Zitat des Tages von Spike Jonze:
I think at the beginning of a project, you decide if you're in love with the idea and what it's about, or what you think it's about at that time at least. Then you commit to it, and once you've commit to it no matter what, no matter how many self doubts you have, you're in it. The ship's sailed, you can't turn around.
I love when me and my friends don't know how to make something - there's that risk of failure, which should be there. If it's guaranteed not to fail, it's something you already know how to do.
I like people that define their own values. I am much more interested in somebody who has their own definition of what they value, their own definition of what success is, their own definition of what love is.
I definitely liked the Muppets. I definitely liked Yoda in 'Empire Strikes Back' and Chewbacca. I don't know if I was a fan of puppets or those, like, specific characters.
Maurice Sendak never - I remember he said something that was very striking because it's something I never thought about. I always loved his work, and he said, 'I don't really view myself as a children's book author. I just try and write about childhood as honestly as I can.'
Whenever I start writing, I try to put together songs that feed the feeling of the movie.
You have to be involved and relate to the characters in order to make a film that is true emotionally.
There's a difference between stress and pressure.
Chris Cooper I got to work with many times.
The world is becoming nicer and easier, but that doesn't mean we are any less lonely or any more connected.
I think the way Win Butler writes, I really identify with it. He writes very emotionally and very cinematically, and I just connect with his sensibility.
Samantha Morton is one of the best actresses in the world.
When I was 20 years old, I had no plans to ever be a filmmaker.
I think there is something about... unless you come from a really evolved family that allowed you to talk about your feelings and felt like a safe environment, then you aren't really prepared to do that when you grow up.
I have a home phone number, and I like it! It's like a throwback already.
The thing I remember most about having a tantrum is not the rage during the tantrum, but the being freaked out afterwards, and embarrassed, and guilty. It's scary to lose control of yourself.
The best videos were the ones where I became friends with the artists first.
I always aspire to that, where it feels like the film was made by the characters as opposed to the filmmakers. I try to be invisible.
I loved Fugazi, the D.C. hardcore band, because they always did everything themselves. They had their own label, and the CDs always cost nine dollars, the T-shirts always cost eight dollars, the shows always cost five dollars, no major label.
Me and my friends had BMX magazines and skate magazines, and I was a photographer who made skate videos.
I like the idea of the documentary as a portrait. There's not a chronological beginning, middle, and end structure. You build something in the editing room that's shaped by getting to know the person and digging deeper, unpeeling the layers of them as you get to know them.
I am better at math than spelling.
I skated and rode bikes on ramps, and my mom was always super supportive. She was one of the only divorced moms in the neighborhood, so all the other parents looked down upon her for letting her kids do that kind of thing.
Emotions are messy and hard to figure out.
I like naps. I don't drink coffee.
Pop music, I think there's a reason why kids connect to it.
The strengths and failings of a relationship depend entirely on your ability to talk about your feelings.
There was definitely a point in my thirties when I thought, 'Oh, wow, I'm not the youngest person on the set anymore.' But I like it. Working with younger artists is totally exciting.
I've done a couple of interviews, and I realized how uncomfortable I felt as soon as I started talking.
Johnny Knoxville went from struggling to pay his rent to being on the cover of 'Rolling Stone' in the course of, like, a month.
Nicolas Cage, I would love to work with him again. He's just a fearless madman. He'll go anywhere you want to go. He would not say 'no' to anything.
I think there's a knee-jerk reaction to things from parents.
I definitely check my phone for texts a lot - like, 'Did anyone text me? Is anyone thinking about me? Does anyone love me?'
You get a buzz when getting texts: 'Oh, someone's thinking about me.'
What I learned from the Beastie Boys was to be independent. They set up their own world separate from the label. They built their own studio.
You can go on Nike's website and choose exactly what fabrics and colours and shapes you want your sneakers to come in.