Zitat des Tages von Van Morrison:
I never bought the commercial thing, at any stage of the game.
Being famous was extremely disappointing for me. When I became famous it was a complete drag and it is still a complete drag.
As a developing musician, skiffle became a platform for me to start playing music.
I don't feel comfortable doing interviews. My profession is music, and writing songs. That's what I do. I like to do it, but I hate to talk about it.
I'm very lucky, I'm happy with life because my experiences led me to do what I had to do. I don't have any regrets whatsoever.
If it's what you do and you can do it, then you do it.
Large audiences did not suit my low-key approach.
I've never felt like I was born with a silver spoon at all, although I've felt like howling at the moon a lot of times!
I write songs. Then, I record them. And, later, maybe I perform them on stage. That's what I do. That's my job. Simple.
I educated myself. To me, school was boring.
You've got to separate the singer and the songs.
Hearing the blues changed my life.
Music is spiritual. The music business is not.
My ambition when I started out was to play two or three gigs a week. And that's what I'm doing.
I learnt from Armstrong on the early recordings that you never sang a song the same way twice.
I never paid attention to what was contemporary or what was commercial, it didn't mean anything to me.
I think when you get past your second album, it all becomes something of a routine. So you have to struggle against that, find a way of making what you do sound fresh and new each time.
Every performance is different. That's the beauty of it.
You can't stay the same. If you're a musician and a singer, you have to change, that's the way it works.
I'm not a rock singer and I don't want to be a rock singer. I'm not interested. It doesn't seem to get across.
Skiffle was a name that was attached to what was, in essence, American folk music with a beat.
You take stuff from different places, and sometimes you stick a line in because it rhymes, not because it makes sense.
I don't think nostalgia has to be negative.
The future is keeping you out of the present time.
Even today, skiffle is a defining part of my music. If I get the opportunity to just have a jam, skiffle is what I love to play.
I think Paul McGuinness and U2 created the Irish music industry. It certainly wasn't there before that.
I just need somewhere to dump all my negativity.
In order to win you must be prepared to lose sometime. And leave one or two cards showing.
There is no black-and-white situation. It's all part of life. Highs, lows, middles.
I always record far more than I can use. There's probably twice as much recorded as comes out.
It was really strange for me when I started to play concerts in America where the audiences were all sitting down.
I do see value in music criticism. Most of the criticism I have received over the years has been very good.
When I started you were more in touch with the people you were playing to. There wasn't the distance or the separation that there is now.
When I started studying tenor saxophone as a kid in Belfast, I did so with a guy named George Cassidy, who was also a big inspiration.
I went back to Belfast and started a club, the Maritime. No one had thought about doing a blues club, so I was the first.
For a long time, I couldn't actually deal with playing concerts; it was a totally alien concept to me, 'cause I was used to playing in clubs and dance halls.