Zitat des Tages über Johnny:
I am never going to sound like Johnny Mathis.
I've known Johnny Depp since I was 19.
I didn't want to come up with some generic Johnny Bravo type name. I'm not that cool, so I might as well stick with my birth name.
Then there's Johnny Pesky, hit me countless number of ground balls and improved my fielding so much.
I was lucky to be with Johnny... he taught me a lot about fame.
Ever since I'm done with Zim everyone thinks that I'm going to go back to comics. I've been flooded with emails asking me if I'm working on the new Johnny over and over again.
I still have the shirt I wore my first time on Johnny Carson's show. Only now I use it as a tablecloth at dinner parties. It was very blousy.
I still have so much passion to perform... That's who Johnny Weir is: I'm a figure skater, I'm an athlete. I want to have fun and enjoy it.
Everybody likes Johnny Cash. I think the sad part of it is his health is givin' him problems.
After The Ventures I dug Johnny Smith quite a bit.
I listen to a lot of different stuff, from Mozart to Johnny Dowd to Monster Magnet. I don't listen to music while I'm writing a draft, but I do listen to it when I'm revising.
A true musician, like Johnny Cash, should be able to walk into a room with nothing but an instrument and capture people's attention for two hours.
I'd say in general, my style is Johnny Weir style. It's my style. I can't classify it as anything else.
After doing Johnny I wanted to just do something, I wouldn't say innocent, but to not have any care in the world. Lots of setups and horrible happenings but its funny.
Just wearing all black comes from Johnny Cash. I'm on the road so much that if I wear all black, my clothes never get dirty. You can't tell if I've worn the same shirt twice.
I look at actors like Johnny Depp, Sean Penn, and Benicio Del Toro, and they play all these different characters. I'm hoping that, in my lifetime, I'll be able to look back and say, 'You know what? I did all these different characters, and I enjoyed every single film I did.'
I thought it would be a lot of fun and I wasn't going to do the movie without Johnny. The studio suggested a couple people, and I'd never met Johnny, but I thought we'd be a perfect team for this movie because we're both a little bit unpredictable.
I thought I could play the hellraiser and then put 'Johnny Vegas' back in his box. I found popularity through self-destruction. The more you damage yourself, the more people are drawn to you, and that can be quite addictive. It is not a lifestyle you can maintain.
It was a dream come true working with Johnny Depp. He's always been my acting idol. Working with him and watching him work taught me a lot as an actor. He's very down to earth and a lot of fun to hang out with.
Because many of us have been in game shows for some time, there's always someone around who can share a story of Johnny O or Jay Stewart that I never heard.
I think working with Johnny Depp was very intimidating. It was my fault though. I mean he's a total cool nice, nice guy, but I was just so, I don't know, overpowered by his presence. Like he's a very mystic person. He's older so I never really warmed up around him. I was so stiff.
I sort of approach wrestling the way Johnny Depp approaches movies. I don't really care necessarily what I'm portraying.
Johnny Mercer started Capitol Records, and he brought in Sinatra, Dean Martin, and Nat King Cole. He just let them sing whatever they wanted, and it became the best record company in America.
The Progressive Blues Experiment, Johnny Winter... and Still Alive and Well is my favorite rock record.
Johnny was great in the studio; he was there to make the music that he wanted to make. We lived right beside each other and had a rehearsal studio that was just ours, with nobody else using it, it was part of Johnny's house, so we could rehearse every day.
When I got a call to do the voice of Johnny in an episode of 'American Dad' titled 'I Can't Stan You,' it was a great opportunity to be a part of a really funny cutting-edge show on television. I really got into the character, and I was able to do some improvisation, which allowed me to mix in part of my personality into the script.
Johnny Cash has always been larger than life.
I was mainly influenced by the Carter Family, Jimmie Rodgers, Loretta Lynn, Merle Haggard, and others like Bob Dylan, Johnny Cash.
Even people that know Johnny Cash's music really well and know that he was married don't really know that much about June Carter. So finding out about her really helped to inform my performance and to bring her to the front in a way that she has never been before.
I got to work with one of my heroes, Johnny Depp, and to see how he goes about business, which was really inspiring for me at this stage in my career.
Johnny Colt is a character, and most people in Lynyrd Skynyrd are characters, so he fits in great with us. He's got an attitude, man, and I love it, and that's what we need.
I always thought Johnny Carson was just brilliant, and I used to watch him and all the comics that would be on the show every night - and I'd dream about it being me.
Sometimes I am two people. Johnny is the nice one. Cash causes all the trouble. They fight.
In 1971, I put together the 'Johnny Face' drawing as a concept, with the words as part of an image in a circle. Combining my abstract drawing with the headline 'Crazy World Ain't It' created an emblem and became a button.
The problem isn't that Johnny can't read. The problem isn't even that Johnny can't think. The problem is that Johnny doesn't know what thinking is; he confuses it with feeling.
We are losing our superstars like Johnny and June Carter Cash and that breaks my heart.
