Zitat des Tages von Seamus Heaney:
It is very true to say that work done by writers is quite often an attempt to give solid expression to that which is bothering them... They feel they have got it right if they express the stress.
I have begun to think of life as a series of ripples widening out from an original center.
The experiment of poetry, as far as I am concerned, happens when the poem carries you beyond where you could have reasonably expected to go.
In a way, Anglo-Saxon poetry cannot be translated.
I always believed that whatever had to be written would somehow get itself written.
There's never going to be a united Ireland, you know.
I suppose you could say my father's world was Thomas Hardy and my mother's D.H. Lawrence.
A public expectation, it has to be said, not of poetry as such but of political positions variously approvable by mutually disapproving groups.
A person from Northern Ireland is naturally cautious.
At home in Ireland, there's a habit of avoidance, an ironical attitude towards the authority figure.
My point is there's a hidden Scotland in anyone who speaks the Northern Ireland speech. It's a terrific complicating factor, not just in Northern Ireland, but Ireland generally.
I came from a farming background, and my career was teaching.
One of the best descriptions of the type of writer I am was given by Tom Paulin, who described himself as a 'binge' writer - like a binge drinker. I go on binges.
The experimental poetry thing is not my thing. It's a programme of the avant-garde: basically a refusal of the kind of poetry I write.
The completely solitary self: that's where poetry comes from, and it gets isolated by crisis, and those crises are often very intimate also.
Sonnet is about movement in a form.
Poems that come swiftly are usually the ones that you keep.
We go to poetry, we go to literature in general, to be forwarded within ourselves.
The kind of poet who founds and reconstitutes values is somebody like Yeats or Whitman - these are public value-founders.
My father and mother had no sense of entitlement for their children.
Whether it be a matter of personal relations within a marriage or political initiatives within a peace process, there is no sure-fire do-it-yourself kit.
I always had a superstitious fear of setting up a too well-designed writing place and then finding that the writing had absconded.
The gift of writing is to be self-forgetful, to get a surge of inner life or inner supply or unexpected sense of empowerment, to be afloat, to be out of yourself.
There is risk and truth to yourselves and the world before you.
Without needing to be theoretically instructed, consciousness quickly realizes that it is the site of variously contending discourses.
Manifesting that order of poetry where we can at last grow up to that which we stored up as we grew.
The end of art is peace.
Even if the last move did not succeed, the inner command says move again.
The murder of Sean Brown hurt my soul.
I don't do as many readings as I used to. There was a time when I was on the road a lot more, at home in Ireland, in Britain, in Canada and the States, a time when I had more stamina and appetite for it.
The day I entered St Columb's College, my parents bought me a Conway Stewart pen. It was a special afternoon, of course. We were going to be parting that evening; they were aware of it, I was aware of it, nothing much was said about it.
I suppose you inevitably fall into habits of expression.
I believe we are put here to improve civilisation.
Then as the years went on and my listening became more deliberate, I would climb up on an arm of our big sofa to get my ear closer to the wireless speaker.
Poetry is always slightly mysterious, and you wonder what is your relationship to it.
What I've said before, only half in joke, is that everybody in Ireland is famous. Or, maybe better, say everybody is familiar.