Zitat des Tages von Tilda Swinton:
I don't really look like people in films; I look like people in paintings.
I knew Spike Jonze would do something really interesting with it.
Oh, man, you won't hear me talking about the drudgery of making movies. I don't buy any of that. All those guys who made 'The Revenant,' they loved it. They wanted to make a film, and they were the happiest people around to be doing so.
I find myself apologising for not being a proper actor. I never intended to be involved in the film industry and still do feel that, with the exception of a couple of brief skirmishes with the film industry.
It may be unfair of me but I do feel I know it.
Faith is in the eye of the beholder.
I've been on the other side of the table many times, trying to get people to be sympathetic to projects, and I've been the victim of that kind of intense kindness masking extreme stupidity.
I wasn't around when Nic was playing Donald. I was around with Charlie.
I'm a Marvel fan, and I think this particular world that 'Doctor Strange' goes into is really, really, really exciting. I'm really interested as both an actor and a fan to see what's done in this particular world. It's all about creativity. It's not about everything exploding at the end. It's about something very different.
What he's done is recognise the cinematic nature of the book. It's beautifully realised - it's a beat film.
My whole relationship with Bowie started when I was 13, and I bought a copy of 'Aladdin Sane' when I didn't have a record player. I had this record for a year before I could play it, and it was the image - not the sound - that I was attracted to. I just saw this image and thought he was my cousin.
For a lot of actors, there's a sort of code of honor around playing something other than yourself, which I just don't have. I love feeling like I'm - I won't even say acting out, but performing in some deep seam of my consciousness or my family's consciousness or my past. That's really amusing to me.
This is the launch of the 'Doctor Strange' film interpretation of - in my view - a classic, which has been interpreted many times by other graphic artists, and this is just our graphic interpretation of The Ancient One. I would say the whole approach is about a kind of fluidity.
I was talking recently with a friend of mine who's determined to never meet her heroes, and I have another friend who's been horribly disillusioned a couple of times. But I've had a wonderful ride with meeting people who have been my North Stars, and Bowie's definitely one of them. He feels like my cousin; like the cousin I never had.
I sometimes think I was always left-wing. I know that sounds completely crazy, but I do know that I asked questions when I was about four, and I remember noticing that I wasn't getting an answer, and I remember it annoying me.
I always think of the word 'abandonment' when I think of the character.
I'm amazed now whenever I go back to London. I'm like, 'Wow. I used to kind of swing up these streets when I knew how this machine worked.' And then when you don't, you lose that. You need to get your license back. I do know how to plant a garden and keep chickens, but I don't know how to do much else.
I don't love the theatre. I'm just not one of them.
Nobody is working for Marvel who isn't a super-fan. And it's run by the biggest super-fan of them all.
I spent a lot of time thinking that I was some kind of foundling, that I had been a changeling, that I had been found under a bush somewhere, and that I couldn't possibly be kin - but the more I live, the more I feel absolutely like I come out of my family. I'm a sort of strange natural progression.
There is something insane about a lack of doubt. Doubt - to me, anyway - is what makes you human, and without doubt, even the righteous lose their grip, not only on reality but also on their humanity.