When I was first writing 'Feed' - which was the first book I published as Mira - I talked about it very openly on my blog, on Twitter, that I was writing this book, and it wasn't until after it was sold that I said 'Mira Grant' wrote this book. And the reason there was really purely marketing-based.
Two hours of writing fiction leaves this writer completely drained. For those two hours he has been in a different place with totally different people.
There is an extensive body of writing from both sides of the political aisle that has analyzed the extraordinary depths of hatred leveled at former President George W. Bush.
There's something about Jason Katims' writing that just feels like home to me. He gives you so much liberty to play, which you don't find on most TV shows. You just don't.
In Sydney, I gave what was billed as a masterclass to bright students of writing at the University of Sydney. But the term 'masterclass' was possibly over-egging the pudding. All I could do was pass on some lessons from my own life, and the most obvious is that if you want to be a writer, you must first have been a reader.
For me, writing isn't a way of being public or private; it's just a way of being. The process is always full of pain, but I like that. It's a reality, and I just accept it as something not to be avoided.
I just really loved films and thought I should be writing screenplays.
Failure in the theater is more dramatic and uglier than any other form of writing. It costs so much, you feel so guilty.
For me, the most important thing is the writing - and certainly the director. But if the writing isn't there, it doesn't matter who the director is!
Now, I am completely independent - I earn my living by speaking and writing.
My sets are not peaceful. It's a beautiful catastrophe. I am running around like a headless chicken. I don't sleep because I am writing. It's manic.
Anyway, in my writing I've always been interested in finding places to stand, and I've found it very useful to have a direct experience of what I'm writing about.
My favorite hobby is writing and recording songs at my studio. I like to surf, but I don't get a chance to do that as much as I'd like. I don't live close to the beach. I also like to ski, but I don't get to do that much, either.
No one is making extraordinary things alone. They might be alone in their bedroom while they're recording or writing, but they didn't actually conjure that thing out of nothing - without influence - without assistance - without anything.
Writing is an act of faith, not a trick of grammar.
The sheer complexity of writing a play always had dazzled me. In an effort to understand it, I became a critic.
I started writing seriously when I was a teenager, around 14 years old.
Novel writing should never be confused with journalism. Unfortunately, in the case of Primary Colors, a fair number of journalists confused.
Writing is like a contact sport, like football. You can get hurt, but you enjoy it.
In theory, food writing is an aid or a prelude to actual meals: you read a recipe, and then you cook. In practice - in a 'paradox' that Michael Pollan, among others, has identified - our current gastronomic fantasies, particularly on TV, have coincided with a decline in home cooking.
Ira Gershwin, shame on him. I mean, some of the writing.
As an actor, I come to set, and I have already broken the character down by writing a poem about the character. I try to write in his voice, the way he would write it.
I just started writing for my own amusement and occasionally singing in little clubs around Los Angeles. Then I wrote 'The Rose,' and through a series of divine things that I had no control over and had no idea were going to happen, it got in the movie, and that changed everything.
While I would agree that I write about serious subjects, and that they're not necessarily the most pleasant subjects or even the most pleasant people, as a writer I just think about the humorous aspects of these things - that's what keeps me going when I'm writing a story.
If you're young enough, any kind of writing you do for a short period of time is a marvelous apprenticeship.
Writing with you is the only thing that keeps me alive.
My humor tends to be a little more edgy than is appropriate for 'Twilight,' although I got some in there. That was fun! There's just a tonal difference. For me, storytelling is storytelling. But, I do like writing for grown ups.
Writing for children hadn't occurred to me when I was younger, but nine years of teaching in the upper elementary grades had given me a deep appreciation of the gifts and graces that are specific to individuals with 10 or 11 years of experience as human beings.
Rush has never been a spontaneous group. We may be spontaneous in our writing, we may be spontaneous as individuals in our day to day lives... certainly I think am and always have been, but I think when it comes to Rush and our presentation of our music it's quite controlled.
I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your audience.
Writing is a socially acceptable form of schizophrenia.
The problem is when you are writing something in retrospective, it needs a lot of courage not to change, or you will forget a certain reality, and you will just take in consideration your view today.
I was able to sit at Lincoln's side and see how he thought and how he acted, and how he felt about what was going on around him. I felt the pressures that were on him. You can see what people were writing to him, how they were nudging him.
I love making records; I love making music; I love writing songs.
The problem with too beautiful a view is that it's alright for the mulling stage. But for the writing stage, you want to be somewhere without a view, especially if it is very different from what you're writing.
I got a scholarship to Seattle University and I was writing arrangements for singers and everybody. But the music course was too dry and I really wanted to get away from home.