I was fooling around with the piano, and I figured out some other way to do it.
The more messy women that we put on screen, that we put in books, the more women can feel represented and seen, then they can access their own stuff, feel it's okay, and then have the strength to speak out about things like we're talking about. About rising up.
Though Lexington is not a small town, it sometimes feels like one, with circles of acquaintance overlapping once, then again; the person you meet by chance at the library or the pool may turn out to be the best friend of your down-the-street neighbor. Maybe that's why people are so friendly here, so willing to be unhurried.
I write by myself and then deliver the song. Everybody knows, 'Leave Ester alone when she's in her zone.' Give me a studio and the tracks, and I'll call you when the doctor is done.
I did the co-writing thing all through the '90s and I got one hit out of it - a Keith Urban song called 'But For The Grace Of God' - but then I got burnt out.
I'm always aware that there are, broadly speaking, two different ways to act: there is acting, and then there's being, and I'm always more interested in that.
I think, in Spain, they are too used to reaching the limits of democracy and then stepping over them.
The last thing I do before bed is think I should take my contacts out. Then I fall asleep.
I actually had a buzz cut all the way to my junior year in college. I would just buzz my head with a one-guard all over, and then I started growing it out. When I had Tommy John, that was the last time it was buzzed. I've grown it ever since then.
Temptation is as old as time; or at least, the history of temptation extends as far back as the moment Eve gave Adam that serpent's apple. But what sets the lady apart from the tramp is the ability to acknowledge she needs to clean up her act - and then, of course, the fact that she actually does clean up her act.
We try, we fail, we posture, we aspire, we pontificate - and then we age, shrink, die, and vanish.
Everything I do in life is framed through the view of a businessman. That's my instinct. If I go into a pharmacy to buy shaving cream, then I'm going to look for the best deal on shaving cream.
We found out tonight how important and how crucial momentum swings can be. I thought we were playing very well. We were doing a lot of positive things but then we lost the puck two times in our zone and things swung their way. You can't afford to give teams momentum.
Investment banks started recruiting at Harvard back in the day, and they'd fly me down to New York City and I was so poor so I would take advantage of the free flight, the per diem, the hotel. And then I would go audition for stuff.
A lot of critics are lazy. They don't want to look closely and analyze something for what it is. They take a quick first impression and then rush to compare it to something they've seen before.
