There are some guys I know for a fact, like Louis C.K., who always talk about how not-great of an actor he is, and he's terrific on his show. But I know Louis would play a fantastic dramatic role in something, too. He just needs somebody to grab him and say, 'Come in here and do this.'
It's critical to show that we can meet our commitment to students with disabilities without raising taxes and without increasing the deficit. In the past, there's been strong support for full funding and I'm still hearing that from many of my colleagues.
I remember in the first season going, 'This is retarded. I can't believe they're making chefs do this.' But then it actually does show off certain skills. And at the end of the day, this is entertainment and this stuff is very entertaining. Is a lot of it ridiculous? Of course it is. But that's what makes it interesting.
I feel like a part of my role being a musician and part of why I want to be a musician is to show women an alternative to sort of the cultural norms, the stereotypes of what we're supposed to be, demure and quiet and motherly.
I think that every show on television has its place. I think Married With Children or, I don't know, The Nanny... some people want to go home, turn on the TV and be able to iron their clothes or grab a sandwich. Come out and catch a joke and not have to follow the story.
'Honey, I'm Good' is a song about temptation, and we wanted to show what is possible if you can beat it.
My job was to find interesting material that would give us a quality television show.
I want to tell my jokes. I want to have time with my children. I want to entertain people. And at one point, I'll walk away from show business. But I don't want to walk away empty-handed.
On the day of the show, I sit down with someone that speaks very good English and someone who speaks the local language very well and work out what I'm going to say.
So I wanted to show what I did with the money. So I got red silk shirts, beautiful hats, wonderful saddles, a great horse, and two gold teeth. So that was the way I did it.
I will say that I know Nirvana did a show and played a few chords from 'More Than a Feeling' before they did 'Teen Spirit,' and it wasn't very good. But in all seriousness, 'Teen Spirit' was a great song. If subconsciously or somehow I had any influence on that, I'll take that as a compliment.
Great players must always produce and at any time or in any game. Give them a ball and a pitch, and they will show what they've got. That relaxed, calm spirit you don't really have when you are young.
That's pretty much why I went into show business because I wanted to have a guitar and sing unaccompanied, that was like my fantasy of the perfect life.
I was distressed by the poor quality of the debate surrounding energy. I was also noticing so much green wash from politicians and big business. I was tired of the debate - the extremism, the nimbyism, the hair shirt. We need a constructive conversation about energy, not a Punch and Judy show. I just wanted to try to reboot the whole debate.
We take the show very seriously, but we don't take ourselves seriously.
I'm a big fan of '30 Rock,' which I think is the most genius show on television.
I wear so many disguises on the show that only a real comedy fan might spot me.
It's a fine line to find that balance: to show people enough to give them the promise of something unique, and something they want to see, but at the same time make sure that when they show up for the movie, they're surprised by what they eventually get.
I am a big fan of the TV series 'Taxi' which combined comedy and pathos better than any other show I've seen.
I'm always feeling like I don't belong, no matter where I am. So I'm just searching for a family nonstop, and sometimes I find it in the mosh pit, sometimes I find it when I'm doing some French TV show with the president's wife.
When you look at the runway now, the girls are 15 and 16 years old with no knowledge of clothes, no idea how to project themselves. I was trained how to show off the dress, how to move to make the clothes look better.
It's hard to be a breakout show and stay on top. We're like the flagship show over here.
As far as 'St. Elsewhere' goes, I just loved that show.
That's one of the problems with making music your business, it becomes a business. You're no longer just this kid who is a fan and going to see every show. I've been in a bar every night for the last 15 years. Going to see bands for me is work.
What they told us about 'Star Trek: The Next Generation' when we first started was that we were guaranteed 26 episodes, so that was the longest job I've ever had. And that was basically it - we didn't know what the premise of the show was going to be and we waited, week by week, to see a script.
Naturally, the reader has access only to the events I show and the way I show them, but as has been said, there's generally a good deal of ambiguity in that presentation.
Frank's audience doesn't care if a girl singer, a comic or an organ grinder with a monkey opens the show. They are there to see HIM.
Men do not have to cook their food; they do so for symbolic reasons to show they are men and not beasts.
I've studied various schools of thought... I acknowledge that some Muslims consider music prohibited, but I've found a lot of evidence from the life of the Prophet to show that he allowed certainly, but even encouraged, music at certain times.
My kids love anime, but I don't show them the really graphic stuff.
Dance and I are synonymous, and nobody can take away dance from my life. Also, I cannot look at dance in an inert way; it's my passion, and I get keen on being part of any show or film that has dance!
I want to extend my gratitude and thankfulness to all those who care and love my family and myself, and our situation, especially the American people who show their care about the quality of justice as a universal value and I'm very grateful to all of you.
I came to London. I spent nine months doing domestic work and gardening because I knew I wanted to get a West End show. So, when I was offered jobs in Stoke or Leicester or whatever, I'd say no. Eventually, I got 'Godspell.' It was gently building.
I just think my life's been really blessed, because being in show business, I've met wonderful people, and I've traveled all over the world.
I no longer do a film for the wrong reasons. I have to be convinced ethically and morally. Both the director and I have to be on the same page. There are just five songs in most films these days, and they have to be amazing. There has to be a twist in the screenplay. The editing has to be crisp. Your hard work should show, but effortlessly.
I'm a 7 o'clock act. My people want to go to a show, a dinner and then go home and go to bed.
