Zitat des Tages von Chris Cornell:
What do you think Jesus would twitter, 'Let he who is without sin cast the first stone' or 'Has anyone seen Judas? He was here a minute ago.'
I can go from one extreme to another, from playing at the Sydney Opera House on the Songbook tour to shows with Soundgarden at Voodoo Fest, all in a week.
I have a hard time narrowing things down to ten or 12 songs. If I walk off stage in anything less than two hours, it just feels strange. It feels early.
A true musician, like Johnny Cash, should be able to walk into a room with nothing but an instrument and capture people's attention for two hours.
Hip-hop kind of absorbed rock in terms of the attitude and the whole point of why rock was important music. Young people felt like rock music was theirs, from Elvis to the Beatles to the Ramones to Nirvana. This was theirs; it wasn't their parents'. I think hip-hop became the musical style that embraces that mentality.
I'm not a lyric writer to make statements. What I enjoy doing is making paintings with lyrics, creating colorful images. I think that's more what entertainment and music should be.
A lot of people get into alternative music as part of their identity. It's something that isn't the mainstream, that their brothers and sisters don't know about, and that their parents don't like. It's something they can have as their own.
Due to irresolvable personality conflicts as well as musical differences, I am permanently leaving the band Audioslave. I wish the other three members nothing but the best in all of their future endeavours.
I don't really go mountain biking per se, like a proper sport.
Music is supposed to be inspired.
I never felt bad about being lumped in with other Seattle bands. I thought it was great.
When we've toured with Skid Row and G N' R, we probably turned a few people on to our music, but I get the feeling at one of those shows you might snag maybe 10 percent of the people out there.
To a degree, rock fans like to live vicariously and they like that, music fans in general, but when indie music sort of came into prominence in the early '90s, a lot of it was TV-driven, too, where if you saw the first Nirvana video, you're looking at three guys that look like people you go to school with.
In spite of my lack of education, I didn't lack direction.
I had to teach myself to let go of the conventional rock way of playing guitar and singing. Some things you wouldn't expect to work, did and some things won't ever work.
I think it's important for fans to know that but if I'm doing something that inspires me musically then I think it will inspire someone else too.
For years, I wasn't feeling good about myself. My head wasn't clear. I was doing nothing productive.
It's great when you play to an audience that knows the words to all your songs, and sings them back to you.
And if you don't believe the sun will rise, stand alone and greet the coming night in the last remaining light.
You sometimes get the feeling that people think getting back together after a hiatus to write and record a record is work, you know, arduous and unpleasant. Being able to write and record - that's a privilege. I don't forget the long days I spent working in a restaurant, when I wanted to be done so I could go home and work on a song.
When you're young, playing drums is immediately satisfying 'cause whether or not you know how to play anything, the bottom line is that you're pounding on something, so you're happy about it.
I feel like you're not a real musician or entertainer if you can't go into a room, pick up an instrument and entertain people.
There's something about that blind trust between Timbaland and me - two people that have almost nothing in common except for a love of music - that is really rejuvenating.
'Superunknown' was one of the most dramatic shifts in what we were doing musically. I don't think I realized it at the time.
I was going to be a musician, no matter what it took. I supported myself with blue-collared jobs so I could write music and be in a band and play shows. I even got into an underground art scene. I was going to do whatever.
There wasn't a key moment when I knew I wanted to quit.
At the end of the day it's the fans who make you who you are.
I think the concept of commercials, for example, I have had offers to do songs in different commercials, and it is not what I have liked.
When you break out the acoustic guitar, the words are the focal point unless you're the Jimi Hendrix of the acoustic guitar. So the words have to have meaning.
When you start your first band and it has an impact on the rest of the world you go through a lot with those guys and you become very protective of that legacy.
'The Beatles' did whatever they wanted. They were a collection of influences adapted to songs they wanted to write. George Harrison was instrumental in bringing in Indian music. Paul McCartney was a huge Little Richard fan. John Lennon was into minimalist aggressive rock.
Audioslave was something that I felt had become a career decision. It became three albums over a period of years touring with a specific group of people.
It just doesn't get any more stripped down than going out totally alone and doing songs.
Whenever anyone sends me a link to a band, saying, 'These guys sound exactly like Soundgarden,' it's always some super simple sludge riff with a singer that sings high and screechy. And it's really awful.
I prefer not to use any machines. I focus a lot on cardio, which is what I do when I'm on stage. I also am into isometric workouts.
I would look at older blues musicians who just keep going into their seventies. They keep doing it until they drop dead. And I've always felt like that's what I want to do. I've felt that since the day I was able to start playing music for a living. I don't see the point of thinking about retiring because it's not work to begin with.