I find that when you do yoga, you don't crave unhealthy food. But I try to always let myself eat whatever I want. I have dessert or chocolate every day, but I'll only have a few bites. I try to have a little bit of cereal in the morning, and then I always try to have protein for dinner, too. But I eat pasta and stuff like that.
The only honest art form is laughter, comedy. You can't fake it... try to fake three laughs in an hour - ha ha ha ha ha - they'll take you away, man. You can't.
If it isn't necessary I would rather not subject my skin to too much, so if I don't have anything special to do for the day, I try not to wear any make up.
The players are coming to try every game, every weekend, so that the Manchester City people can be proud, and we will see what is our level to achieve our battles.
It's about communication. It's about honesty. It's about treating people in the organization as deserving to know the facts. You don't try to give them half the story. You don't try to hide the story. You treat them as - as true equals, and you communicate and you communicate and communicate.
You may be disappointed if you fail, but you are doomed if you don't try.
I don't work with Sia every day; it depends what we do, whether we do performances or music videos, so the schedule is weird, but when we're off, we always try to see each other in between. We just hang out; we went to brunch one time, but for the most part I go to her house, and we eat and watch TV.
Even in literature and art, no man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will, nine times out of ten, become original without ever having noticed it.
One of my challenges was to try to photograph the Great Wall of China. And I did actually take some photos, but it was hard to discern the wall with the naked eye.
I always try to keep that feeling of being on the edge. I'm afraid of knowing too well and seeming mechanical.
As actors, if we are truthful to ourselves and we know what we can do and what we cannot do and just go after it, there are possibilities out there. If you don't try, you won't find out if you get them or not.
Around 2008 when the writers' strike happened, all my stuff was getting stuck in development, and I thought, 'I'm going to try my hand at horror because I always loved it as a kid.'
If you try hard enough, you can bend the spoon; you can shift reality.
Some people try to paint in my style. Some simply sell pirated copies of my work. Some claim to be my publisher or agent or even my exclusive representative, when they are not.
I never want to play a show where it feels overly programmed, processed, and all that. For anybody that comes to one of our shows, the goal for me is to make sure that's their show. That nobody else is going to see that show ever again. You know what I mean? I try to make it different every day.
I tell my boys not to play rough with their younger sister. I try to teach them what I know already: You're never going to win an argument with a girl, so just let her have what she wants!
Politicians are there to try to deal with stuff, but sometimes it's both fortunate and unfortunate that people like us have more... not involvement, but more power in the stuff that we say.
I always try to think of a vocabulary to match different musical situations.
I try to take a weekly digital Sabbath, batch my emails so I deal with them a few times a day rather than constantly, and increasingly give myself permission to ignore unsolicited communiques. I try, too, to give others more slack. The respond-now culture is a two-way street. I'm trying to be more mindful of that.
I try not to worry about things I can't do anything about.
I took a workshop from him a few months after that. That experience changed my whole approach to photography. At that workshop in Yosemite in 1973 I decided I wanted to try and see if I could pursue this for myself, and I'm still trying.
I've been in government and politics my entire career, and while I try to keep a level head and a reasonable tone in my commentary, even I can lose my head sometimes and let anger bubble over and burst out. It feels gross, looks ugly, and leaves a lasting mark.
It's challenging, but you have to at least try to eat right and exercise.
I started a youth center in Houston. The kids would come in and want to learn to box; they wanted to tear up the world, beat up the world. And I'd try to show them they didn't need anger. They didn't need all that killing instinct they'd read about. You can be a human being and pursue boxing as a sport.
I feel like every time I walk into the audition room, they can tell if you're faking it and if your heart's really not with it. So I try to keep it as real as possible.
When you try to cool down hot emotions, what tends to happen is that you end up either repressing them or losing them altogether. Neither is desirable. Without emotion, much social interaction loses its meaning or changes for the worse.
I consciously try to end my novels at a point where I won't have to wonder about my characters ever again.
More than 300 million people in the world speak English and the rest, it sometimes seems, try to.
Accept who you are and try and make the best of that.
If ever I feel I might be able to tackle it, I'd love to try holding a spear or something in the theater, or opening a door, or anything, just to try it, you know, because it must be some marvelous magic thing.
What I always try to do is to respond to the song; I've always rebelled against theory.
I do finish reading a script and say, Why are they making it and what are they talking about? I like to try and be responsible in my choices in that way.
You make your music, then you try to find whatever audience is out there for it.
I don't like to try very hard. Most of the time it's just jeans, a T-shirt and Converse trainers. Casual, comfortable and boyish is how I'd describe my look. The way people wear clothes makes them stylish, rather than the clothes themselves.
I just try to think of all the things that could go wrong so in that split second when it happens, maybe your body reacts in a way where it protects you just a little.
By the end of high school I was not of course an educated man, but I knew how to try to become one.