My husband recently made me try on a bikini. A bikini is not so much a garment as a cloth-based reminder that your parts have been migrating all these years. My waist, I realized that day in the dressing room, has completely disappeared beneath my rib cage, which now rests directly on my hips. I'm exhibiting continental drift in reverse.
Toddlers need to get off the soccer field and onto the playground. Children need to get out of the gym and into neighborhood stickball games. We need to give kids room to create their own rules, set their own terms, and move their bodies in their own ways.
The place where we were operating was not fit to be called an operating room. Aseptic work had not been done in it for some years. The floor could not be scrubbed properly, or the water would go through on the laboratories below.
I really do not like auditioning... it's hard because you never know what you're going to walk into in a room.
When I started out playing small clubs, you could feel the room recoil from certain kinds of songs. Anything that was too personal, that had a sentiment to it, or was laying out your feelings, was immediately booed. People would start throwing things. And anything that was really provocative or humorous or radical was embraced or cheered.
People are scrambling to figure out how they can prolong the life of an album. But as long as the shelf space continues to shrink at retail, there's just no room for them anymore... which is fine with me! I would love to be the next person in country to just release digital singles, but I think we're probably a little ways from that.
Three of the brightest baseball pitchers of their times staged comebacks without much success - David Cone, Jim Bouton and Jim Palmer - but there was room to admire their quixotic gesture.
To me, the nicest luxury would be to have a room where I could keep all my books in one place - and have space for more.
Obama was the first president whose biography makes sense to me. He can walk into a room anywhere and find common ground with any person.
I never walk into a room and say, 'Hi! I am Vanessa Williams' daughter.' It helps me to become more authentic.
In my office in Florida I have, I think, 30 manuscript piles around the room. Some are screenplays or comic books or graphic novels. Some are almost done. Some I'm rewriting. If I'm working with a co-writer, they'll usually write the first draft. And then I write subsequent drafts.
When you're doing a TV show, it's not like you just shoot for six weeks and you're in an editing room with all of your footage. It's like a guitar or a car, you have to fine tune things. You stop doing what's not working, you work on what is working and you add things that do work.
A friend of my mother's, Irene Lopez, was a Spanish dancer. She saw me bopping around the room and said to my mother, 'Rosita might have talent. Can I take her to my dance teacher?' There was no thought of a career at that time, but I knew I loved the attention, and that's so much a part of being a performer.
I was born on a plantation, and things weren't so good. We didn't have any money. I never thought of the word 'poor' 'til I got to be a man, but when you live in a house that you can always peek out of and see what kind of day it is, you're not doing so well. And your rest room is not inside the house.
I had spent many days hungry; had slept on railway stations at times because I did not have money to pay for a hotel room... there were moments when I felt I had compromised my dignity as a human being and as an actor.
Those of us who know the transporting wonder of a reading life know that it little matters where we are when we talk about books or meet authors or bemoan the state of publishing because when we read, we are always inside, sheltered in that interior room, that clean, well-lighted, timeless place that is the written word.
The scene of independent cinema is already a large scene in America, and not in a negative way, but it's cluttered. It's very populated with just American films, so the room left for foreign movies is not extremely vast. The American public also does not really read. They don't read subtitles. But we're like that in Canada, too.
When you lose everything, and I mean everything, you sit there in this empty room in the dark, and the only person who can get you out is you.
There I am, watching Philip Seymour Hoffman, one of my favourite actors in the world, walk into the room dressed up as Father Christmas, being hilarious, and I'm suddenly thinking, 'Where am I?'
I actually feel most at home when I find people who make me feel really dumb, who are brilliant at their particular things. And then I gather these people, put them in a room, and watch incredible things come out of it.
It's really hard when you break up with somebody, or somebody breaks up with you, and you're in this band; guess who you have to see in the next day in the hotel in the breakfast room? That person.
I've been famous for a long, long time. So I don't think of it - I think of it very differently. It's the normal temperature of my room.
I work in our living room, a strange room in a strange, topsy-turvy house. I work underneath this enormous bookshelf.
I can create a vibe without saying anything, just by being in the room.
I don't have a writer's room. I write all the shows myself. Ninety-one episodes a season, I'm sitting there at the computer writing and writing and writing because I want the voice to be authentic so that the audience is hearing from me and not other writers.
I'm like, 'Would you be the person in the room that would boo when Dylan went electric? I know I wouldn't. Or are you the person that left The Beatles after 'She Loves You,' or 'Drive My Car?' You weren't on board for 'Revolution 9' or 'Day In The Life,' were you?'
If I read the small print, and I see that what I love to taste has pantonaponamene or fake smeinlioaimine, then I have to hide in my room when I eat it. I'm still gonna eat it, it's just gonna be 'Don't come in here!'
I understand that I have a certain look that can be used to my advantage. I know the power of that when I walk into a room and talk to people, and I can use it as an advertising tool. Now I am actually selling me, my face, my thoughts. So I am my guy.
I remember one time I wrote something very, very critical about Wilt Chamberlain. The next time I saw him - and Wilt was not a man, as huge as he was - he was not a man of confrontation. And we were in the Lakers locker room. And he sent Jerry West over, and he said, 'Frank, Wilt would like you to leave.'
You can't live on last year, you can't live on the year before. I can't bring in my 13 Pro Bowls in the locker room and say, look at me. No. That is gone. That is the best thing about the game of football is that everybody starts over.
It's kind of a lonely work, because you just have to keep your pole in the water. I always had a little routine of going into whatever room I was using at the time to write in and just staying in there till I felt like I got a bite.
The Afghans themselves say that if you put two Afghans in a room, you get three factions.