I look at 'The New York Review of Books.' It's what it has been for 35 or 40 years, which is a highly sophisticated vehicle for anti-American self-hatred.
I have the ability to see results six months later and there's no better feeling. We impact on thousands of people in the world. And in New York, which is the roughest, when people appreciate what we're doing, it puts the Simoniz back on the apple.
In the spring of 1957, Mickey Mantle was the king of New York. He had the Triple Crown to prove it, having become only the 12th player in history to earn baseball's gaudiest jewel. In 1956, he had finally fulfilled the promise of his promise, batting .353, with 52 homers and 130 RBIs. Everybody loved Mickey.
I've been obsessed with Opening Ceremony since I moved to New York. I've spent whole paychecks there.
Theater is very much the world I'd like to get back to, particularly in New York, both as an actor and director.
I was involved as deputy mayor in New York City on 9/11.
My father died when I was nine and a half. We were on relief for two years. They call it welfare now, but it was relief then... I never forgot the generosity of New York.
I try to be a good shiksa wife. I go to Central Synagogue in New York.
After Sept. 11, New York wasn't the same, and that's part of the reason why I left.
I'm pretty happy with the two cities I call home now - Glasgow and New York. But I'd like to give Paris a shot.
I find the older I get, the lower in weight I go. It's harder to recover. Living in New York City, working a job that is unpredictable and at times stressful, you're lifting way more than your max because you need to push some weight around. You put an extra plate on for the release, and then you're sore the next week. Its stress release.
I grew up in The Bronx. I mean, I was born and raised in New York City. And I started singing in Spanish because I was always just connected to my Latin roots.
The thing that always attracted me to New York was the sense of being in a place where a lot of people had a lot of stories not unlike mine. Everybody comes from somewhere else. Everyone's got a Polish grandmother, some kind of metamorphosis in their family circumstances. That's a very big thing - the experience of not living where you started.
I am interviewing people with a spirit of genuine interest and compassion, and therefore, the general tone of the site is one of genuine interest and compassion. The moment that culture changes, 'Humans of New York' is no longer viable.
Growing up in Europe, tight clothing is pretty standard. When I got to college, clothes were loose, so I was going toward more loose stuff. As soon as I got back to New York, I started wearing suits 25% of the year. Then, I realized how important it is for the suit to really fit you and be tight.
I love filming in London. In New York, every street is familiar because you have seen it in a movie. They mythologise their own city. You're forever trying to get down streets that have been blocked off because of shooting. In London, they don't put up with it; they're grumpy.
When I go to farms or little towns, I am always surprised at the discontent I find. And New York, too often, has looked across the sea toward Europe. And all of us who turn our eyes away from what we have are missing life.
My favorite Galaxie 500 album is the first one, 'Today,' recorded in three days at Noise New York and produced by Kramer. It contains my favorite Galaxie 500 songs: 'Temperature's Rising,' 'Tugboat,' and our interpretation of Jonathan Richman's 'Don't Let Our Youth Go to Waste.'
I grew up in the Lower East Side of New York.
I really love New York, but I have to say, the humidity during the summer is a nightmare for a cartoonist. Not only am I sweating in my studio, my bristol board is curling up, the drafting tape is peeling off the board, my Rapidograph pens bleed the minute I put them to paper... it's a disaster.
When you're in a place like New York or D.C. you just can't beat it, and it's so hard to recreate because they are both such distinctive places.
One of the first times I came to New York was for a modeling and talent competition, IMTA, which I won. I came with a group, like a modeling school from Fresno.
I'm here to tell you the coffee was hot, the orange juice was cold, New York's still there and Reagan National is back.
I first arrived in New York in 1979. I was 19 and I was going to University in Houston, Texas, and I decided that I knew what I wanted to do and it was time to go and do it. I literally ran away from college.
If you go back in American history, oysters were the food of poor people. New York was filled with oyster saloons in the 1800s.
The two cities I've found very hard to leave in my life were New York and Buenos Aires.
When I was 13, I would come visit my aunt and uncle in New York. I decided I wanted to live with them after seeing my cousin's school. Honestly, I just wanted to go to a school where I didn't have to wear uniforms, and my mom said okay.
The 'New York Honk,' as it was called, was the most fashionable accent an American male could have at that time, namely, the spring of 1963. One achieved it by forcing all words out through the nostrils rather than the mouth. It was at once virile... and utterly affected. Nelson Rockefeller had a New York Honk.
Man, me and Biggie were the biggest artists in New York. When he passed, I was so messed up. My attitude was messed up about him dying. There was an East-West thing back then, and I was in war mode.
I'm living in New York, getting paid to do what I love. I get to boss people around, wear a fancy costume, dance with beautiful mermaids, and meet my fans every night at the stage door. I'm loving it.
I would have loved to have cracked America. When I tried, I got homesick. Then, when I was in New York, my nanna died, and I just wanted to come home.
Every time New York City suffered a tragedy, Donald Trump was there to help. And he did it anonymously.
The infrastructure we provide is the same in a remote town in Africa or New York or an archipelago in Sweden: we use the same system, and the chips inside the phone are the same.
I love New York. I first came here with my Mom when I was in 9th grade. I took the subway for the first time and the doors closed between me and my Mom, and I was so scared. I could see her through the window and I didn't know what to do. I got off at the next stop and she caught up to me, but I couldn't stop crying.
Basically, Urban Fantasy means D&D in New York. Ordinary people have no idea that they share the world with fantastic, supernatural creatures. It can't just be vampires or werewolves; it has to be a whole continuum of fantastic beings, with their own society within society.
I moved to New York in '92 and got my graduate degree in acting from NYU - they have a great acting program. I graduated in '95.
