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Not often do you approach a character where people know more about him than you do.
When I'm writing a novel, I'm usually just trying to write about things that are interesting to me.
I find talking about my work harder than it might be if honesty wasn't my calling card.
It is for the latter that I always wanted to be an actor: to play characters who are always on the move.
The booking agent had the audacity to take 10 percent, so we wound up with about $100 a week apiece.
I've never worried about being typecast - I've only ever worried about being not cast!
We were Londoners for about seven years during the decade they called the naughties. My first son, Finn, was born over there. He's actually very proud of that fact.
I don't try to make actors play crazy characters. I like where there's a certain element of who they are and truth to their performances.
Continuity isn't actually something that I ever worry about. You use it where you need to, and you don't use it where you don't need to.
