When I wrote 'The Rozabal Line,' I had no preconceived notions of what a commercial bestseller should be. I have always viewed 'The Rozabal Line' as my first love and probably my best work. The fact, however, is that it is my least read work.
I would be humiliated if I found out that anything I did actually became a commercial success.
God, I'd love to do a big commercial movie that made a lot of money and whose plot was interesting too.
To say that an artist sells out means that an artist is making a conscious choice to compromise his music, to to weaken his music for the sake of commercial gain.
I'm not averse to being in big commercial films.
It is only by not paying one's bills that one can hope to live in the memory of the commercial classes.
In the world of commercial speech, tobacco advertising bears the earmarks of an endangered species.
The tensions are always based on financial resources. Something like film is very problematic because it is viewed as an art form and also as an industry with a pure commercial base.
If you review the commercial history, you will discover anyone who controls oriental trade will get hold of global wealth.
It perhaps has a chance, a commercial chance, this film. It's funny, it's charming, the idea is original, it's unusual and it makes fun of the movie industry in a way that it needs to be poked fun at.
A characteristic of older folksongs, in most cases, is that we don't know their composers or authors. Older folksongs were written often with no commercial purpose in mind. They were passed down by word of mouth, from generation to generation.
My first audition was for a Dr. Pepper commercial.
Commercial music, for the most part, is popular music and you always have to keep that in mind.
Cost overruns are not uncommon in architecture, particularly for designs that depart from structural or technological norms, or demand a finer quality of execution than commercial schemes - conditions typical of buildings for cultural institutions. Budgets are exceeded for many reasons, not all of them within an architect's control.
I think we have the wrong notion of commercial and intellectual or artistic film. Because all films are commercial.
What's weird is the Hot Boys and the whole New Orleans Cash Money thing had a really big impact on the Bay when that was popping off. I don't all the way understand it. I mean, I know that they were big everywhere and had a lot of commercial success in the mid to late '90s, but they were really, really felt in the Bay Area.
Time is money, especially when you are talking to a lawyer or buying a commercial.
I think it's a travesty that the NBA can't just tell these guys to play basketball two days in a row. It's just a joke to me. We flew commercial, and we were able to play back-to-back.
Generally I don't like doing remakes, but I think that's more in the cynical world of Hollywood where normally remakes are purely for commercial reasons.
I used to be a jazz snob, believe it or not. I sort of turned my nose up at anything more commercial.
Commercial shackles are generally unjust, oppressive, and impolitic.
I'm a commercial artist, both in music and art.
It bothers me when I hear it in a car commercial or some such. But for the most part, it's better than seeing sacred music relegated to the scrap heap.
We kept a broad audience, and we didn't make fun of people who had necessarily made mistakes in their life and burned them to the ground. We made fun of a commercial or a movie or ourselves.
People think I should be a multi-millionaire if I had gotten the right contract. I'm not getting anything for all that commercial stuff they do. But I would have had to pay for that.
As in biomedical science, pioneering industrial inventions have not been mothered by necessity. Rather, inventions for which there was no commercial use only later became the commercial airplanes, xerography and lasers on which modern society depends.
I can't live without mousse. When my hair is damp I put it at the roots. When I blow dry my hair it makes it so much bouncier. It gives you shampoo commercial hair and makes your blowout so much better.
I don't like family stories forcefully mixed with commercial elements.
Calvin was very clever. We did the pictures and made the commercial, and that really worked.
It is difficult to survive as an author in Sweden, so for commercial success, it is good idea to write crime, get yourself translated, and live happily ever after.
One of the first auditions I had in New York was for a commercial where I had to go in and audition to be a snake charmer... It was either some bank commercial or something where they wanted a guy charming a snake... I remember they wanted to know if I actually knew how to snake charm.
I was asked to do a test commercial shoot for an Apple product which didn't mean much to me at the time. Some music player that holds all your songs. Sounded cool to me and I never gave up an opportunity to work, especially with the possibility of it turning into a national commercial. Coolest job I did in that time.
The greatest thing that ever happened to me in my life was being allowed to do business in Macau and in China. I love it here. It has been the greatest single event in my commercial career. Period.
In the last quarter of the eighteenth century bourgeois Europe needed to emancipate itself from that combination of feudalism and commercial capitalism which we know as mercantilism.
It used to be that you had to do a certain number of episodes to hit syndication in order to try to keep a show on, because it's important to the network because it sells good commercial time. That's really not how HBO does things.
Commercial banks are very good for certain businesses, like loans and guarding other people's money. They're not great investors or entrepreneurs.