Being home alone at night makes me a bit nervous. If I'm at home alone, I have to sleep on the sofa - I can't face going to bed. I'm there with the TV on and all the lights on. I'm not very brave about anything in life. In tennis, yes. In everything else, not very.
The first two years I was on 'MADtv' were really, really fun. We always thought it was 'Saturday Night Live's very nice, slightly asthmatic, shorter cousin.
I like to have glasses for day and night.
I feel like every conversation with my father is like an M. Night Shyamalan movie; 90 minutes of build-up to no payoff.
I would go to the all-night grocery store and pretend that I was at Studio 54 because it was the only place open all night. Truman Capote in the frozen foods. Andy Warhol over in vegetables.
You know, you don't have to have permanent opinions. You can think, every morning, 'I love the world' and go to bed every night thinking, 'I hate the world.'
I love breakfast - I like going to sleep at night because I know I get to wake up and eat in the morning.
I work at night, starting at around 10 o'clock and working until 2 or 3 in the morning. I do that usually five days a week. In Berkeley, I have an office behind our house that I share with my wife, who works more in the daytime.
The coolest party I've ever D.J.ed would have to be for the artist Damien Hirst. It was an amazing party in Berlin. I had such a great time, and people danced all night long.
You're here to sweat. This program is live. There's about one thousand million people watching you. So, you remember - one wrong word, one foolish gesture and your whole career could go down in flames. Hold that thought and have a nice night.
I want to be as honest as I possibly can. I sleep better at night.
You don't need to know this - but here goes: due to some acquired infantilism, I feel compelled to fall asleep listening to the radio. On a good night, I'll push the frail barque of my psyche off into the waters of Lethe accompanied by the midnight newsreader - on a bad one, it's the shipping forecast.
A film like 'Good Night And Good Luck,' you make that for $7 million because you know it's a black-and-white film, and it's not an easy sell. If you make it for $7 million, then everybody can have a chance to make a little bit of money, and you get to make the film you want to make.
The show 'Mahabharat' has given me sleepless night; I just couldn't stop thinking about it. It's a once-in-a-lifetime opportunity for me, and I don't want to leave it at any cost.
Improv definitely made me a better auditioner, without a doubt. We did do an audition semester in grad school, and that was helpful for those times that you have a script and you have a few days to prepare it, to really work on sides. But the auditions I was doing in New York, if you got it the night before, you were very lucky.
In the fight with Hunt, all I can say is it was a good night for me. I'm happy to get out of there without taking too much damage, and I'd take that every time.
I lived near the border with China, and one night, I simply left home and walked across the iced-over river that separated the two countries. I was fortunate that my family had close relationships with some of the border guards, so I was able to cross without incident.
Half an hour of exercise in the morning makes for better interactions all day. Then a sound night of sleep gives me energy to tackle the next day. I am a more active parent, a better spouse, and more engaged in my work when I eat, move, and sleep well.
I've always had a very dry sense of humor, and I've pretty much grown up on Will Ferrell, first on 'Saturday Night Live,' then 'Old School' and 'Wedding Crashers.'
When children are hungry, sleepy from a night spent fighting untreated asthma, or hobbled by symptoms of undiagnosed illnesses, they are less likely to do well in school.
I actually enjoyed making 'Tango In The Night.'
Cities might become biological entities, walls hung with curtains of algae that glow at night and sequester carbon, and floors made from tweaked cellular material that strengthens like bones as we walk on it.
When you're working from home and you've got children, a big night out is going to Pizza Express down the road.
I will confess I am a great wingman. Since I have a girlfriend, I'll start the night with her, but then I'll help out the guys by making them sound like the most incredible guys in the world.
I close my eyes, then I drift away, into the magic night I softly say. A silent prayer, like dreamers do, then I fall asleep to dream my dreams of you.
The thing that's really cool for me about Miami Beach is you have this dichotomy between sunlight and family and happiness and innocence and then at night, darker, stranger mob conspiracy stuff sort of comes out. It seems like a storytelling engine. You can just keep writing about how those two worlds smash into each other.
I remember as a little kid, I would always feel comfortable if the light in the crack of my parents' door was on at night. When it went off, that meant they were asleep. Then that terror and the fear of being by myself started to creep in.
Nobody ever worked as hard as my father. My father averaged maybe four hours of sleep at night, and when you're a kid, you don't realize that.
My father is my idol, so I always did everything like him. He used to work two jobs and still come home happy every night.
I've got to wear sunglasses everywhere, all the time, even if its indoors or at night time, to be recognized. That's part of my job. I cannot take off my sunglasses. For me, staying in the United States was so dark because I can't take them off.
I usually sleep ten to eight hours per night. I sometimes also have a nap in the afternoon.
Any creative process comes with a level of self-analysis and self-criticism. There's a lot of waking up in the middle of the night going, 'Oh, I wish I had done that differently.'
TV kind of worked out naturally for me. I was fortunate to do a show like 'Breaking Bad' and then go straight into something like 'Friday Night Lights.' It's not something I focus on, but when they're great projects, I can't pass them up.
My father was a misanthrope who slept all day and stayed up all night so that he wouldn't have to see people. He ran a business with a large staff but would go there at night and leave things for them to do during the day when he wasn't there.
My beauty tricks revolve around eyes. For the early morning shoots, I pop eye pads in the freezer the night before, and when I take them out in the morning they are already cold and active and are great under my eyes. I keep my eye pads right next to my red velvet Ben & Jerry's in the freezer.
When I'm talking about a product, before it was a product, it was in my brain. So if I have an inspiration, I will literally get up in the middle of the night, and I'll dream about my customer... I don't feel like it's selling. I feel like it's talking about my children.
