Adrian Tomine Zitate – Sprüche auf Englisch mit Übersetzung

Zitat des Tages von Adrian Tomine:

'Peanuts' is a life-long influence, going back to before I could even read.

I never really thought of myself as an Asian-American cartoonist, any more than I thought of myself as a cartoonist who wears glasses.

Adrian Tomine

I'm not the kind of person who would throw himself into some exciting or dangerous situation just to get material. So I tend to go about my normal, boring life and just try to look at things a little more closely.

Adrian Tomine

When I'm sitting at my drafting table in my studio, I could really be anywhere.

Adrian Tomine

For a long time, I was very resistant to the idea of online publication or even e-books or something like that.

Adrian Tomine

I had a mundane, happy childhood, without much struggle.

Adrian Tomine

The most impactful comics that I've read are the ones where the artists swung for the bleachers and tried to immerse you in their world.

Adrian Tomine

I enjoy getting any kind of mail. Like, for me, like, the more interesting a letter is, I just get more excited, and I know that this going to be great for my friends who are looking forward to reading that in my comic.

Adrian Tomine

In general, daily strips were just a regular part of my childhood. So even if I wasn't a huge fan of most of those strips, I still read them religiously every morning while I ate my cereal.

Adrian Tomine

New York is a brutally expensive place to live, and the kind of person who might have the dedication and esoteric taste to make the comics that I would really love is finding it more relaxing to live elsewhere.

Adrian Tomine

I think comics can be the basis for great films, but I think the focus of such a project should be on making the film as good as possible, not on painstakingly replicating the comic.

Adrian Tomine

It's a strange thing to be a so-called alternative cartoonist, because in the early part of my career, I was really tethered to the superhero world.

Adrian Tomine

I hated 'Dilbert.'

Adrian Tomine

If anything, I feel a bit of pressure to write about less disenfranchised people, because I'd probably sell more books that way and would've already had some hot property that I could've sold to Hollywood.

Adrian Tomine

I think having kids has been the biggest influence on my work since I started publishing.

Adrian Tomine

Fortunately, I've never had to be too critical of my own work, because the world is critical enough.

Adrian Tomine

The story entitled 'Good-Bye' is probably Tatsumi's most well-known work, and I think it's a good representation of many of Tatsumi's skills and stylistic tendencies.

Adrian Tomine

The type of cartooning that I think is generally referred to as 'alternative' or 'underground' is usually - the distinction is usually in terms of whether it's made by one person, the entire thing is done by one hand or more of a production line process, which is how the comics that we grew up reading were made.

Adrian Tomine

I think that if you are looking at a comic that's made by one person, that there's just a level of intimacy that I don't really see anywhere else.

Adrian Tomine

I'm always a little apprehensive about 'decoding' fictional stories.

Adrian Tomine

To be perfectly honest, if it was up to me, I would be invisible as an artist.

Adrian Tomine

I would honestly be elated if I could wave a magic wand and eradicate my back catalog and then have a fresh crack at some of those ideas.

Adrian Tomine

A lot of the qualities in 'Killing and Dying' is sort of a response to work I'd done previously. I wanted to push myself in some different directions.

Adrian Tomine

'Peanuts' is a life-long influence, going back to before I could even read.

Adrian Tomine

'Drawn & Quarterly' has always given me complete editorial control over my books and comics, so any decision about what to include or exclude from the book was my own.

Adrian Tomine

I used to live in Chris Rock's former apartment. I've got some junk mail for him if he wants it.

Adrian Tomine

To me, one of the big fears of doing a big huge graphic novel is locking yourself into one style and getting halfway through it and going, 'Oh I made the wrong choice,' which is a recurring nightmare I have.

Adrian Tomine

I really love New York, but I have to say, the humidity during the summer is a nightmare for a cartoonist. Not only am I sweating in my studio, my bristol board is curling up, the drafting tape is peeling off the board, my Rapidograph pens bleed the minute I put them to paper... it's a disaster.

Adrian Tomine

I grew up with a very romantic, idealized vision of New York, probably because of all the books I read and the movies I watched.

Adrian Tomine

My 20s were peaceful, privileged, but still I felt the desire to write angsty dramas.

Adrian Tomine

I think that artists, at a certain point, can either become defiant and say that the audience is wrong, readers don't get them, and they're going to keep doing it their own way, or they can listen to the criticism - and not necessarily blindly follow the audience's requests and advice.

Adrian Tomine

I don't pick up my work at all. If it's something that's still in progress and I have the chance to make some edits on the material or think about the order, little things like that, I'll keep those stories at hand and go through them. But once it exists as the book, it's locked away in a vault, and I kind of put it behind me.

Adrian Tomine

I'm not the best person to analyze any kind of evolution in my work, but I do feel like it's been an ongoing struggle to basically teach myself how to tell the kinds of stories that interest me in comics form.

Adrian Tomine

I intentionally approached each story in 'Killing and Dying' in a different way, and that includes the writing process.

Adrian Tomine

I'm sometimes a cartoonist, and there's an audience for that, and I'm sometimes an illustrator, and there's an audience for that.

Adrian Tomine