The way I picked the tracks for '99.9%' was based on the feeling of, 'Is this going to be a hit?' I wanted songs that people would immediately hear and remember.
Remember that the fans want to hear inside stuff about the series; they don't want to hear gripes and grouses about your personal life. What they really want to hear is how the series gets made, and how you interact with your fellow cast members.
I went back to my ex a couple of times, and regardless of how many times you hear from your parents or your best friends or whoever that 'Oh, you should let it go and be over it and let him go. Move past it and find somebody new.' Regardless of the advice that you're given, you kind of have to do whatever makes you happy.
I worked in Syria on the front lines, and you hear the plane, you hear the shell is dropping, you realize it's not on you - 'Good' - and then you see the patients coming in and take care of them. And then you have down time. With Ebola, it seems there's no down time. It seems you're always at the front line; you're always exposed.
I try to remember, as I hear about friends getting engaged, that it's not about the ring and it's not about the wedding. It's a grave thing, getting married. And it's easy to get swept up in the wrong things.
Japan is quite weird because they wait for you to say something before they respond. You can literally hear a pin drop, they don't make a sound until you say something to the crowd.
I want people to hear the presence of God in the music.
On occasion, I hear a rearrangement of a song that really makes me reevaluate it in a way.
We really owe it to the military for what they do day in and day out that we never even hear about.
When I listen to music these days, and I hear Pro Tools and drums that sound like a machine - it kinda sucks the life out of music.
The most frequent complaint I hear from college students is that professors inject their leftist political comments into their courses even when they have nothing to do with the subject.
With every year of playing, you want to relax one more muscle. Why? Because the more tense you are, the less you can hear.
I never have been sick. I don't even know what it means to be sick. I hear other players say they have a cold. I just don't know what it would feel like to have a cold - I never had one.
Oh, man, you won't hear me talking about the drudgery of making movies. I don't buy any of that. All those guys who made 'The Revenant,' they loved it. They wanted to make a film, and they were the happiest people around to be doing so.
People like to hear the word 'love.'
Whenever you hear the consensus of scientists agrees on something or other, reach for your wallet, because you're being had.
The key is that when we disagree, we really hear the other one out and agree that there is a more elegant solution than one of us 'winning.'
I will commit myself to making this state an even greater place to live, work and raise a family. I intend to reach out from border to border to hear first-hand from our citizens about their thoughts, concerns and ideas for our state.
A lot of comedians get a bad rep once they have kids and that's all they talk about, and people are like, 'I don't want to hear about your kids!' I'm like, 'Prepare yourselves. That's all I'm going to talk about.'
In New Orleans, bounce music was prevalent. That was all they wanted to hear. It was new and trendy, and it was hot, and it was taking off. Artists were coming out of everywhere. They did some great songs, some really catchy, fun songs. That was just the feel of New Orleans music.
They hear it come out, but they don't know how it got there. They don't understand that's life's way of talking. You don't sing to feel better. You sing 'cause that's a way of understanding life.
I sing all the time. But maybe nobody's hearing it, because I'm singing in my car or in my house or whatever. I don't need the roar of the crowd, and I don't need to hear cheers to feel validated.
When I hear that somebody's difficult, I think, Oh, I can't wait to work with them.
I think these are very improper questions for any American to be asked, especially under such compulsion as this. I would be very glad to tell you my life if you want to hear of it.
I can hear the roar of women's silence.
I think it was just an opera. Now, you go to opera, you expect to see and hear what the opera is. So, it was Catfish Row. It was singers. Marvelous voices. It didn't make no difference what color they were.
I have a magpie mind, by which I mean I see and hear little things - photos, fragments of conversation - and store them away for future use.
I talked to the record company about what I had in mind. They said they wanted something lush. I figured the best thing to do was let them hear what I had in mind.
The news comes somewhat late, but I'm glad to hear it nevertheless.
The need for reflection and restraint of power is what led Louis Freeh to order that all new agent classes visit the Holocaust Museum here in Washington so they could see and feel and hear in a palpable way the consequences of abuse of power on a massive, almost unimaginable scale.
I often hear them accuse Israel of Judaizing Jerusalem. That's like accusing America of Americanizing Washington, or the British of Anglicizing London. You know why we're called 'Jews'? Because we come from Judea.
People are tired of being told that this is as good as it gets. They hear in Donald Trump someone who says, 'We can do better.'
I hear from broadcasters pretty often. Their ad revenue is down.
Women risked their lives for the right to vote. When I hear people say, 'Oh, I'm not gonna vote,' I just wanna tear their heart out.
The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
It's not until I hear songs that I've done, that I realize how much of an inspiration music from the '60s and '70s has been.
