Look at this, scabs and cuts all over me, I get these every night, every game. They can't tell you that you're not at risk, and you can't tell me there's one guy in the N.B.A. who hasn't thought about it.
The idea is to go to bed every night with fewer enemies than you had in the morning.
I appreciate the level of professionalism and talent that I get to be around every night, eight times a week.
I have never run for political office, but every night I am reaching out to millions of Americans on the radio and I am deeply concerned that the middle class of the United States is being sold out to multi-national corporations with a globalist agenda.
I'm not saying that every night of the week, my husband, ex-husband, our children and I all sit around together like one big happy family. But we do see each other frequently, and everyone loves each other, and we are all friends.
Everything happens every night for this audience, and it's a very special occasion to come to the theatre.
I'd spent my whole adult life considering myself an independent entity, my life filled by work and friends and family. Suddenly I had a male partner, someone I woke up with and went to sleep with every night.
Theater is such its own living, breathing animal. You do a show every night, but it's different every night. Being on stage, you're experiencing a journey.
When you have a play, you have to be on every night.
I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.
But for the first time in many years, I get to sleep in my own bed every night. I haven't done that, literally, in years. It seems like such a small thing, but it is so nice.
When I was little, we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.
Being in a scenario where you're thinking, 'I can't do what I want to do due to the financial burden that comes with some of it,' makes you think, 'Well, I could go and do an after-dinner speech every night.' I'd probably earn more than I could in track-and-field. But that's a dangerous scenario to get yourself into.
People that know me know that I cook. I cook every night.
You learn more discipline in the theatre than you do in movies or TV. You're on stage every night and you have to sustain your energy level tor several hours.
When the show opens, fans can text to a number we flash up on the screen, and then we do a meet-and-greet with 60 to 80 people every night. It's something I love doing, and I would say that's probably more fans than most artists bring backstage after a show.
I got off the school bus every day at the driving range. I'd hit balls and goof around all day out there. I picked up balls by hand every night. That was my job.
I play against a front and a back every night, Ming does not have to do that, Duncan does not have to do that, Garnett doesn't do that. I am the only one that has to do that.
I eat cheese and salami and a lot of fried chicken. I eat a big bag of oatmeal-raisin cookies every night and I don't gain weight. I still look OK as long as I'm dressed.
My joking answer to this question is that I leave a bowl of milk out on the back porch every night for the Idea Fairy. In the morning, the milk is gone and there's a brand-new shiny idea by the bowl.
Every night, I was read to. Every Friday, we were taken to the library. I always received at least one book for my birthday. I have a few of them yet. Early on, I had my own collection of books. I loved to read. Still do.
There are two sighs of relief every night in the life of an opera manager. The first comes when the curtain goes up The second sigh of relief comes when the final curtain goes down without any disaster, and one realizes, gratefully, that the miracle has happened again.
I'm a people person, very approachable. I go out every night, tons of functions. I love all facets of this industry... Music, film, TV, books, art. I love being around creative people.
You know what actors are like; they moisturize every night. They're frozen in time.
The Grammy is the highest honor in music that we can receive, outside of having fans come and watch you every night and clap.
When you're making an album, it's, like, exciting every night you make something new, but you're the only one who gets to hear it.
My parents discussed singing every night over the dinner table; I had a tremendous music education.
The reward is every night. The 90 minutes is such a payoff for us every night; it makes it all worth it to us. The fans who come to the shows know how much we enjoy this.
I don't want to scream 'Immigrant Song' every night for the rest of my life, and I'm not sure I could.
I don't want to say the same lines every night.
I studied structured improv, where you start from one position and see where it takes you. I like spontaneity. If you set yourself up to do the same thing every night, you may not connect as well to a different audience.
That person who's going to a concert for a nostalgic reason, we're not really going to placate. We still play three or four hits every night. Now, we don't play them like the record. We try to find new ways to do it.
We go out there and kill it every night, and you can see what this means to people.
Generally my day-to-day is pretty much the same. Just busy and working and on tour. And trying to put on the best show possible every night.
I watch everybody every night, from sitting down to being on their feet at the end, and I feel a sense of reinvention, of caring, presenting these songs in their purest form.
With me, nothing goes right. My psychiatrist said my wife and I should have sex every night. Now, we'll never see each other!
