I don't really ever think about whether or not I like the characters I'm playing. I'm more into the minutiae of their behaviour or what they're doing in a certain scene.
People get all caught up thinking they have to train a certain way or take a certain approach to things, but there's so much more to this than fitting into what other people think you are supposed to do. You have to have fun and enjoy what you are doing; otherwise, what is it all worth?
We all have choices we have to make, and with those choices come certain sacrifices.
There's a certain amount of tyranny in all of us to some extent, and in some people it's much more developed than in others. It's a different balance which makes us all different.
Every film is hard work, and a few lucky people do get Oscars for what they do, and it's recognition for all that hard work on a certain level. If you didn't do the hard work, you wouldn't be standing there. On the other hand, people do a lot of hard work and don't get Oscars, so it's a mixture of glory and injustice at the same time.
One of the things that makes our military the best in the world is the certain knowledge of each soldier, sailor, airman, and Marine that they can always count on their comrades should they need help - that they will never be abandoned.
Certain subjects may no longer be taboo in cinema. But there are ways to treat them that still create shock.
I do not use the language of my people. I can take liberties with certain themes which the Arabic language would not allow me to take.
There is a certain logic to events that pushes you along a certain path. You go along the path that feels the most true, and most according to the principles that are guiding you, and that's the way the decisions are made.
Escapism, we are led to believe, is evidence of a deficiency in character, a certain failure of temperament, and like so many -isms, it is to be strenuously avoided. 'How do you expect to get ahead?,' people ask. But the question altogether misses the point. The escapist doesn't want to get ahead. He simply wants to get away.
I'd seen all the great entertainers by the time I was 14 or 15. My mother was artistic. My father was a bookmaker, so he had access to all those nightclubs, and he was smitten by certain artists, and we would go see them. We'd see comics like Sid Caesar and Milton Berle - those kind of artists - many of whom I worked with later in my life.
To a certain extent, platforms are platitudes that you test when you get to govern. You have to run those priorities up against the opposition and decide what's most important.
When I'm writing for certain instruments, you want to write within what you know about that instrument but also challenge the player. Something like 'Aheym' is very virtuosic - but because I have a history of performing music, I don't like unplayable music.
You can have a certain arrogance, and I think that's fine, but what you should never lose is the respect for the others.
I saw Berry in concert a couple of times in the late '70s - and like almost every North American male of a certain age, I went because a friend was hired by Berry that very day to be part of the legend's backup band.
As a musician, I look for certain things that stimulate me. And what I look for is something that's an evolution on a particular genre that I never heard before.
There are certain characteristics that define a good chimp mother. She is patient, she is protective but she is not over-protective - that is really important. She is tolerant, but she can impose discipline. She is affectionate. She plays. And the most important of all: she is supportive.
All musicians and artists - we all got quirks that have to be put up with at certain times.
When we say 'cinematic', we tend to think John Ford and vistas and wide-open spaces. Or we think of kinetic camera movement or of a certain number of cinematic styles, like film noir.
I choose not to believe in superstitions. On race day, I have plans that I follow. I don't necessarily think about brushing my hair a certain way or doing certain things that make no sense as it relates to my performance.
In regards to being a fashion aficionado, there's a certain amount of taking yourself seriously in the professional world. The self-effacing person can't completely go down the serious road. But I design, and love when things are beautiful.
It's easier for me to write certain character types because of my own life experiences, but I find it too artistically limiting to only write about red-headed kids who grew up in small town Montana. That's really part of the fun of fantasy, I think. Our imagination is basically unlimited. Okay, that's a terrifying thing about fantasy, too.
I like Disney stuff. No-one looks at 'Toy Story' and says,' Oh, that's just for kids.' Why is it that games can only appeal to a certain audience, but movies and books - I mean, how many adults read 'Harry Potter?'
Music is entirely subjective. I was thinking that for myself, for songwriting and what I like to listen to, to help motivate me as a songwriter, as a musician, there are certain things I lean towards and certain things I don't.
People haven't even begun to tap into the potential of what the mind is possible of doing. We only use a certain percentage of our brains.
There are certain things I want to keep to me. I don't discuss my private life.
I don't lift weights at all. Every muscle on my body is for an actual task; there is no muscle that I train for show. If I want to be able to do a certain move or action, I train really hard until I can. And with all of that training comes muscle definition, so it's really an afterthought.
Data can generally travel the speed of light unless networks are congested. When there's congestion, usually the cheapest and best thing is simply to add capacity generally, not to prioritize certain sites over others.
I grew up on the old EC comic books before the Comics Code in North American and with all sort of good-natured fun. I never had nightmares I think because all of the old horror stuff that I was exposed to was well meaning in a certain sense.
I have refused money sometimes for a film. I have refused films when I felt that it was not for me. When it was just a job or just about making money, I said no. I wanted to make every film count, and when you are true to yourself, this gives you a certain integrity and a certain reputation.
There are certain things that can be asked that get me excited. It's never a thing where I think I'm too good, I'm just the type of person who likes to be enlightened. I don't like to go through the motions.
Anything you can do to help someone, I just think it's so important because there's a lot of kids that look up athletes of all size and shapes in a lot of different fields, not necessarily in the basketball field. They get involved emotionally with those people because there's something about certain athletes that people rally around.
Early in life I learned, just through observation, that right always wins out over wrong. If a person has good intentions in his heart and wants to do the right thing, then there are certain ways that any obstacle can be overcome.
There are certain guys you just take from different teams that you watch.
Bankruptcy represents a longstanding commitment in this country to helping people get a fresh start. This principle has never been giving only certain people a fresh start.
I think that, at the end of the day, I'm drawn to a certain level of ambiguous storytelling that requires hard thought and work in the same way that the 'New York Times' crossword puzzle does: Sometimes you just want to put it down or throw it out the window, but there's a real rewarding sense if you feel like you've cracked it.
