I'm left-brain dominant, so anxiety and nervousness don't affect me; most emotions don't.
I think when you're happy, emotions are right near the top - mine definitely are. I cry easily, I laugh easily, I lose my temper easily... and I beg for forgiveness easily.
At the end of the day you have to keep emotions away.
I'm really drawn to relationship stories and human emotions.
I think it is important for children to read different things to find out about their emotions and other people's emotions. It is an enormous source of education and culture.
Your memories from your early childhood seem to have such purchase on your emotions. They are so concrete.
I don't temper how I feel. I'm Greek. I've got emotions.
I put my emotions in my music and I want people to relate to that.
I really like people who have the gift of the gab. I like characters that are very eloquent, articulate and confident in what they're saying. Especially coming off 'Captain America,' who's very internal and intimate, I'd love to play someone who wears their emotions on their sleeves, potentially to a fault.
You didn't find comedy in 'Magadheera.' Any film high on emotions doesn't need such elements.
In times of joy and sorrow, love or hate, peace and unrest, music has always been an important outlet for expressing our emotions individually and as a nation.
In the first two episodes, before she becomes Queen, I could be a lot freer with my emotions, but as the series goes on, she develops an armour in order to cope with her circumstances. She has to be a sphinx, which must be so hard. Imagine never being able to shout, 'Shut up,' or cry, even in front of your own family.
I've always loved Victorian melodrama. And I've always liked larger-than-life theater, providing it's truthful and honest. I like what the theater can provide in energy and bombast - I enjoy it when it's large, and by that I don't mean in size, I mean in emotions. Shakespeare did that.
I really think I tried to capture the essence of the comics: what I thought would be the essence of Elektra. And then, as any character that I play, I really tried to dig inside me and try to reach real emotions and transpose that in her world, in who she is.
I'm interested in the acting and staging of specific emotions, and so I work with actors. It's a small proportion of what I do, but it's always what people seem to focus on.
When we make progress quickly, it feeds our emotions. Then, when there's a period of waiting or we hit a plateau, we find out how committed we really are and whether we're going to see things through to the finish or quit.
An actor's body should be full of emotions, whether it is happiness or sorrow, pain or joy, enraged or elated.
My pictures are always part of my thinking, and my emotions, tensions, dreams, desires.
'Rome' plays on universal human emotions that hopefully people can relate to. Historians are always going to be offended by it.
Emotions may win arguments, but they don't win wars.
I used to bottle up all of my emotions and never say anything. Even if something really made me mad, I'd be quiet.
To be human and to be adult means constantly to be in the grip of opposing emotions, to have daily to reconcile apparently conflicting tensions. I want this, but need that. I cherish this, but I adore its opposite too.
When I play music, I realize that it filters emotions. I believe that peoples' voices are expressed in their emotions, and I try to do the same with my music.
Being irrational and out of control is what happens in real life. Not cautiously choreographing your anger or your emotions, losing yourself in them is what happens in real life.
The fundamental job of the actor is to tell about the human condition, to be a voice for the truest ideas and deepest emotions.
A lot of our music came out of a lot of weird psychology and weird emotions. When you play the whole body of work, you get tossed all over the place. It's not easy listening. It's not even comfortable to listen to.
You get addicted to emotions. Our endorphins kick in and it's like a high. On the low end you might love roller coasters. On the high end you might be a bank robber or something.
We're not whole people if we're just one emotion. On any given day, you can be happy, sad, angry, and so on... As you mature, you just learn to deal with each one of those emotions.
I think we're all insecure about something, but there's a way to deal with those emotions healthily by seeking professional help earlier on.
There is a lot of work out there to take people out of the loop in things like medical diagnosis. But if you are taking humans out of the loop, you are in danger of ending up with a very cold form of AI that really has no sense of human interest, human emotions, or human values.
In detective land, you have to deal with a lot of intense emotions, so you yourself have to remain mostly unemotional and detached. These are people, like law enforcement and surgeons, in professions that don't have the luxury of being able to be emotional or to break down. In my line of work, it's almost a requirement.
Wonder is that possession of the mind that enchants the emotions while never surrendering reason. It is a grasp on reality that does not need constant high points in order to be maintained, nor is it made vulnerable by the low points of life's struggle.
