Zitat des Tages von Joni Mitchell:
I see music as fluid architecture.
I hate show business.
Everyone I know has attention deficit, and they say it with great pride. It's a bad time to be right.
I come from pioneer stock, developers of the West, people who went out into the wilderness and set up home with nothing but a pair of oxen.
Americans have decided to be stupid and shallow since 1980.
The songwriting was almost like something I did while I was waiting for my daughter to come back.
You know, Neil Young is singing Rock n' roll will never die, and Neil never rocked and rolled in his life. I mean, he rocked, but he didn't roll. He has got no swing in him.
I don't understand why Europeans and South Americans can take more sophistication. Why is it that Americans need to hear their happiness major and their tragedy minor, and as jazzy as they can handle is a seventh chord? Are they not experiencing complex emotions?
I can't remember anything I ever wrote.
My life came down to being a granny and watching a lot of television.
This is a nation that has lost the ability to be self-critical, and that makes a lie out of the freedoms.
I'm a little young for retirement.
At the point where I'm trying to force something and it's not happening, and I'm getting frustrated with, say, writing a poem, I can go and pick up the brushes and start painting. At the point where the painting seems to not be going anywhere, I go and pick up the guitar.
With a painting, you don't have to go back and paint it again.
Van Gogh was impulsive.
Sorrow is so easy to express and yet so hard to tell.
I wanted to paint in a folk-artist-y way. My heroes were Van Gogh, Gauguin, Matisse, and Rembrandt. I think Picasso is about as a modern as I got. But I incorporated things that they rejected as well as movements that happened later.
The Beginning of Survival is my best album. I am very proud of it, and I am surprised at it, too. I thought some of Travelogue was a little heavy, but I don't think this is heavy.
Fame is a series of misunderstandings surrounding a name.
There are things to confess that enrich the world, and things that need not be said.
I'm a Buddhist.
Back then, I didn't have a big organization around me. I was just a kid with a guitar, traveling around. My responsibility basically was to the art, and I had extra time on my hands. There is no extra time now. There isn't enough time.
My name had gone stale, and no matter how progressive I got, it was my time to die.
In some ways, my gift for music and writing was born out of tragedy, really, and loss.
I had made all these rules for myself: I'm not writing social commentary, I'm not writing love songs.
Nobody understood The Reoccurring Dream, but after September 11, when we were coerced to do a national duty and go out and shop, surely people could begin to see what I was getting at.
It's in my stars to invent; I was born on Madame Curie's birthday. I have this need for originals, for innovation. That's why I like Charlie Parker.
I have one piece of music, since 1997, and I don't see it having lyrics. Where does it go in this world? So I haven't recorded it.
I don't like to make fluffy little songs, but now I want to make some light songs.
No one likes to have less than they had before. That's the nature of the human animal.
I learned a woman is never an old woman.
I've got 50 different tunings in the guitar.
We managed to put together a compilation that had some creativity to it. In the meantime I was listening to the free radio stations and I noticed that during their war coverage they were playing these songs born out of the Vietnam War that were all critical of the soldiers.
I know my generation - a lot of them, they're getting old now, and they want to think back fondly, they want to kid themselves. A lot of them think, 'Yeah, we were the best.' That's the kiss of death. That's non-growth. And also that's very bad for the world.
I believe that I am male and I am female.
Eventually, with success, I started to feel more and more isolated - like I didn't have a community of artists.