Zitat des Tages von Viola Davis:
I cannot believe my life. I just can't. I'm so blessed.
I've been online doing all kinds of research and that seems to be the constant criticism, that Aibileen's accent was just too thick. And for me, I don't want anything to distract from the character.
I love Wal-Mart. You can put that down. I love Wal-Mart. My husband and I hang out there.
When you grow up in abject poverty, you see people exactly the way they are.
I'm the journeyman actor that you saw in one scene here, two scenes there. I've been eking out a living doing theater - Broadway, Off Broadway - film supporting roles, that I'm just excited to be a part of the conversation.
I worked in television; I'm the Failed Pilot Queen, I've done so many television shows, pilots, theater ... when you do it for so long, I'm telling you, you get to the point where it becomes varied because you take what's available for a number of reasons. It's just an occupational hazard.
I heard about the book and I said, 'Oh my god, I've got to read this book,' and I didn't know that a white woman wrote it. Nobody said that to me, they just said, 'The Help - Oh my god, you've got to read it.' Everyone failed to mention it was a white woman, I think, because nobody really wants to talk about race.
I can't deal with actors! I can't deal with myself. We're neurotic and miserable ... I love doing what I'm doing, but while I'm doing it, I'm miserable.
We grew up in abject poverty. Acting, writing scripts and skits were a way of escaping our environment at a very young age.
My grandmom worked as a maid for most of her life, and she worked in the tobacco and the cotton fields, whatever she could get.
I suffered from low self-esteem for much of my life. And now to feel like maybe something that I'm projecting or saying could mean something to someone means a lot to me.
I still feel like when I walk on the set, I'm starting from scratch, until I realize, 'OK, I do know what I'm doing. I'm human.'
What do you want? What do you want your life to be? What do you want your testimony to be? Go for it!
This is the richest country in the world. There's no reason kids should be going to school hungry. Food is something that everyone should have. It just is.
Egos are an occupational hazard in acting, but I don't have much of one, and my husband doesn't have much of one, so it's good.
You have to have an unlimited imagination, an unlimited restraint on your inhibition when you're working. You have to even dare to fail, even in a scene, whatever it is.
Sometimes you see how humanity can rise above any kind of cultural ills and hate that a person's capacity to love and communicate and forgive can be bigger than anything else.
People who are alone all the time never grow. Those hermits just stay the same. It's only through relationships. Relationships change us and make us grow.
Those things that we probably are ashamed of as human beings, certain things that no one would ever talk about - as actors, when we transform into a character, we empathize with those moments.
Your job as an actor is to piece together whatever you've learned in your training, or whatever you have experienced in your life, to piece together a person.
You have to dare to make a choice that may be considered unorthodox in a role, but when you're working as if there are tons of people watching you, that's not necessarily a good thing.
Every job I've ever gotten has transformed me in some way as an actor.
The only picture I have of my childhood is the picture of me in kindergarten. I have this expression on my face - it's not a smile, it's not a frown. I swear to you, that's the girl who wakes up in the morning and who looks around her house and her life saying, 'I cannot believe how God has blessed me.'
In life, you know, they do this in focus groups; if you were in such and such circumstance, what would you do? Well, you never know what you're going do unless you're faced with it.
Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It's always the unspoken word and what's happening behind someone's eyes that makes it so rich.
I know I'm not the best, but I'm proud of myself.
I think women are very complicated human beings, and I think there's an oversimplification of women when you see them on screen.
You can't be perceived as 'the black actress who doesn't get the same kind of roles as the white actress.' You gotta run the same race. You gotta give the same quality of performances. You gotta have the same standard of excellence, even though people know that you're coming to the race in a deficit. That's just what life is about.
Flashy characters are more entertaining to people because you get it. You don't have to work to get someone who says what they mean and says what they think. They're out there. It's harder to play a quiet character because everything happens in their stream of consciousness.
That's always the biggest surprise when people meet me: how buoyant I am and how fun and light I am.
People don't understand that when you come into any theatrical experience, you've got to come locked and loaded, that you're a part of the experience, too. You can't come with your arms crossed. Be open to it.
Can I just tell you, I think it's the most beautiful thing about young people today, it gives me so much hope for the future, that they don't really recognize race the way my generation does.
The big 'Aha!' moment is that the trauma never goes away.
You're only reduced to a cliche if you don't humanize a character.
I have had issues in the past with the characters and the limitations of the characters and the structure of the narratives given to me as a woman of color.
We all have different narratives; all of our narratives are at different stages of development.