I would say that playing this character has caused me to think about a lot of things. He's always questioning himself and trying to get back to something he lost touch with and trying to find forgiveness. Everybody struggles with these things to some extent in their life.
When I write a song and come up with an arrangement and a vocal part, it's always a challenge trying to find a singer who can interpret it sort of the way that I hear it, and it's a very difficult thing to do. I mean, singing is like playing an instrument - everybody does it a little bit different - singing maybe even more so.
When I was six years old, my parents told me that we were moving back home to Armenia. I didn't really understand what was happening. My father had stopped playing football, and he was at home all the time.
My dad was a football player - a soccer player - for Manchester United, and I loved playing football, but I also happened to be the guy in class who was pretty good at sight reading. My teacher gave me scripts, and I was very comfortable.
These young guys are playing checkers. I'm out there playing chess.
If you go to Japan for instance, you should know that they have a different way of playing Beethoven or Brahms. But if you play with them Mozart, Debussy, Mendelssohn, they have a wonderful light feeling for that.
My secret vice is Sudoku puzzles. Can't stop playing them. My parents are accountants. I blame them entirely.
Anyone playing with you is going to change where your direction is.
Anyone who undertakes the literary grind had better like playing around with words.
It feels wonderful to be go back to the 1940s and recreate the whole era through my clothes, voice and body language. I am tired of playing the larger-than-life hero.
I wasn't making it with the violin because I was playing all of the 'long hair' stuff.
In horror movies today it's lots of fast cut shot and lots of loud noises on the soundtrack. I tried to do the opposite. Playing with silence for instance.
For years, I was stuck behind a keyboard rig. When I started playing guitar onstage, it was a bit of a release - not to be stuck in one spot the whole night. It's really enjoyable having the freedom to move around. You just have to remember to end up somewhere near a microphone.
If you're playing baseball and thinking about managing, you're crazy. You'd be better off thinking about being an owner.
We were using Brooke as an actress; she was playing different roles: a liberated woman, a teenager, a vamp.
Some people are really good at playing the movie star - they are really good at cultivating that mystique - but I'm not really into that.
My center is not really my singing so much as my guitar playing.
If you've ever been to Harlem, there's always something playing on the street, and there's this energy that feels different to anywhere else in New York.
I was a little geeky kid anyway. If I wasn't shooting little stop-animation films, then I was playing computer games or Dungeons & Dragons.
I take my fun very seriously, whether it's playing the drums or acting in comedy bits. The need to be disciplined about it, and not take it lightly, and not be too casual, is something I take deeply to heart.
Yes, sampling has changed not just my way of playing and composing.
When I'm making video games today, I want people to be entertained. I am always thinking, How are people going to enjoy playing the games we are making today? And as long as I can enjoy something other people can enjoy it, too.
Take a look at your natural river. What are you? Stop playing games with yourself. Where's your river going? Are you riding with it? Or are you rowing against it? Don't you see that there is no effort if you're riding with your river?
Many, many years ago, I was one of the few conductors who talked to the audience and now a lot of classical conductors have figured it out... otherwise, you just get the back of someone's head playing music you could hear on a CD. It's not enough anymore.
Playing for Yogi is like playing for your father; playing for Billy is like playing for your father-in-law.
I mean the public likes it more in Europe than they do here because the state supported organizations have felt that playing contemporary music was part of the education of the public.
Playing solo with an audience for an hour and 30 minutes without a break means I have to, as the jazz cats say, get into the shed and work on my chops.
Most parents were, like, Little League coaches and all that. My dad was a wrestling fan. Instead of going out and playing home run derby with my old man, we just watched wrestling together.
When our assists lead to baskets, that's us playing our best, and we begin knocking down shots.
I'd be plenty happy if I could keep playing scientists and cops for the rest of my career.
I couldn't deal with playing a character who rides motorcycles and has a leather jacket and is a tough kid, y'know?
I could always flip between emotions and be available to suddenly do something new. I think it's a part of playing, and you hang onto it when you're a kid.
People were talking while I was playing, so I got up and left the stage. I've gotten to the point where I'm not really very patient with patrons rapping during the show. And the people were all nice and quiet when I cam back.
For a lot of actors, there's a sort of code of honor around playing something other than yourself, which I just don't have. I love feeling like I'm - I won't even say acting out, but performing in some deep seam of my consciousness or my family's consciousness or my past. That's really amusing to me.
Playing Mark Antony in 'Rome' will always be a favourite of mine because he was such an outrageously big and interesting character to play. Also, the fact that we were able, with that character, to find out and present the public with a biography of that man that had not been really seen before.
My dad has always been very proud of me but I think I have exceeded his expectations. When I told him I wanted to be an actor and moved to New York City, I think he assumed I would be playing the guitar on the subway and collecting spare change in my guitar case. The fact that I'm not doing that means that I'm a huge success.