It really just gives you a sense of when you need to have dialogue and when you don't, and if your pictures are telling the story, you don't need to have all this talking.
I'm an actor who hates dialogue and the present day and reality.
I think people remember pictures not dialogue. That's why I like pictures.
If I felt we had alienated the Unionists, it would worry me because we've spent a great deal of time trying to open up discussion and dialogue with the Unionist Parties.
It's fun being able to suit up and go and kick butt and not have to worry about memorizing dialogue. It's a whole different way of acting because you're not depending on the words at all, you're really depending on everything else that you have.
I see the cartoonist as contributing to the content, being critical, because we do poke holes in some of the dialogue and find new ways of seeing things.
English dialogue is the best in the world. So dry and direct. The Italian language is beautiful, but it is too literary.
That is very different from how it used to be in the 20th century. Media was very one way. There's a small little industry. It broadcasted its message and everyone else in the world just had to listen. Now the internet is allowing what used to be a monologue to become a dialogue. I think that's healthy and actually restoring a more natural way.
Lots of people can write a good first page but to sustain it, that's my litmus test. If I flip to the middle of the book and there's a piece of dialogue that's just outstanding, or a description, then I'll flip back to the first page and start it.
I'm not at all sure dialogue is meant to advance the story; I know that sometimes it is the story.
If you gather a lot of stuff, then you write it, write in scenes with dialogue. Somewhere in the middle, rising from all this research like strong metal towers, is your opinions.
Growing up the son of a director has made me very aware of the various turns that a directing career can take. Sometimes your films turn out exactly as you want. Sometimes they don't. I spent a lot of my childhood on sets. I think as a joke, my father gave me a line of dialogue in each of his films during the worst moments of my puberty.
Memorizing dialogue has always come easy and quickly to me. My wife Eileen is also very helpful. She gives me choices, and asks me questions, and runs my lines with me.
And dialogue, I'm good at it, and it's because it's the only thing you have to work with in TV writing.
I think a lot of the most interesting work in art and in films are often kind of polarized opinions and affect people in very different ways, which may be less successful commercially, but they elicit a dialogue that's quite interesting.
I tend to be conversational and loose with dialogue in general, not out of disrespect for the source material but because that's the way I work.
Actually, King Abdullah, under his supervision and guidance, has established a dialogue in Saudi Arabia whereby all the population, whether Shiite or Sunnis from north, south, west or east, they can get together and exchange their views.
If I had to write long-form stuff with descriptions of rooms, it would be so boring for me. I like writing dialogue and jokes and situational stuff.
I like to get people talking. I am a provocateur, and I do like getting on Twitter and riling people up. You know what, after a while some sane dialogue and sane conclusions come of that kind of thing.
I've never made a film using dialogue or speech.
Regarding Syria, we already call for dialogue between Syria and all parties concerned, in order to avoid any kind of escalation in the region which may expose the whole area to chaos.
I really love sort of classical cinema where people were telling stories with very little dialogue, and people were using the camera in a really interesting way.
Sometimes, what's not said is just as important to the writing as what is said. As a writer, we have our voices heard. I think that, at oftentimes, the ability to allow the dialogue to recede properly into the world of the film is also a really valid sort of way to be a writer, I think.
Almost every scene, I re-think as I'm about to start drawing it, and at least half of the time I'm changing dialogue or whatever, or adding scenes or different things.
I don't need dialogue to convey emotion or thoughts to my audience.
When you have a conflict, that means that there are truths that have to be addressed on each side of the conflict. And when you have a conflict, then it's an educational process to try to resolve the conflict. And to resolve that, you have to get people on both sides of the conflict involved so that they can dialogue.
We talked a lot about The Best Intentions and how we could shoot certain scenes in different ways with slightly different bits of dialogue and information, so that later on, we could cut the piece more easily and it would still feel complete, even though it was shorter.
A dialogue among civilizations can be seen as a dialogue between the individual and the universal.
I like the idea of the artist going out in the world, creating a dialogue.
For a sculptor, a painter, a weaver, a potter, the dialogue between one's materials and what one makes from them is easy to see: discover a new material or a new way to use a familiar one, and new things can be made, sometimes leading to the discovery of more new material, leading to more creation.
Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It's always the unspoken word and what's happening behind someone's eyes that makes it so rich.
If Turkey is prepared to acknowledge the Armenian Genocide, then its leaders can proceed immediately to direct dialogue with its counterparts in Armenia to define a common vision for the future.
I'm self-entertaining. My dialogue is with myself.
Legal dialogue is awesome, but you can't ad lib. It's much more fun to be looser and say things like, 'Can I work in a Han Solo reference?' I'm a 'Star Wars' freak.
I don't want to be in a movie with 20 minutes of dialogue and then stand around while the robots start explosions.
We will not change in matters of policy until such time as dialogue has begun.
