Zitat des Tages von Roger Rees:
It doesn't seem Shakespeare works if you turn him into a religion.
You got paid on Friday, go for a late-night poker game, and have no money on Saturday. But the RSC took your rent out of the paycheck, so at least you had a place to sleep.
Anything I do is as theatrical as I can get it.
Sometimes I think I'll go off and be a milkman or a greengrocer, some easy job.
All this thing that L.A. doesn't have any love for the theater isn't true.
I was at a pretty rough school, and the only thing I was good at was art.
More people saw me in one episode of 'Cheers' than would ever see me in a play.
I was an art student when I was a boy, and as an art student you don't have to talk to anyone - you just have to paint really wonderful paintings. It's very unlike being an actor, where you have to talk all the time.
No lens is quick enough to track the movement of the human body. The molecules are always moving.
They said my voice was terrible, nervous, and spotty and that I must go away and learn how to use it properly. I must admit I was rather agape, since I had never thought about making my voice better.
I love to argue and share bright ideas in a rehearsal room, and when you live with somebody who is working on the same show, the delight can go on all evening!
Rattigan's world demanded unwavering trust in principles, loyalty, and virtue. At the time of this play - Rattigan was writing this play in 1947 about an incident that took place in 1914 - should a boy say he didn't do something, his father would believe him; a British father would take the defense of his son's honor to his grave.
I love to see people blossom.
Exercising choice is a good thing.
The sense of popularity in an actor is essential.
I wish I'd played Coriolanus.
I've been with Shakespeare all my life.
Everything happens every night for this audience, and it's a very special occasion to come to the theatre.
I do one thing Gielgud didn't: I play the ukulele.
Now, when I talk about Shakespeare, I can't talk too much about Gielgud or Olivier. Because nobody knows who I'm talking about.
The whole point is it's about getting as many people to come and see the play as you can.
My neighborhood in South London was very Dickensian.
My first acquaintance with 'Peter Pan' was back when I lived in South London. I was at art school, and I needed to earn money, so I got a job as a stagehand at the Wimbledon Theatre, and 'Peter Pan' was on tour there with Donald Sinden, who was playing Captain Hook.
I don't think perfection is possible. I think you can attempt to reach perfection, but I don't think it's a possible thing. I think perfection is a moving point, and we spend our artistic lives chasing it.
I just do what I'm asked, really.
I was a skinny 17-year-old.
Rattigan wrote some very good plays.
The loser, the fool, is embraced in England because there is a recognition of silliness there that allows a person to keep his ambitions and desires at a certain distance. Just being in the race is enough.
I've often thought I'm a short music hall comedian stuck in a leading man's body.
I joined the Royal Shakespeare Co. with no experience whatsoever - I'd never been to a drama school or anything. But I was strong and could lift things, I could move scenery about.
I thought acting was just going on and remembering all of one's lines.
What I strive to do is to make the theater experience something that people remember and recall rather than dismiss because it was less like their everyday experiences. So, I'm less interested in internal emotionalism and much more in making the audience laugh and cry by the devices that we use as theater actors.
Now, of course, we know there has been an end to apartheid in South Africa, but what excited me was seeing it in the context of history.
I used to be the voice of Virgin Atlantic in America, and some people only know me for that.
That's been the tragedy of my life, actually. I've always looked younger than I am.
Even Shakespeare gives you a scene off.