More than 60,000 jobs have been lost in the commercial aviation industry in the United States since 1999.
Since it was too difficult to get into the Screen Actor's Guild in New York, I moved to Miami in 1982 and started a successful career as a television commercial actress, obtaining my SAG card there.
In Britain ever more, they will realize that Brexit, well, has consequences - economic, commercial, partnerships. Perhaps during the referendum the impression was given that once the Brexit button was pushed everything would take care of itself easily. Well, that is not true.
I did two commercials, one for Porsche, but I was definitely not the type of child one would cast in a commercial or any TV that you'd typically go out for as a young kid. I wasn't the type of kid who would be in stuff that kids watch. I wasn't cutesy.
Shirley Jackson enjoyed notoriety and commercial success within her lifetime, and yet it still hardly seems like enough for a writer so singular. When I meet readers and other writers of my generation, I find that mentioning her is like uttering a holy name.
A government institution called the Finnish Film Foundation funds filmmaking there, and I wrote several screenplays but never got any money. They were sent back to me, and they said that they were too commercial for them.
I certainly wouldn't want a song that I'd already written to be used on a commercial. That seems strange.
If then the prosperity of the commercial classes, will most certainly lead to accumulation of capital, and the encouragement of productive industry; these can by no means be so surely obtained as by a fall in the price of corn.
You can never tell when a commercial space venture will suddenly become viable.
I've never done anything for money. My first love is things of limited commercial appeal. I could be happy doing Shakespeare for the rest of my life.
Ever since Pele's extraordinary talents blessed the world of football, black footballers have been accepted in the pantheon of the greats. But to achieve commercial recognition is somewhat different: it requires a form of adulation that also spells identification and role model.
My products and magic are free, but on the commercial side of what I do, the big tech companies are impressed with somebody like me who can emotionalize a piece of technology.
The funny thing about commercials to me is that many of them now don't even mention the product until the very end. You don't really know what the commercial is all about. They're kind of like little movies, like shorts, and that's why I think they're so entertaining.
We try some really interesting things besides being outright commercial.
We are the only state that does not have a State Film Corporation there to support the commercial industry.
It turned out it was really easy to create commercial stock footage.
I am not saying that I won't do big commercial films.
I've never consciously done 'safe' commercial projects; luckily, they have done well.
I get people today who say, 'I first heard about you through the Stevie Wonder commercial.' The power of advertising in that way is incredible.
Toyota was the first to put a commercial fuel cell powered car on the road, and I have no doubt that Toyota will continue to be in the front lines in the development of competitive fuel cell vehicles.
Commercial real estate always trails residential, and as residential growth flourishes, shopping centers flourish and service the communities, and jobs come out.
Commercial directing felt like a very natural transition from my comedy, sketch, music video directing experience.
From a counter-intelligence viewpoint, the OPM breach is really scary - but if we continue to see the erosion of purely commercial enterprises, where people lose confidence, the economy falters.
Without a doubt, I was born to want to make cinema, but the kind of cinema I want to make is not like commercial movies, which I enjoy myself, but I wanted to be the kind of filmmaker who wrote original work, sort of like a novelist would who deals with who we are and our times or our relationships.
In many ways, I am very happy about the whole Linux commercial market because the commercial market is doing all these things that I have absolutely zero interest in doing myself.
Nobody ever starts out to make a mediocre, commercial film. You always think it's going to be something. And then, once you're done with your shooting, you have no control. You're just done, as an actor.
I'm interested in what would normally be considered the worst aspects of commercial art. I think it's the tension between what seems to be so rigid and cliched and the fact that art really can't be this way.
I still make more money as I do as an actor than director, however I don't want to be a commercial director.
The challenge is to manage the Web in an open way-not too much bureaucracy, not subject to political or commercial pressures. The U.S. should demonstrate that it is prepared to share control with the world.
I think some people record songs and make records a certain way to cater to radio. If you're born to make commercial music that's cool. But if you're born to not make commercial records, maybe you're meant to cater to another market.
I toured with Skrillex, did an HBO commercial with Diplo. In the hip hop movement, I was the first artist Travis Scott ever featured with before he blew up. I had the songs with Chris Brown and Tyga. I've worked with some of the biggest artists in the world.
I want to make something commercial that people can pick up on.
The more commercial work that is happening, the more people are operating cameras and are setting up studio lights, the greater the opportunity for drama production to happen.
Rarely in modern times has there been such a revolution in commercial sentiment as occurred in 2008, or such a display in government and business of panic and helplessness.
I've decided something: Commercial things really do stink. As soon as it becomes commercial for a mass market it really stinks.
I never paid attention to what was contemporary or what was commercial, it didn't mean anything to me.
