Zitat des Tages von Terence Winter:
Critics who do the weekly recap, I find that kind of absurd. That's like reviewing chapters in a novel.
It used to be that you had to do a certain number of episodes to hit syndication in order to try to keep a show on, because it's important to the network because it sells good commercial time. That's really not how HBO does things.
I'm not really gangsta. Not at all. I just write about them. It's fun to pretend, at least on paper. But in real life, not so much.
Very often at the end of 'The Sopranos' you get the feeling that its not under control, you should be very worried, and life is kind of really, really messed up at lot of times. It leaves you feeling very disconcerted. That was kind of the point of it.
I'm always amazed by writers who say, 'Oh you know I had a half hour so I sat down and wrote a little bit.' I just need a real big chunk of time to sit down and focus. That's my process.
First and foremost, you want to be truthful as a storyteller.
As a writer, I've tried to avoid strong opinions about morality. You just want to present things as they are and let the viewer come to their own conclusion.
One FBI agent told us early on that on Monday morning, they would get to the FBI office, and all the agents would talk about 'The Sopranos', having the same conversation about the show, but always from the flip side.
Any abhorrent behavior is more interesting to me. I'm always amazed when somebody asks me, 'Why don't you write something about nice people?' Because nice people are boring, that's why.
I have a rule: I will not alter the basic history of a real-life character to suit our fictional needs in a big way.
People talk about the plots and what happened, and they see your tricks a mile away.
For me, I need to fully immerse myself in a script to the point where I'm literally locking myself away for weeks at a time and I just write it. So I can write twelve to fifteen hours in a day, with breaks in between, obviously, but I need to just sort of live within the world of the script.