The eyes of some of the fans at Davis Cup matches scare me. There's no light in them. Fixed emotions. Blind worship. Horror. It makes me think of what happened to us long ago.
There are unwanted emotions and pain that goes along with any birth.
The truth is that we can learn to condition our minds, bodies, and emotions to link pain or pleasure to whatever we choose. By changing what we link pain and pleasure to, we will instantly change our behaviors.
I don't think many people get to play big emotions in life.
Clearly I'm able to read emotions. But I do feel... What is it? Awkwardness. I'm not a slick dude. That's what it comes down to. The nakedness, the guilelessness... that's quite real.
As I got older and started moving up the ranking, the matches got more important, and my emotions ratcheted up. I guess I hid my real feelings behind the anger.
'Where'd You Go, Bernadette' was surprisingly easy and fun to write because I was feeling such strong emotions.
When you dominate other people's emotions, the time has to come when you will have to pay, and heavily, for that privilege.
I believe anger is a wasted emotion, and I don't like to waste emotions.
You learn to rely on a few basic movements and use your voice to the greatest extent possible to convey your emotions. So there was a technical challenge there and a responsibility to create a character from behind the mask.
I was raised speaking English and Spanish. And I also speak Danish. And I can get by in French and Italian. I've acted in Spanish and English, but when something has to do with emotions, sometimes I feel I can get to the heart of the matter better in Spanish.
You're always dealing with emotions as an actor.
So I'm not worried about the emotions I carry with me, because I'm happy that I have them; I think it's good for the work I do. The emotions that are not healthy are the ones you hold inside, like anger.
Flowers are restful to look at. They have neither emotions nor conflicts.
I was very bitter, frustrated, hurt, angry - I went through all types of emotions when I first was out of the WNBA.
One of the reasons I was so unhappy for years was because I never embraced my emotions and I was trying to stay in control.
In most films music is brought in at the end, after the picture is more or less locked, to amplify the emotions the filmmaker wants you to feel.
Music became a healer for me. And I learned to listen with all my being. I found that it could wipe away all the emotions of fear and confusion relating to my family.
I don't chart out the life histories of the people I play. If I did, I'd be in trouble. I work with my heart and my head, and naturally emotions follow.
I don't fully understand my wife's emotions - and I'm supposed to write an excellent female character and unravel the secret of women?
A lot of women don't know how to vent and deal with emotions.
Nothing vivifies, and nothing kills, like the emotions.
In this respect I suppose I'm the total opposite of Garry. With his very emotive body language at the board he shows and displays all his emotions. I don't.
In all warm-blooded creatures, which are the highest evolved and have feelings, passions and emotions, which reach outward into the world with desire, which may be said to really live in the fuller meaning of the term and not merely vegetate - in all such creatures, the currents of the desire body flow outward from the liver.
Most of the animated films I watched, the emotions are all prepackaged like canned music, the hand actions, the sighs.
In film you can use images exclusively and narrate a whole story very quickly, but you don't always so easily find the form in cinema to dig deeper into human thoughts and emotions. And in a novel you can much more easily express a character's inner thoughts and feelings.
Emotions are messy and hard to figure out.
I believe that dance communicates man's deepest, highest and most truly spiritual thoughts and emotions far better than words, spoken or written.
I want to be able to make people laugh and cry and feel happy or sad and feel all these different emotions through singing and acting. Hopefully throughout my career, I'll get to pursue them.
There's a lot of emotions that always come out after a skate of a lifetime. I always start crying because there is so much buildup to that competition.
My biggest problem with organized religion is that God has been imagined as a human being with emotions. I feel if you let go of that, then it's possible to see God as a force, to connect to him or her spiritually.
My songwriting process, and maybe loads of other people's, is just this sort of smashing together of emotions and stuff to make some music. It's kind of simple and really complex at the same time and, as you can see, incredibly hard to explain.
Any musical person who has never heard a Negro congregation under the spell of religious fervor sing these old songs has missed one of the most thrilling emotions which the human heart may experience.
The emotions of the actors are better when they understand the chronological factors that are adding to the story.
The sense of war, the extraordinary bravery of the Allied armies, the numbers, the losses, the real suffering that disappears in time and commemorative oratory, are not marked out in any red guidebook of the emotions, but they are present if you look.
I liked the fact that I was forced to get inside of my emotions and to really try to figure out a lot of what I was going through.
